31

to be expected from Rob Zombie, not the best dialogue in the world, unlikable protagonists you want to die, Sheri moon zombie trying and the feeling of wishing he would get to the point. i loved 'House of 1000 corpses' & 'Devil's rejects' is one of my favorite horror films of all time. The only other of Zombie's films that even touches on those films in my opinion is 'Halloween' with the plot of killer clowns playing a totally crazy game of cat and mouse i thought such a simple story arc would be fun and playful horror, But Zombie tries something that i felt just fell flat on it's face. Almost cringy to watch at times, Nazi Clown midgets, c'Mon man... Still a strong director but a terrible writer. This film should be used as evidence to Zombie that he cannot carry a film on his own, if he hired a couple of writers to spoon feed him decent characters for his 'plot' then you could potentially get some decent horror movies. or at least seem satisfying dialogue. or maybe he should just stick to making the antagonist the main point of view, that way the script makes sense. over all, was looking forward to a night of madness , in stead got a student film on crack shot in a sweatshop.

Here are a couple of things that must have gone through Rob Zombie's mind whilst shooting 31: "Who needs a plot when you got a psychopathic Nazi-midget?", "Who gives a damn about plausibility when you have Malcolm McDowell himself dressed up like a French Aristocrat and depicting a character that is named Father Murder?" and "Why would I make ambitious when the crowd simply wants sadistic & graphic violence?" And you know what? If Rob Zombie really was thinking these things, he was damn right! Personally, I'm an enormous fan of Zombie's "House of 1,000 Corpses" and "The Devil's Rejects" and I remotely enjoyed his remake of "Halloween", even though the critics were quite harsh about it. But then he suddenly went psychedelic and experimental with "Halloween II" and "The Lords of Salem" and many fans – yours truly included – were disappointed. I, for one, was extremely happy to read that, with "31", Rob Zombie would return to the basics of crude and repulsive horror/shlock cinema! Because, after all, the revival of 70s grindhouse/drive-in exploitation cinema was largely the deed of Rob Zombie and not of Quentin Tarantino! So, "31" actually doesn't a have a real plot but is a mixture of homages to genre classics (for example "The Texas Chainsaw Massacre") and borrowed ideas of cult classics ("The Most Dangerous Game", "The Running Man"…)

A ramshackle old RV full of traveling circus artists/carnies is driving through the middle of redneck nowhere on Halloween's day 1976, and pretty much all they ever do is foul-mouthing and fornicating. When night falls, however, they notice the road is blocked with immense scarecrows. Before they properly realize what's going on, the RV and all its passengers are brutally attacked by mysterious creeps and three people are killed instantly. The remaining five survivors, two women and three men, awake tied up and chained in an abandoned factory where three elderly lunatics dressed up as French Aristocrats joyfully inform them that they are the players in this year's traditional game of 31. They are released in a dark and creepy labyrinth and have to survive for twelve hours while being chased by some of the most demented sickos ever caught on film, including a Spanish babbling Nazi-midget, clown siblings with chainsaws and deranged German sex deviants. The group defend themselves quite well, though, and thus the crazy tormentors bring in their ultimate secret weapon, the unbeatable master-psycho Doom-Head!

There isn't really too much to write about Rob Zombie's latest film, in fact. Either you're a fan of extreme and relentless violence and "31" is a must-see for you, or you'll completely detest the film for its lack of plot, character background, style or overall lack of taste. If even writer/director Zombie himself repeatedly stated that this is his most brutal movie to date, there isn't any reason to not believe him. "31" features numerous scenes in which people's heads are smashed in with a bludgeon, torsos are cut in half by chainsaws and throats are slit with rusty knives. Still, I can't help mentioning that most of this gruesome stuff also featured in "House of 1,000 Corpses" and "The Devil's Rejects", but those two were suspenseful and haunting on top! "31" is sheer mindless horror entertainment but it won't leave a long-lasting impression. As usual, Rob Zombie surrounds himself with a cast that he worked well with before, including his own wife Sheri Moon, Meg Foster, Jeff Daniel Philips and many other familiar faces. The soundtrack is terrific as well, which is another Rob Zombie trademark, and features for example the beautiful song "California Dreaming" during a rare quiet and peaceful scene.

I had no anticipation or information about this movie going in... except for it being a Rob Zombie movie and my enjoyment of all his other movies so far. None of them are perfect but none of them are boring, all of them bring something interesting to the table. Not so much with 31 though... One thing I've generally liked with Zombie's movies is that, unlike a lot of horror films such as Hostel - which promise all sorts of transgressive horrors only to bait and switch with some relatively tame eyeball gouging, Zombie's movies generally follow through on their threats. I never feel safe in his movies (except I'm pretty sure Mrs. Zombie's characters will survive to the final frame). Unfortunately, 31 let all the air out of that balloon dog for me. It didn't ever come close to crossing any lines of standardized horror. Oh sure, Its clown's show up and promise all sorts of vile entertainments... but they never materialize. Instead, we get some badly filmed fight scenes and routine kills that could be out of any war/crime/fantasy film. There's little or no suspense, barely any atmosphere outside of the clowns' initial entrances and Malcolm McDowall's nonsensical prattling. The movie takes its time building up 'Doomhead' but what is he but another loudmouthed guy in a clown suit? I assume he'd go down just as easily to a well-aimed blow to the head. There's really nothing special about him except for the amount of time he gets on screen. He even does the loathsome 'golf clap' routine that should be forever banished to Cliché-land. When the clowns do get their hands on someone they're not likely do do anything surprising at all... just stab them and move on. Unless something nastier was edited out of the version I saw... which I kinda doubt.

The carnies themselves had the potential for being the sort of interesting protagonists I'd pull for... and I DID like that they weren't just a bunch of squealing teenagers (Meg Foster especially was fascinating to look at. Older women like her are so seldom allowed on screen in heroic roles). But they're mostly reduced to just goofing around and swearing at each other... maybe it was just bad improv because the writer couldn't think of what to do with them?

This is BY FAR the least interesting thing I've seen come from Mr. Zombie. I'm still a fan of his previous films, I'll still watch whatever he makes next... but this one is the bottom dweller. Not that it's such a bad generic horror movie, as just that alone it's fairly average... but it's certainly a bad Rob Zombie horror movie. And being that, it's pretty disappointing.

I'll start by saying this, I know there are some that will claim "He wasn't going for a traditional scary movie. People that don't like it just don't understand his perspective." I'm sure that in all of the conversations they had with Mr. Zombie these points were covered and clearly they have a much better understanding than anyone else. This review is for those that have been excited about seeing this because Rob Zombie's pieces in the past have had that intense shock factor and were delivered very well. Unfortunately, this one does not. It is kind of sadistic and if you put yourself in the position of one of these actors you can imagine it would probably be terrifying. Then again, you wouldn't use poorly scripted cheesy lines and engage in badly choreographed fights. Personally, I have been looking forward to this film since I first heard about it last year and have kept myself up on the release date so as soon as it was available I could treat myself to it. I couldn't have been more disappointed. I thoroughly enjoyed his other films and would watch another if he made it. I realize fanatic Zombie lovers will disagree with me when I say this but for every one that like it there will be several that don't. I can't decide which was worse: the ending or the overall acting. I must give credit where credit is due, the intro is entertaining and you will probably enjoy Doom Head (the guy in the opening scene). Again unfortunately, he is in the movie all of about 10 minutes non-consecutively. Had the movie centered around him and a twisted hunting obsession perhaps I would be writing a very different review. The acting is over-the-top and awful. Not in the same way that some movies are so bad they're good (like Zombeavers or Axe Giant) but more like super low budget projects filmed on an iPhone. For a movie that has reasonably good quality in most scenes I was so let down to see the acting was so unrefined. It probably could have been worse, I'm just not sure how.

I dig Rob Zombie films. Devils Rejects, the Halloween reboots, Lords of Salem…all personal favorites. So much so that I contributed $150 to the crowd funding of 31. It was promised to be the movie RZ wanted to make as well as the movie he thought his fans wanted to see - an unapologetic and uncompromising slaughter-fest. Well, I finally watched 31 last night and unfortunately it does compromise and it isn't even much of a slaughter-fest. It's simply another "we-kidnapped-some-innocent-people-for-the-purpose-of-torturing-them" retread. And not a very good one at that. I'm bummed.

There are certainly moments that make 31 worth watching. But those moments just aren't enough to make it a good movie. Much of the criticism of 31 has been directed at the lack of character development. My comment to that is "who cares?". This is a movie where I wanted to sink into my seat and cover my eyes due to the extreme and unrelenting gore. I wanted to feel like I did when I first saw Dawn of The Dead in theaters in 1980 - unable to look, but unable to look away…utterly horrified by images I'd never seen before…walking out exhilarated, out of breath, and laughing at myself for being so freaked out by a movie. If anyone could do it, Rob could.

Alas, most of 31 is just another quick-cut, shaky-cam exercise that does manage to force the viewer to look away - just not out of disgust, but to keep from getting a headache from the excessively annoying hand-held shots and machine-gun editing. More often than not, you can't even tell what's going on in the action scenes. There are lots of half second images of blood- soaked faces, and blood-soaked clothing, and blood-soaked weapons…but we can't tell who's getting chopped up and who's doing the chopping.

31 opens with a monologue from villainous clown Doom Head. It's a great scene that draws you in. The idea that he was, of course, going to show up again by the end of the film was the only thing that kept me from walking out. He does show up in the final 15 minutes, but it's too little, too late. It was already to the point where I couldn't care less what happened to these people and I knew however the inevitable deaths were played out wasn't going to be anything interesting or inventive. I was right. In between the opening and closing Doom Head bookends there is absolutely nothing of interest. A little unsuccessful character development…silly villains that are far too easy for our heroes to kill…pompous ringmasters that add nothing and could have been cut out completely…it all made me want my $150 back.

I assume there will be an unrated version somewhere down the line that I'll watch and re- evaluate, but I can't imagine it saving this waste of fake blood and Malcolm McDowells talent. If you want to see an interesting, scary clown movie try 2014's Clown (he eats children!) …if you want gut-wrenching gore watch the Evil Dead remake again. The only reason to see 31 is it's an RZ flick and to be properly schooled in modern horror you need to see all RZ offerings - at least for now. A few more throwaways like this and Rob will just be another straight to Netflix hack director.