Truth

"Absolute truth is a very rare and dangerous commodity in the context of professional journalism." Hunter S. Thompson

Every journalism student should see Truth, a true version of a true event that included liberal CBS; liberal anchor, Dan Rather (Robert Redford); and liberal producer for 60 minutes, Mary Mapes (Cate Blanchett). The latter two sacrificed their jobs possibly for the ideal of bringing down George W. Bush in his campaign to become president for the second time.

The journalists thought they had a story about Bush slacking in his National Guard tour, but what they had was forged documents that eventually cost them their jobs and credibility. Mapes was the prime agent of the fiasco, pushing to get a story on 60 Minutes when it was too close to deadline and more substantiation was needed for the source and his documents.

First-time director and seasoned-writer James Vanderbilt takes an almost cool approach, not quite as weighty as All the President's Men or as frenetic; the journalists young and old struggle with the profession's verity: Vet your stories and your sources until they bleed truth. Mapes and her vigilantes are up against a deadline, so more verifying of documents and sources is not possible. Thus, they should not have run with the story, but they did. Dan Rather, for all his experience as CBS news anchor, should not have trusted in Mapes' research, but he did.

Most of all they should not have trusted Lt. Colonel Bill Burkett (Stacy Keach), who provided the documents purporting to show Bush's slacking. Because Burkett was a known liar and fervent Kerry supporter, no one should have trusted him before corroborating his information. Journalism students, beware of cutting corners on the road to truth. The film is an excellent primer on best practices.

Truth is a classy, almost unbiased rendition of a true story, an entertaining thriller filled with first-rate actors. If there is one flaw, I submit for your consideration that the film is too reverent of Mapes and Rather, who made a blunder unworthy of their status and experience. They are more heroic than they deserve. As cautionary players on the big media stage, they are the finest examples of flawed human beings.

"I think journalism gets measured by the quality of information it presents, not the drama or the pyrotechnics associated with us." Bob Woodward

Truth is a thoughtful, subtle, quietly powerful movie - something you don't see much of these days. Yes, it's about the rights of wrongs of a journalistic investigation, part All The President's Men, part Shattered Glass. But it is also charts what has happened to news in recent decades, in particular how it has become a game of "Gotcha!", as the real issues, arguments and truths get lost in superficialities that better lend themselves to headlines and 30-second grabs, and how the news agenda is buffeted by politics, corporate demands and entertainment values. The films chief assets are a smart, snappy screenplay and an another astoundingly nuanced performance by Cate Blanchett. If she had not won an Oscar nomination for her riveting performance in Carol, then she should surely have been nominated for Truth.

Mike Smith: Why did you get into journalism?

Dan Rather: Curiosity. Why'd you get into it?

Mike Smith: You.

These three simple lines cut right to the heart of Truth, the new movie from established writer and first time director James Vanderbilt (Zodiac, The Amazing Spider-Man). The news used to consist of hard hitting investigative journalism, a public service that would expose relevant stories to shed light on the true condition of a deceptive world. Now, instead of covering stories like The Watergate Scandal or what was really happening in Vietnam, newscasters have become mouthpieces. They have become the personalities on TV who we look to for a recap of what happened last night on American Idol or what President Obama had for breakfast this morning. Truth attempts to shed light on the corruption of investigative journalism by corporate greed and political agendas which make it impossible for respected newscasters and their producers to do their jobs, and in so doing it shows us a dangerous future of smoke and mirrors that is already taking hold. Despite some of the film's minor faults, Truth is a beautiful and moving Requiem for The News.

When a scandal does come along that could rock the foundation of American politics, such as the surfacing of the so-called Killian Documents, there are factions that will try to kill the story no matter how much evidence of proof exists. This is the story of Truth, based on the book written by...

Check out the full review on David 'n the Dark! https://davidnthedark.wordpress.com/2015/10/25/a-requiem-for-the- news/

Greetings again from the darkness. The film is based on the book written by Mary Mapes, "Truth and Duty: The Press, the President, and the Privilege of Power", and plays like a desperate attempt at rationalizing the actions of a TV producer, a TV news icon, their team of reporters and researchers, and the endless drive for ratings by a network news organization. Telling only your side of the story when a significant conflict is involved, does not encourage thinking people to take up your cause.

In 2004, Mary Mapes brought in her team to dig into the rumors that President George W Bush had received preferential treatment in military assignments and that his military service records were either incomplete, had been altered, or proved that he did not fulfill his service requirements. Ms. Mapes professional relationship with Dan Rather allowed her to bring him into the fold, and resulted in significant air time on CBS and "60 Minutes". Most of us know how this saga ended … Mapes and her team were let go, and Mr. Rather's time as the network news anchor was unceremoniously ended. While there may very well be substance to the story they were chasing, both the book and the movie act as Ms. Mapes defensive pleas of innocence.

In the film, Cate Blanchett plays Mary Mapes, and Robert Redford plays Dan Rather. Ms. Blanchett, as usual, is exceptional; and Redford is solid in capturing the essence of Rather (though the hair color variances are distracting). The other key players are: Topher Grace as reporter Mike Smith, Dennis Quaid as researcher and former Marine Lt. Colonel Roger Charles, Elisabeth Moss as Lucy Scott, Bruce Greenwood as Andrew Heyward (President of CBS News), Stacy Keach as Mapes source Lt. Colonel Bill Burkett, and Dermot Mulroney as CBS attorney Lawrence Lampher. The film is well cast, but it's not enough to make up for the weak script and the less-than-stellar direction from first timer James Vanderbilt (who did write the screenplay for Zodiac, and is the great-grandson of Albert G Vanderbilt).

Rather than provide any proof that the story was properly documented and confirmed, Mapes and Rather decry the loss of reporters who ask the "tough" questions. Their defense seems to be that they were brave enough to chase the story and ask questions. A sequence is included that positions these two as the last bastions for true news reporting, and that these days news organizations are more concerned with profits and ratings, than breaking a story. This argument conveniently omits the fact that information flows much more freely today than in "the good old days". The actions of politicians and industry leaders are constantly being questioned and scrutinized by the endless stream of bloggers and reporters – both amateurs and professionals. There is no shortage of questions being asked, and the ease with which accusations are leveled actually fits right in with the Mapes approach.

The frustrating part of the movie is that it's a missed opportunity to detail how "legitimate" news organizations go to extremes to document and verify their information and sources, and this is where Ms. Mapes' team fell short. Without intending to, the film plays more similar to Shattered Glass (2003) than All the President's Men (1976) … getting a story being more important than proving a story. We are left with the feeling that Ms. Mapes believes asking a question is more important than proving the facts. The cringe-inducing shot of Dan Rather's final broadcast leaves the viewers with the impression that the objective of the film was to place Mapes and Rather on a pedestal of righteousness. The only thing actually confirmed here is that heads rolling at CBS was the right (and only reasonable) call.

"Truth" is one film that's not great still it's an eye opening film that makes you think as each and every viewer must inform his or her own call no matter how you see the issue or what political side of the table your on. It questions in today's modern world of media do or can we really as people believe and trust documents and phone conversations and word of mouth. It pays so much to investigate and dig and dig real deep for information for sure when it involves a president's war record and service time and it's critical to get it right just before the reelection campaign of the one in question. Anyway you know the facts and this film portrays the real life story of the newsroom drama that took place in 2004 as it involved the report on President George W. Bush's military service record and brought to light was he really present or away on some of his air national guard service and was he a draft get away guy of war was he a son of special privilege. All of this in question would bring down and cut short the jobs of CBS news producer Mary Mapes(Cate Blanchett) and CBS legend evening news anchor and reporter Dan Rather(Robert Redford). Overall a film that grips with drama and searches for answers still you the viewer make you own call about right or wrong or "Truth".