After We Leave

Sci-fi != rockets. Sci-Fi = new situations. If you can take the same story and put it in another setting and nothing really changes then it's not Sci-Fi, it's just a drama. That it happens to take place with some futuristic elements is not enough to call it Sci-Fi

All we really get from this is a drama about a guy looking for his wife with a hard deadline to find her. The setting is mostly superfluous. I bring that up because putting it in a Sci-Fi dressing sets some expectations that there will be something new added to the world. What if robots became sentient. What if an AI declared war on the world. What if everyone had 24/7 video cameras in their eyes. What if AR was so real it caused PTSD, What if time travel was actually possible, etc...

This movie doesn't really add a strong enough "what if" to be sci-fi so when all is said and done it's a mostly mediocre drama about a guy that for some reason left his wife but now wants to find her and the only person that knows where she is is someone he screwed over previously and mostly wants to see him suffer/die.

The only things we get from the "what if" are a dead line and a reason to need his wife even if he doesn't care about her. He may or may not care about her but he needs her regardless. Those situations already exist in the real world. For example visas expire. I know several friends that had to move back to their home country even though they didn't want to leave, because their visa expired. They desperately tried to find a new job (job = visa sponsor) before their deadline, failed and had to leave. Needing a spouse for a visa is also a real world issue.

Basically this is not a Sci-Fi movie but because it's dressed as one it only disappoints those mis-lead by the setting. Remove the setting and not much changes.

I think the ending is not such a bad idea though I can see how in the end it's unstatifying and that the build up to get there doesn't make it worth while.

Not a bad premise, but very badly executed. Acting was actually OK so the cast should be happy with their contribution, but the script is all over the place. Some parts simply make no sense (the biggest being the incredibly stupid and frustrating ending) whilst other parts are so ridiculously slow I needed to fast forward to remain even remotely interested.

It's just a bad movie. Not terrible, just bad. Give it a watch if you have nothing else to do, otherwise don't bother.

3/10 for the actor's efforts.

The ending to this film was just bad. A twist that failed to contort into anything of worth.

It had an ok premise and lofty aspirations as an Indy film, but It just couldn't hit any of the marks. The storyline was predictable for all the bad reasons. The script lacked any punch. Visual effects were nonexistent and the acting was wooden at best.

Hossain is not a good director. He fails to bring the viewer into a future in any meaningful way. As has been noted elsewhere, the film looks set in the late 20th century. Nothing hints at when this takes place where space colonization would be commonplace.

Action scenes in this were just...lacking with subpar choreography and bad framing. So much more could have been done. The only positive is the soundtrack but even that gets bludgeoned with careless audio editing and low levels.

Watching this was a mistake. I should have read a book!

I'm not one to slam new filmmakers, but newb writer, director and producer Aleem Hossain should've had a seasoned screenwriter go over his script.

The premise of the story was decent, but there was too much filler and very little substance. The ridiculously long and unnecessary near-still camera shots got annoying very fast. The plot and technical issues were very evident. Not even taking the slow pacing into account, the lack of substance made this 82 min run-time feel like almost 3 hours. This film needed to be a short, or a 1 hour TV length. What's worse, was Hossain's attempt for a plot twist at the end that was a huge fail, and gave this film that generic dumb ending you see in many cheap b-grade films.

Aside from the long dragged out scenes, Hossain's directing and camera work was ok for a newb, although the few action scenes had terrible choreography and poor camera angles. The cinematography and color choice needed to be much better. Even for a low budget indie film, the sci-fi should've been more apparent than a few CGI moments. Without those, you'd think the timeline was the 1980's. Although the score was quite fitting and impressive for a b-grade film, sadly, the sound was terrible especially during the action sequences e.g. gun fire. The acting was the main highlight of this film.

This film is not anything close to a 10, but certainly undeserving of any 1 and 2's. Cutting some slack for new filmmakers, I'm giving this film a generous 5/10.

This is one for movie-buffs and also for those with a few extra brain cells that have not been desensitized by dumb Hollywood. Although the basic premise is a simple one - futuristic dystopian Earth, run both by big business and small-town mafia, the story actually transcends a Sci-Fi to become more of a human drama and a tough-guy personal story of self-revealing. Though slow-paced there is a sort of genius in the way the screenplay slowly reveals personalities and their histories, like one of the slit-lanterns gradually uncovering the light and truth, with plenty of imagination and nuance, not only towards the audience but also to "solitary John", the central, hard-man character. There were so many opportunities to let violence rip and become cliché - but even this is disciplined and controlled, with some fulfillment in the dramatic conclusion. I'm sure that Aleem Hossain will make it big in future endeavors, provided he sticks to his principles.