Under sandet

A Danish war-drama that was inspired by the historical account, but all the characters were fictional. Remember this title for another six month, because I am confident this film will make a journey to the west coast of the USA to compete at the 89th Academy Awards in the coming February. I have seen many foreign films, but I'm not this much positive for any others. If this film fails to make, then that would be a great disappointment despite having no idea of what are the other four films. So this is just for now, my stance may change later.

Anyway, the film was heartbreakingly amazing. The WWII stories I had seen those told from the perspectives of the Australian, Japanese, Korean, Russian to African and European to the American western sea, Hawaii. And this is a Danish story, sets in just after the end of the war where prisoners of the war were used to clean up the mess. In the opening the teen German POWs were trained to defuse the land mine explosives and then later the unit was handed over to the Danish sergeant Carl Rasmussen where they are all going to work in one of the west coast landmines that was used to defend the Scandinavia by the Nazi. That is the story told how it all ends in the remaining parts.

This was like another 'Kajaki', but not actually a war film. Using of the prisoners as the labourers is a violation, according to the Geneva rule. That's the point of the film, focused to reveal the inhume act. But it was not anything like 'The Railway Man' 'Unbroken' or the 'The Bridge on the River Kwai'. Watching a film about the brave soldiers inspires us and bring patriotism, but in this those teen kid screaming whenever something goes wrong really brings heartache. So not everybody feels comfortable with it, especially the family audience. But there were lots of edgy moments and you would never know what events follows.

"If they are old enough to go to war, they are old enough to clean up."

It was shot is the real location, and I think that part contributed to depicting the actual atmosphere where most of the POWs lost their arms and legs and some exploded into many pieces in the air. It was a simple narration, but the visuals talked itself more than anything else. All the actors were outstanding, especially those 4-5 German teens and of course the Danish sergeant Carl. I think the Carl's influence had more impact, after seeing the opening scene where he went outrage and beat up those German soldiers returning home.

There are a couple of small twists, but there are some scenes which are not easy to get over. Even though we know those were just fake, but that does not work once you totally into the story deeply. This is a different kind of emotional film, something you rarely experience. The director who is also the writer must be appreciated for handling it perfectly. Especially keeping the screenplay uncomplicated and between the two nations, where in the real event involves the British officials. I have never seen his other films, but this one will define him forth and the people are going to recognise him. So I hope he'll keep up doing such level films in the future.

I have never seen such film, I mean seen some where the kids were tortured, but this was very unique and totally a different perspective for that takes place in the backdrop of the WWII. Especially the Germans perspective is the very rare kind. So I'm kind of thinking if Germany picks 'Look Who's Back' for the Oscars, the contest between these two would bring two different moods. At this point I don't remember any Danish film I have seen so far in my life other than this one which I feel is the best Danish film ever. I mean, come on, who would do such film where your own nation, if not the whole nation, the one who represent was shown in the negative shade over the Nazi Germans. This is definitely one of the best films of the year. Highly recommended.

8/10

"Those of you who count the mines, make sure my card is updated. This task is as important as defusing mines." Sgt. Carl Rasmussen (Roland Moller)

In 1945, Denmark needed to defuse the over 2 million landmines left on their western beaches by the Nazis. A Danish sergeant is responsible for 14 German POWs, youngsters all, to find the 45 K on one beach, after which the boys can go home.

That precision mentioned in the opening quote lies at the heart of the film's considerable suspense because one unaccounted for mine can take multiple lives. And so, the sergeant has to corral teenage workers, motivate them with fear, and keep at bay his growing affection for them.

Therein lies the real suspense: Will he learn to love and protect them or will he be brutal as he was in the opening scene? For a story somewhat like Hurt Locker, Land of Mine is a minimalist work of complexity, unadorned with the usual tropes of thrillers but full of the humanity to make it rise above just another WW II sentimental reflection.

Besides the tension built into the always impending explosions is the question of whether or not the Danes will act like Nazis suppressing the lads and hurrying them on to death. The moments of warmth between the sergeant and the boys are few but revelatory enough for us to hope their innocence and bravery will win him over.

Land of Mine will usher you into a war zone you've not seen handled so well in cinema, except possibly Jean Renoir's Grand Illusion in the '30's. The drama, replete with many dramatic elements and even Chekov's gun, will make you wince at the possibly grotesque fate of faultless boys and their conflicted sergeant.

This movie certainly deserved its Oscar nomination.

Rarely do movie stick with me for days. 'Land of mine' did.

It's not an action-movie, like 'Dunkirk' or other movies set in and around World War 2. It's an important character study about humanity, desperation, resentment, anger, prejudice and hate that I think everyone need to see, even if they have no interest in World War 2. There are no good or bad guys here. Just people that try to deal with difficult situations commanded by other people above them.

They should make more movies like this.

Nominated for Best Foreign Language Film at the upcoming Academy Awards, Land of Mine (also known as Under sandet) is a disturbing, disquieting & devastating cinema that's inspired from the immoral & inhuman act that the Danish authorities perpetrated against German POWs, majority of whom were teenagers, following the end of the Second World War in Europe.

Set in post-World War II Denmark, the story of Land of Mine follows a Danish Sergeant who is assigned the duty to defuse & remove over 2 million mines that were buried by the Germans along the coast during the war. Receiving a batch of teenage Germans POWs to carry out the operation, the Sergeant's initial hostility towards them begins to undergo an unexpected change.

Written & directed by Martin Zandvliet, the film opens with a crucial sequence that establishes the seething hatred that the Sergeant has against Germans and takes it up from there. Every segment featuring the young boys trying to defuse the mines with their bare hands despite being obviously ill-equipped to carry out the dangerous task is nail-biting as hell and even more hard-hitting when they fail at it.

Zandvliet's direction exhibits terrific restraint from start to finish and even more admirable is how he handles the characters & their arcs. Without choosing a side, he puts believable people on screen and keeps all their human attributes in tact, whether they are Danish or Germans. And while the hostile nature of the former against the latter is understandable, what the Danish authorities force them to do is equally inexcusable.

Shot at historically authentic locations, the entire picture is splendidly photographed and the era of Denmark recovering from the war is wonderfully captured by its desaturated & earthy colour tones. Camera-work is hand-held, static & expertly controlled for the most part and allows the scenes to play out at their desired pace but the longer it lingers on the defusing process, the more suspenseful it becomes and majority of the time, ends on a heartbreaking note.

Editing is skilfully carried out, for every single minute of its 1½ hour narrative is accounted for & is relevant to the plot. Every sequence on the beach is compelling & handled with patience and every explosion or casualty reverberates with the audience & the impact of it is deeply felt. The film does feel longer than its runtime but it is relentlessly gripping till the end. And further enhancing its grim aura is the poignant score that always surfaces on time.

Coming to the performances, Land of Mine features an incredibly committed cast in Roland Møller, Louis Hofmann & others, with Hofmann impressing the most. Møller is in as the Sergeant overseeing the mine clearing operation and expresses his character's inner conflict brilliantly while Hofmann plays one of the young boys performing the fatal, endless task of defusing millions of buried mines with stunning balance, and the scenes between the two are its main highlight.

On an overall scale, Land of Mine not only ranks amongst the best films of its year but is one of the finest films to come out from Cinema of Denmark. Incessantly human, powerfully moving & making a strong statement about what makes us human & why it's even more important to stay as one in times of bitter conflict, this Danish masterpiece is an extremely riveting example of its genre that treads a difficult path & is utterly discomforting at times yet manages to fully redeem itself in the end. An essential viewing by all means, this Danish masterpiece comes very highly recommended.

This unbearably tense war movie is the Danish entry for this year's Best Foreign Language film. It's about a group of young German POW's who are forced to clear a minefield with their bare hands and it makes "The Hurt Locker" seem like a walk in the park. Brilliantly directed by Martin Zandvleit and beautifully played by a cast of mostly unfamiliar faces, this is an intelligent and unsentimental look a a piece of World War Two history usually ignored by the cinema and it has the courage to paint 'the enemy' in a good light and 'the allies' as villains. It's also beautifully shot in widescreen by Camilla Hjelm. See this.