एक अपराधी एक ड्राइवर को एक चोरी करने के लिए मजबूर करता है, पर उसे इस बात का अनदाज़ा नहीं होता की जिनसे वो चोरी कर राहा है वो असल में अंडरकवर जासूस है.एक अपराधी एक ड्राइवर को एक चोरी करने के लिए मजबूर करता है, पर उसे इस बात का अनदाज़ा नहीं होता की जिनसे वो चोरी कर राहा है वो असल में अंडरकवर जासूस है.एक अपराधी एक ड्राइवर को एक चोरी करने के लिए मजबूर करता है, पर उसे इस बात का अनदाज़ा नहीं होता की जिनसे वो चोरी कर राहा है वो असल में अंडरकवर जासूस है.
- 3 ऑस्कर के लिए नामांकित
- 43 जीत और कुल 66 नामांकन
फ़ीचर्ड समीक्षाएं
A very well choreographed film. Right from the driving sequences, the dance & music moves, the complete score of the film to even the sign language conversations between Baby and Joseph.
Absolutely loved the editing - sleek and clean. I can imagine the efforts needed to shoot the complete the film by calculating the amount of individual shots taken in the film.
3/4th of the film is quite interesting, felt quite a drag towards the end. The love relation between Baby & Deborah is quite interesting.
Overall a good one time watch.
Strong cast of actors.
Absolutely loved the editing - sleek and clean. I can imagine the efforts needed to shoot the complete the film by calculating the amount of individual shots taken in the film.
3/4th of the film is quite interesting, felt quite a drag towards the end. The love relation between Baby & Deborah is quite interesting.
Overall a good one time watch.
Strong cast of actors.
Edgar Wright deals with the technical aspects very well, be it camera work, cinematography, editing or soundtrack. But in pursuit of the style, he forgot to write good characters. There is absolutely no conviction. You don't feel for any character. Their actions are confusing (like Kevin Spacey in the end). It tells you a lot when I say that the most interesting character was an 8-year old boy with barely 3-4 minutes of screentime. The dialogues didn't help either. No one is interested in the comparison between weapons and different body parts of a pig.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
Edgar Wright proved to be able to create a thrilling direction and more than capable script for our ensemble cast, led by a sympathetic Ansel Elgort. He certainly shines as this teen in a tough position who is a good guy being forced to do bad things. More than your average heist movie, with a killer soundtrack and fast pace driver you'll be on the edge of your seat during the most crazy moments.
I read an early tweet that described Baby Driver as 'a mix-tape with a film attached to it' and that proved to be an accurate comment. The tweeter may have thought this was a good thing, but I certainly don't.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
I was able to watch Baby Driver during an advanced screening last week and and yes it's as amazing as the critics say it is. The way it uses the music is just so great. It's so different from all the other movies, but it isn't artsy in a way that only the critics will like it: this is a movie for everyone. I went with a friend who is really hard to please when it comes to movies, but I just knew he would love this. And I was right, I never saw him as excited about a movie as he was about this one. It's just so much fun to watch, but it's also serious when it needs to be and it has very intriguing characters. But I'll be honest, the core of the movie is its music. I think this is the second time I say it, but the music works so well. If I wasn't in the theaters I would sing with the songs. Even though it's completely different, it reminds me a bit of Fury Road in the way that it makes you want to punch your fist and the air and cheer during the movie. In reality I think it's more a mixture of La La Land and Grand Theft Auto (it's definitely not a musical by the way). Go see this movie. I don't want to overhype anyone, but I'll make a bold statement and say this is my favorite Edgar Wright movie. I'll be shocked if this doesn't appear on many 'Best of the Year' lists in December, at least I already know it'll be on mine.
क्या आपको पता है
- ट्रिवियाIf you watch the film with headphones, every time Baby wears just one earbud you'll also hear his music in only that one ear.
- गूफ़Darling is shot in the right arm. Minutes later when she's eating in the diner, her right arm has no blood on it, and her jacket has no hole in it where she was just shot.
- क्रेज़ी क्रेडिटThe "ding" in the opening Sony logo turns into the sound of Baby's tinnitus.
- कनेक्शनFeatured in Chris Stuckmann Movie Reviews: Baby Driver (2017)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Baby Driver?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Baby, el aprendiz del crimen
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,40,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,78,25,862
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,05,53,320
- 2 जुल॰ 2017
- दुनिया भर में सकल
- $22,69,45,087
- चलने की अवधि1 घंटा 53 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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