Munnariyippu

Munnariyippu tells the story of Anjali Arakkal, the freelance journalist who makes her living being a ghost writer. During one of her assignments to write an autobiography for jail superintendent, she meets an inmate-C.K Raghavan, grows interest in his story and character and decides to write a feature on him. C.K Raghavan had been sentenced to life for homicide of two ladies. But even after completing his term of 14 years, he prefers to continue in jail. The story then revolves around how he comes out of jail , how Anjali pursues him to write what really happened in his life and if the audience really get to learn all those.

Aparna Gopinath is a revelation. I was impressed with her debut in ABCD but from there onwards,it had been a downhill for the actress whether its the movies she had been part of or the characters she portrayed. Here in Munnariyippu though she stuns one and all matching up to the veteran Mammootty in many scenes. Its her earnest portrayal of a journalist who is determined to succeed and scale greater heights in life that brings an urgency to the otherwise sedate proceedings. Nedumudi Venu is a treat as always and brings few chuckles on our face. I wish Malayalam Cinema utilizes this actor more often. It has started to irritate to see Joy Mathew in every other movie these days but in this one, he did a fine job. Renji Panicker continues to be a natural in front of screen. Prithvira's cameo has nothing much to do but provides an important turn in the story with an advice he gives Aparna. 2012's National award winning child artist, Minon once again leaves a mark as the kid who befriends Raghavan and around only whom Raghavan is cheerful during the days he is out of jail

Cinematographer Venu makes a stellar return to direction after a long break and its his novel theme and intriguing story that is the winner in Munnariyippu all the way. Unni.R's screenplay provides the right impetus needed to this story. The technique these makers have used to tell the story in a lethargic pace to the point that the viewers finally start to get bored and then suddenly hit them with an ending like a ton of bricks has reaped in huge rewards. Bijibal's haunting background music helps the movie a great deal too. But above all, what Venu primarily needed was an actor who would not reveal anything at all about what C.K Raghavan is about and maintain the mystery surrounding him till the very end. Mammootty does that job with great aplomb , once again you only see the character the actor plays and not the actor himself.

It is very rare in a terrific movie where Mammootty has played the lead role ,that you walk away from the cinema halls not taking with you the brilliant acting moments by the actor. But Munnariyippu is one such movie and Mammootty has actually nothing to do with it . Its because C.K Raghavan does not reveal much on his face. He doesn't emote at all. He behaves differently from others. Even his ideologies and philosophies are different. Mammootty's ability to become the character he plays coupled with an astounding work of Venu and Unni.R in molding Raghavan delicately and perfectly might have given us a new entry to the list of Malayalam Cinema's finest movie characters ever. In Munnariyippu, its not the acting nuances that haunt you when you leave the halls, its the whole character.

Copy Paste from - Fahir

Munnariyippu is a movie which makes the audience to wear their thinking caps. Arguably, the movie belongs to the physiological thriller genre. The movie opted to take a bold route of not explaining and spoon feeding the audience with every single detail which is not a familiar experience for the south Indian audience. We are forced to think and draw conclusions based on many subtle(even bold) hints which will help us to connect the dots and conclude what it is all about. I think, this is completely path breaking for Malayalam movies. Audience who are familiar with Hollywood movies like Seven or Usual Suspects could relate to this, as a single event towards the end or the climax unravels the complete movie for you and make you think about the movie, even after watching it.

I am not surprised that many people didn't like the movie and I even read that people were booing at the end of the movie. This movie is not everyone's cup of tea. But, I am sure a seasoned movie goer will definitely be able to appreciate it.

Mamootty was the ideal cast for the role and has performed admirably. It's just sad to see him waste his time and talent on commercial mass movies and cheap comedy. I hope he would opt for more challenging roles like this and our script writers could churn out such excellent scripts more often. Aparna Gopinath did a commendable job enacting the character transformation under corporate pressure.

I am not sure if the movie is a commercial success. I hope it is and I would love to see such movies more often. If you are looking for a time pass popcorn movie, just don't go for it and boo it. But, if you appreciate good cinema and like to see a thought provoking movie, it's a gem. Go for it! Cheers!

"This movie isn't for everyone!" a line that I have used time and again and while it may sound like an easy bail for a movie that I'd enjoyed yet can't recommend others, I can't emphasize the line enough here for one of the best Malayalam movies this year. Munnariyippu starring Mammootty and Aparna Gopinath, isn't going to turn a lot of heads or be discussed among the casual movie-goers. But it was able to etch its impressions in my head and invoke a multitude of emotions, from sheer helplessness to supreme fear, and ending in being haunted even after the credits had rolled in. If you find yourself as immersed as myself in this movie, you are warned and assured you will go through similar range of ires as well.

Veteran cinematographer turned director Venu's second offering (since 1998's Daya) Munnariyippu tells the story and life of C K Raghavan portrayed by Mammootty and how a meeting with him changes the life of an aspirational freelance journalist Anjali Arakkal played by Aparna Gopinath. Its extremely slow paced and yet I found myself intrigued with the titular characters. My first impression was that it was gonna go the usual artsy movie route and the ending would be something ironic yet hard to comprehend. As the movie progresses, every turn, even if they are less in number and minute in magnitude, will keep you guessing and try to make you foresee the ending. But its safe to say that predictability takes a backseat here and nothing would prepare you for the ending, not that the ending is what made the movie.

You'll be able to say if this movie is for you or not from the titles itself. There was this line about Kafka that Prathap Pothens character utters in the movie. It was sheer coincidence that a movie had something about Kafka just a day after I'd finished reading one of his books. If you are familiar with the works of Kafka you'll see the essence almost instantly here.

Bijibal's haunting score is another gem in the crown. It was almost reminiscent of Mica Levi's score from Under The Skin, and by reminiscence I meant the haunting goodness of it. Much like the movie even the score had equal tones of liberating calm and disturbing melancholy.

While others near me shrugged in their seats, muttering to themselves "When'll this be over?" and "Why did I even come for this", I was completely invested in this movie, thanks to the awe inspiring performances from Mammootty and Aparna. Mammootty was inexplicably terrific as C K Raghavan, having minimal lines and acting mostly through body language. This will be hailed as one of his most challenging and complex roles ever. Aparna Gopinath effortlessly slides into the shoes of Anjali and brings out the bold that we've usually seen her portray but at the same time we also get to see her charming and vulnerable sides as well.

Sharing what I'd exactly thought about the movie in itself would act as a super-spoiler and I wouldn't want in the world to spoil this for you. I could easily tag this movie with a certain genre but then again that tag would be yet another spoiler. Sitting through till the end ain't easy, but when you are sucked into the simple narrative complemented by tight direction, an enthralling script and sincere performances from both the leads, nothing else matters.

Munnariyip, A movie which will haunt you for a long time after you left from the movie hall. A movie about C.K Raghavan and his views about the freedom. A Stunning movie with a flawless script and brilliant acting by the pioneer of Indian cinema Mammooty. Special mention to the director for the way he narrate the movie. Such a masterpiece in the recent times.A movie which allows the audience to be a part of it. movie leaves many unanswered questions at last. By thinking one can understand what the movie is all about. This stuff can be considered as mammooty's best work in last 5 years. This one is for all the movie lovers out there. don't miss it.

Apart from succeeding as a drama film that manages to keep your attention throughout its 114-minute song-less spectacle, the movie also succeeds as a a stellar example of how a good screenplay can really carry an entire movie. This movie follows the journey of a young freelance journalist, struggling to make her "big break" work with the biography of a double homicide accused prisoner, whom she takes a fascination to after a few meetings. The story follows her attempts to get him to write about his past and elucidate the details leading to how he was imprisoned - for a crime he vehemently denies committing. Newbie Aparna Gopinath shines in her role as the troubled and desperate journalist trying to get through to the jaded and soft-spoken Mammooty, who delivers an A-class performance reminiscent of his heyday. Cinematographer-turned-director Venu yet again proves that the director chair is something he can handle with equal élan as he does the camera - he will be one director to look out for in this new wave of Malayalam cinema.

Overall, the movie is a must-watch for those who appreciate a good story told adeptly, without much brouhaha or over-the-top-ness and miss the days when Malayalam cinema exemplified that one quality for which it was always prized - simplicity.