Big Time Adolescence

This is not a traditional comedy, nor is it a blackcomedy either, its somwehere inbetween.... its a description of a young mans life and speedway to adulthood, the immaturity told in a mature manner, and the acting by the main cast is just darn good. its not full of action, just a lifesaver to all youth at the brink, and all young parents looking for signs so that they can make their traps and eventually punish their loved ones for their bad moves.

the rather immature grumpy old man found this very heartwarming, ive experienced some of the things myself, so its a good choice for everyone above age of 12. its a recommend

So the movie starts out in a way that you don't really know where it's going. But that's because of the good acting. Pete did such a good job his character was kinda scary, because he didn't give anything away by Over or under acting.

He played his character perfect. and the rest of the cast did the same. The acting in this movie supported the writing so well, I could take in each scene one at a time.

It was nice to see Jon break out of his normal role right before my eyes. Each and every actor did such a good job.

I want to see more!

The story didn't really end anywhere and I wanted more comedy. Newb director and writer Jason Orley was impressive this being his first full length film. What humor there was, was great, as was Pete Davidson who needs to do more TV/movies. He was jokes in The Rookie.

This is a great example of why some movies were made for streaming; a low-key dramedy that features strong filmic humor, wonderful (and often ironic) needle drops, and great performances. Gluck is an empathetic and relatable center for the film, but Davidson is the star; he was made for this role, and he nails it.

Good watch, would watch again, and can recommend.

This is a surprisingly touching "coming of age" story. I'm not a big fan of Pete Davidson, but he does what he does well enough.

I could imagine many people relating to this in several different ways, and what's more is that it feels timeless. Yes, they have cellphones in this, but I could imagine a greaser version of this where he comes by instead of calling, as opposed to calling instead of texting.

The presentation is subtle and near perfect, everyone plays there roles very well.

Its subtle again, but the writing is well nuanced. It really captures the essence of someone who got a broad future, but gets tunnel vision based on his "childish" wants.

There is a lot of depth here if that's what you're looking for, but the minimal version of this is still a good movie.