Mænd & høns

OK. Admittedly, I'm biased. I'm an enormous fan of Anders Thomas Jensen's movies and pretty much adore everything he's ever made or been even tangentially involved in, but up until now I was very firmly of the belief that 'Blinkende Lygter' was and would always remain my favourite of ATJ's movies. That was until I saw 'Mænd & Høns' and fell completely and traitorously in love.

A perfect balance of black (oh god so so black) humour and pathos, this movie is a testament to ATJ's wonderfully deft touch with both. The characters, surreal and ridiculous as they are, are played with such humanity and conviction, that one cannot help but love them all, every last weird, disgusting one of them. As dual-lead, David Dencik is both loathsome and pathetically lovable as Gabriel. Nicolas Bro is a delight as always as the loquacious over-sharing Joseph, as is an almost unrecognisable Søren Malling as Franz. However, whereas it's normally Nicolaj Lie Haas that takes the comedic football and runs uncontested for the touchline, 'Mænd & Høns' is (definitely) Mads Mikkelsen's movie. As the compulsively masturbating, bombastic Elias, Mikkelsen reaps the lion's share of the comedic lines, delivering them with such incredible timing and bravado you can't help but think he missed his vocation when he opted for a career as leading-man heart-throb over bumbling idiotic funnyman.

I can't say enough good about this film. Watch it as soon as a UK release is available. Talk about it until there is. Petition your local cinemas. Buy 'Mænd & høns' t-shirts and bore your friends. I know I will.

Anders Thomas Jensen has been known for spawning very creative stories, ones that are arguably designed for the absurd. Even if this is the case, there's an underlying genius to what he has created with 'Men and Chicken' (Mænd & høns). Whatever the idea might have been, it came together in the end perfectly.

The story revolves around two brothers from Denmark who suffer from grotesque appearances and other mental issues that hinder them on a daily basis. While one brother, Gabriel, is a University professor who can't maintain a relationship, the other is the loose-cannon, Elias (phenomenally played by Mads Mikkelsen), who also has relationship issues and can't seem to go more than an hour without having to gratify himself.

The brothers learn from their now deceased father that he was not their biological father, that the real one is a Geneticist who specializes in Stem Cell Research, fathered both men with different women, and that he resides on a remote island. While this excites Gabriel at first due to his assumptions that him and Elias could not be related, they embark on a journey that reveals their true family history. They find out that they have three other half-brothers who live on the remote island, and surprise surprise, they have similar features. While Elias is able to, say, communicate with the loners of the island in far less civilized methods, Gabriel attempts to help improve their ways of problem solving by talking and not by hilarious slapstick comedy beatings.

It seems as if the story gets its inspiration from Kafka's 'The Metamorphisis'. So very "Kafka-esque" ('Mission Hill' reference). I'll let that idea sit with you.

The film breaks the barriers of creativity in storytelling from both a comedic and dramatic perspective. It opens and closes as if reading a kids storybook, the musical score has a certain creepy feel to it, and the makeup and design all around was made to give the characters a worn down and dirty look that couldn't have possibly been any better.

What was really fantastic about the film was despite the absurdity, the story really gelled into something of substance and quality. It told us that aren't able to choose our family, and that being different is the best thing in the world.

The film ends on the note that every life -- be it creature or human, ugly or pretty, fat or skinny — is truly a small miracle. Things happen that are out of your control, and when you learn about what who you really are, it is possible to find comfort and acceptance.

"For the very simple reason that life is life, and that the alternative is not preferable."

Gabriel and Elias are brothers, but they look nothing like each other save for a hair lip. Gabriel is a down at heart professor and Elias is a man who has a way with the ladies – the wrong one that is and a need for a lot of 'tension relief'. They are both a bit odd – to say the least.

Then their father 'pops his clogs' (well the film is Danish) and leaves the 'boys' a VHS message. In it they discover that he is not their biological father and that their real daddy lives on some remote island and is a bit of a scientist or something. Anyway with no time left to lose the lads decide they have to trace their real family – and so the fun begins.

Now this has some belly laugh moments and Mads Mikkelsen seems to relish the role. Then so does everyone else too and it must have been great fun to make. It is a pretty dark comedy in places but it also has a fair smattering of slapstick too. There is also a great story with lots of fun, truisms and heart. Written by Anders Thomas Jensen who brought us 'Green Butchers' and many more – this is one of those films that you will tell your friends is a must see.

Mads Mikkelsen has had quite an interesting career so far. What? You don't know who he is? That must mean that you're not up to date on your Danish cinema, or you don't like James Bond, or don't watch much TV… or all three. Mikkelsen is a Danish actor who is probably best known in the U.S. for playing the title character in NBC's "Hannibal" – and as the villain Le Chiffre in the 2006 Daniel Craig-led Bond reboot "Casino Royale". But, like most successful actors, Mikkelsen had to work his way up to such notable parts. As a young man, he spent ten years as a ballet dancer. In the mid-1990s, he began acting in high-profile films and TV shows in his native Denmark. The New York Times calls him "a face of the resurgent Danish cinema". Public opinion polls often crown him the sexiest man in Denmark, while his acting talent has earned him numerous Best Actor awards at film festivals around the world. More recently, in 2014, Mikkelsen played a Danish immigrant in the American West in the excellent, but underseen "The Salvation", and in 2015, he appeared in one of Rhianna's music videos. 2016 has him in Marvel's "Doctor Strange" and "Rogue One: A Star Wars Story". Very interesting indeed. "Interesting" is an appropriate but more loaded term when us to describe Mikkelsen's film "Men & Chicken" (NR, 1:44).

Mikkelsen stars as Elias who, along with his half-brother, Gabriel (David Dencik), seems a little short-changed in the brains department – and NO-changed when it comes to looks and social skills. When their father dies, they learn that they were both adopted and that their biological father lives on the tiny (fictional) Danish island of Ork. When Elias and Gabriel go to Ork in search of their father, they come across three more half-brothers, Gregor (Nikolaj Lie Kaas), Franz (Søren Malling) and Josef (Nicolas Bro), who live together in a dilapidated former sanitarium which is overrun by barn animals. And it seems that Gregor, Franz and Joseph have the same "challenges" as Elias and Gabriel, if not more so.

When Elias and Gabriel show up at the home of their other three brothers and announce who they are, Gregor, Franz and Josef beat Elias and Gabriel. After regrouping at the home of the town's mayor (Ole Thestrup) and his unmarried daughter (Kirsten Lehfeldt), Elias and Gabriel return to their brothers' home the next day to try again to get Gregor, Franz and Josef to talk to them. Another beating ensues, but Elias and Gabriel turn the tables, leading Gregor, Franz and Josef to grudgingly welcome their long-lost brothers into their home. But getting to meet their father is harder than Elias and Gabriel expected.

Getting to know their newfound brothers is no picnic either. Besides letting barn animals roam freely throughout their home, Gregor, Franz and Josef interact with each other very strangely. They fight over who eats off of which plate at dinner, they cuddle together for a bedtime story each night, and if any of the brothers breaks a family rule, he has to sit in a metal cage outside. Oh, and sometimes the brothers change into tennis whites and play badminton on a makeshift indoor court. Gregor, Franz and Josef also have an especially unusual relationship with the larger animals that live outside the house. After being stymied in their efforts to meet their father, Elias and Gabriel notice some… unique-looking chickens roaming about, which makes them wonder even more about who their father is and what he's into.

"Men & Chicken" is… interesting (in an odd way) and can be entertaining… depending on your taste in movies. RogerEbert.com summarizes this film as "a hybrid of 'The Three Stooges' comedy and the lunacy of 'The Island of Dr. Moreau'". It's an apt characterization for what is a tough film to describe. It includes comic violence, bizarre situations, gross-out humor, very dark comedy and even some sweetness. It's fun to see Mikkelsen play so well against type, while the physical appearance of all five brothers is both repulsive and magnetic. As individuals, each character is a rail car which has gone off the tracks. As a whole, this group of people is a train wreck, but it's nearly impossible to look away. Like that proverbial human train wreck, you may find yourself wanting to keep watching out of a morbid sense of curiosity. Many will find this movie too "weird", but some will find it irresistible. "B"

Frequent beatings with cast iron skillets and hard stuffed animals, eugenics experiments gone tragically awry, and five brothers with a propensity for extremely odd and deviant behavior, all combine in a twisted Danish comedy blockbuster. Receiving news of their father's death, brothers Gabriel and Elias reunite after a long period of not contacting each other. They set out to collect the body from a remote and sparsely populated island and dilapidated mansion with free- roaming chickens, goats, sheep and three brothers they never knew they had. None of the siblings is playing with a full deck, yet the one language they have in common is violence. Their attempts to reconcile are hilarious and result in childish fights over insane rules, cheese, who gets a plate with their favorite animal on it, beatings with rolling pins as well as a stuffed beaver, and memorable trips to town to find women. Every subject is fair game for humor including kids, science, hygiene, families, politics, the sick and dead, elders, animals, the handicapped, gender, sex and more.

This really warped and genuinely funny film is truly an original. It is an antidote to the same old gruel from the traditional studios. The soundtrack, including music from vibrating saws, is a perfect accompaniment to the bizarre behavior of this non-traditional and wacky family. The acting is well done. Yes, that is Mads Mikkelsen! The only drawback is the difficulty in translation and a wish that the film was longer. Real life inspiration for the film included the director's four kids, who fought over animal plates as the brothers do on screen. Seen at the Toronto International Film Festival 2015.