Strange Empire

My husband and I have enjoyed binge-watching this show! Recently, we have seen a lot of post civil war America period pieces on Netflix. They all have the similar theme of civil war trauma (ptsd) and its subsequent violent effects in a frontier landscape. I like this because it's NOT a typical western. I felt that the themes in the story were universal. I loved the costumes! They could almost be "steampunk." If I were to write the second season, I might go that route as engineers work out issues on the railroad and in the mines using technology. I can almost see a Johnny Depp style character partnering up with Dr. Blithely. Of course, this show wouldn't go as far as the steampunk fantasy world, I suppose. We are very disappointed that the show is cancelled. I hope Netflix decides to produce the story.

This is one of the worst shows I have ever watched. I gave it all 13 episodes and was left wanting. There is absolutely no redeeming character on the show at all. Even the righteous Kate Loving who is good with a gun with her moral compass; she is weak and ineffective. She couldn't stop the miners from brawling and then she was working for the mine. Isabelle is ruthless and greedy with no shame or remorse. She was willing to kill the young mother just to keep her father-in-law on the hook. Which brings us to John Slotter who posses no charm, no wit, no vision and no sense. I don't just hate his characterization I really find the actor not very good either. It is a quagmire of bad writing and almost claustrophobic in the stylization of 1880s. If we are to believe this is the Canadian wilderness where is it? The smaller, simpler charters are not completely fleshed out but at least allow for some kind of hope of manna in the wilderness.

Okay, maybe the young doctor wanting to do right is not too bad...

Strange Empire is more than just a Western, although there's plenty of Western action. It's a female-driven, sexy, well-plotted drama. Beautifully shot, well-written, it's really the characters who drive the story. A small wagon train traveling into the west between Montana and Canada border, runs into a mining community that has little more than a brothel, mine, and railroad running through it. When two young girls are hidden from the brothel and mine owner, he extracts his revenge by sicking his men on the wagons, killing all the husbands, fathers, and male children, in order to force the women to work the brothel. The plan mostly blows up thanks to Kat Loving, a fierce wife-made-widow. From then on, it's pretty much war. Hopefully CBC won't cancel this one prematurely while it finds its audience. Hear that, CBC? Don't you dare!

Unlike muffin munro, I don't look to TV for history lessons or historical accuracy. I look for entertainment and new spins on the hackneyed, which Strange Empire delivers. Westerns are generally cheesy glorifications of a violent time in North American history. The ten or so years it took for settlers to migrate from the east to the west coast gave free-reign to greed and brutality.

In SE, the women of Janestown continually redefine their alliances as they cope with the brutality of the man who killed their husbands in order to strand them as whores for a mining community. All the old male western stereotypes--marshal, miner, cowboy, doctor, bounty hunter, etc.--are trotted out at their creepy worst. And the women, despite beauty, money, intelligence and deadly aim, are flawed and periodically reduced to some form of prostitution by brute strength. No shiny heroes here, but enough tension and drama to make occasionally awkward syntax forgivable.

Perhaps the color palette is a little too desaturated and perhaps the dialog is a bit over the top, but I thoroughly enjoyed this show. The three female leads are fascinating and beautiful, and the actor playing the main villain does a great job as well. Cara Gee looks inspiring and formidable in that outfit! For sure, this show lacks any varnish and gloss, but that is part of its charm. The whole story takes a lot of unexpected turns. Sometimes it almost felt like no one was keeping track of story threads because characters like Caze and Mrs. Biggs would go from bitter and hateful to sympathetic and helpful depending on the episode. But this ambiguity felt both real and somewhat novel for TV. Mrs. Blithely asks at one point, would all these people be doing these horrible things if not for this place they find themselves in? I also liked it when Mrs. Blithely mused about how she and Mrs. Loving and John Slotter were all cut from the same cloth. They are, all three, scary people in their own ways. (Don't tell Mrs. Blithely that your heart belongs to her, as she will literally keep it in a jar on the shelf.) Really like the title sequence as well.