Naebujadeul

The sound track of this movie is captivating and the acting deliver and sell the story perfectly. Amazing movie.

Excellent film with two of SK's finest actors in the leads, having a great time spinning this crime tour de force. It has some rough scenes, but in the nature of the corrupt world being exposed: ultimately very satisfying closure.

This is actually a dragged out story that is more about the cinematography and the style of it all over a deep story that intrigues. It's a watchable movie but it does feel like the plot is really drawn out. It is a a movie with high quality cinematography for a Korean movie. With some topnotch actors, that really bring a bit exaggerated and yet it works when it comes to the style of this movie. When it comes to the plot it delves in the nasty side of politics, the corruption within it and how some old farts take advantage of the system. While screwing young women during there meeting together and giving idealistic speeches. Lee Byung-hun is a good actor but not really a guy that has integrity in real life. So he puts on a believable performance as a thug that built his way up to the top by doing errands from top officials. He sort of reminded me of the character he played in "A Bittersweet Life" except not as charismatic. Anyways besides the style of this film and some nasty underground stuff that happens in Korean night life. This is actually a forgettable film. The end has the typical clean wrap up that works but isn't all that impactful. Mainly because the build up wasn't all that interesting. It's watchable and I was able to sit through it without checking my time but again it's still a forgettable movie.

6.5/10

I personally think, if this movie was translated into English or other language in t he world, it would be pretty hard to deliver the message. It goes pretty deep that you would understand if you know the language and the culture. I see it could be boring and too stretched out but if you can't see the details, you should just stop watching this. You have to know the culture in order to understand this movie

Political thrillers have gone out of fashion in the US - and even in Europe - but fortunately South Korea and Japan still know how to make them. It's a very specific genre. Modern audiences - and this didn't start with Gen Z, but with my generation, the Millennials - have become disinterested in politics and consequently in the genre. The problem with thinking little about politics and losing interest in the subject is that... politics is the society we live in. Politics is the world we live in, and if we don't want to know what's happening there, there's more room for us to be controlled, dominated, and mocked by those at the top.

Inside Men is a fantastic film that shows this lack of scruples to achieve one's goals. It doesn't do anything particularly new. Cinematically, many would say the genre can only give us what we expect without major innovations possible. In part, I can agree, although it presents excellent cinematography, well-choreographed action scenes, and a very well-achieved sound. Nonetheless, not all good cinema has to be visually disruptive. Personally, I love a good political thriller, well-written, with good characters (played by great actors), with moral dilemmas mixed in, showing us the rot of a corrupt system that is nothing more than a reflection of what we all are. Politics, journalism, and gangsters go hand in hand in a dirty, cruel, and unscrupulous world, and for everything to remain as it is, people only need to look the other way.

As for the magnificent performances, I don't even know where to start. Lee Byung-hun is at his best, with layers I didn't expect from this character. Cho Seung-woo is flawless, and Yun-shik Baek is perfect, leaving us with goosebumps from the repugnant way he moves in these corridors of power without his image being tarnished. If Min-ho Woo continues with this style (he also gave us the excellent The Man Standing Next), he may never have the admiration of the younger generations, but I will always be eager for his next project. The world still needs these films. Perhaps - now that the younger ones care little about them - more than ever.