IMDb रेटिंग
6.4/10
29 हज़ार
आपकी रेटिंग
न्यूयॉर्क में एक लड़के को एक अपर ईस्ट साइड परिवार, उसकी मां की मेट्रोपॉलिटन म्यूज़ियम ऑफ़ आर्ट में बमबारी में हुए मौत के बाद, अपना लेते है.न्यूयॉर्क में एक लड़के को एक अपर ईस्ट साइड परिवार, उसकी मां की मेट्रोपॉलिटन म्यूज़ियम ऑफ़ आर्ट में बमबारी में हुए मौत के बाद, अपना लेते है.न्यूयॉर्क में एक लड़के को एक अपर ईस्ट साइड परिवार, उसकी मां की मेट्रोपॉलिटन म्यूज़ियम ऑफ़ आर्ट में बमबारी में हुए मौत के बाद, अपना लेते है.
- पुरस्कार
- 3 कुल नामांकन
Aimee Laurence
- Young Pippa
- (as Aimée Laurence)
सारांश
Reviewers say 'The Goldfinch' explores themes of trauma and art, with standout performances by Ansel Elgort and Oakes Fegley. Roger Deakins' cinematography is lauded, yet the film's length and convoluted narrative are criticized. Emotional depth and pacing issues are noted, with mixed opinions on its fidelity to Donna Tartt's novel. Despite these flaws, some find it engaging and resonant.
फ़ीचर्ड समीक्षाएं
Overall, well done film in terms of acting, cinematography, and ambiance. But if you walked into this film with no knowledge of the plot.. you'll walk out without knowing any more. It feels more like an extended trailer or light outline of the story rather than delving in to anything. Nothing is ever fully explained, silences brood with no answers, and overall just felt like it was completely missing a rich story line. Want to know the story? Read the book.
I have a hard fast rule. Never compare a movie to the book on which it is based. This, of course, is impossible in many ways. But one needs to accept the limitations of the silver screen. Little introspection, detail, character development, and so on. Obviously, with good direction and acting, we have a new telling of a tale. I really enjoyed the book here, but was astounded that a movie was being made of it. The dull portrayal of the cerebral nature of the plot doesn't stand up well. It kept my interest only in a how-are-they-going-to-show that kind of way. There is something so drab here. We are asked to glean all kinds of information from close-ups of the protagonist and Nicole Kidman. Connections fail. Suspense is non-existence and contrived. Some books just weren't meant to be movies.
When Brooklyn came out in 2015, I was mesmerized by the sheer beauty of the picture visually, the story, and the all around fantastic performance by Saoirse Ronan. It was a great effort by John Crowley. So when I heard of The Goldfinch I had high expectations seeing as Crowley set the bar high with his last film. I didn't really care for the trailers though I knew it was based on a well acclaimed book. What can I say, this film is overlong, has a messy narrative, and most definitely has to be losing the meaning and importance of the book because this film is not remarkable.
The film is about a boy who loses his mom in a terrorist attack and then grows up in a foster home and then with his drunken and abusive biological father, followed by a friendly antique owner. The film goes through the protagonists struggle with identity, love, and the fact that he took a really expensive Goldfinch painting the day of the bombing, and this last fact comes back in to factor in different stages of his life. Even describing the plot just now was messy for me.
The film looks quite nice. Crowley's works look grand and intricate but that doesn't really cross the finish line. The main issue with this film is that it has no heart and loses what I assume is a lot of the books importance. Its a meandering tale that doesn't go deep enough and I felt like the last twenty minutes or so were just bad. The relevance of The Goldfinch is just lost on me and its just a moving plot device in a film that doesn't know what it wants to do.
I don't like to say it but The Goldfinch is masking around as Oscar bait but doesn't have a whole lot of quality. I didn't read Brooklyn either but the film feels magical and captures the era and aura of early 1900s Irish Brooklyn. This just feels like it sucks the main ideas of its basis and pastes it onto the screen. At a whopping 2 and a half hours, this film feels its length. Ambitious? Yes, but most certainly better left alone.
6/10
The film is about a boy who loses his mom in a terrorist attack and then grows up in a foster home and then with his drunken and abusive biological father, followed by a friendly antique owner. The film goes through the protagonists struggle with identity, love, and the fact that he took a really expensive Goldfinch painting the day of the bombing, and this last fact comes back in to factor in different stages of his life. Even describing the plot just now was messy for me.
The film looks quite nice. Crowley's works look grand and intricate but that doesn't really cross the finish line. The main issue with this film is that it has no heart and loses what I assume is a lot of the books importance. Its a meandering tale that doesn't go deep enough and I felt like the last twenty minutes or so were just bad. The relevance of The Goldfinch is just lost on me and its just a moving plot device in a film that doesn't know what it wants to do.
I don't like to say it but The Goldfinch is masking around as Oscar bait but doesn't have a whole lot of quality. I didn't read Brooklyn either but the film feels magical and captures the era and aura of early 1900s Irish Brooklyn. This just feels like it sucks the main ideas of its basis and pastes it onto the screen. At a whopping 2 and a half hours, this film feels its length. Ambitious? Yes, but most certainly better left alone.
6/10
If you listen carefully and pay attention to all the details, you'll find the plot fits together like a jigsaw puzzle.
I enjoyed this movie immensely, a process that may have been helped by being able to turn on subtitles at home (which handled the mumbling and the background noise distractions). This was one clever script, but again, you have to stay alert. (I have not read the book.)
I enjoyed this movie immensely, a process that may have been helped by being able to turn on subtitles at home (which handled the mumbling and the background noise distractions). This was one clever script, but again, you have to stay alert. (I have not read the book.)
I have not read the book, so am reviewing this as a film... and I found it gripping and moving. Visually superb and great acting along with an interesting story. I thought it was beautiful. I guess people are rating it low because it did not match up to the book, and this is sometimes the case I know. But my wife has read the book, and was very happy with the film. It definitely deserves more than 6.2, so please ignore this low-ish rating. Enjoy.
क्या आपको पता है
- ट्रिवियाThe painting featured in the novel, The Goldfinch, is work by Carel Fabritius from 1654. It belongs to the collection of the Mauritshuis in The Hague, Netherlands. Author Donna Tartt first saw the painting twenty years before the release of the book.
- गूफ़It is not possible for a dead person to stay in a sitting position on the floor as all muscles lose their tone or power: the back muscles cease to support the spine and chest.
- भाव
Adult Theo Decker: I wear bespoke suits. I swim twice a week. I socialize with people I can't stand. I'm relaxed, personable. I don't indulge in self pity. It's true what I read, "We're so accustomed to disguise ourselves to others, that in the end we become disguised to ourselves."
- क्रेज़ी क्रेडिटCredits are unfolding over travelling zoomed images of the painting "The Goldfinch".
- कनेक्शनFeatured in CTV News at 11:30 Toronto: 8 सितम्बर 2019 को प्रसारित एपिसोड (2019)
- साउंडट्रैकPiano Concerto No. 5 in E-flat major Op. 73 II. Adagio un poco mosso
Written by Ludwig van Beethoven
Performed by Glenn Gould with Leopold Stokowski and the American Symphony Orchestra
Courtesy of Sony Classical
By arrangement with Sony Music Entertainment
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Goldfinch?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- El jilguero
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $4,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $53,32,621
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $26,79,027
- 15 सित॰ 2019
- दुनिया भर में सकल
- $1,00,32,621
- चलने की अवधि2 घंटे 29 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें