Love

The script is laughable and the acting (often voice-over), too. The 3D sex is well marketed. And yes, during certain scenes people got up and left. Yet. The film doesn't argue to be anything beyond a meandering stroll into the gallows melancholy. And it does this very very well. The film features no highbrow intellectual conversations but instead, favors the same lines you've probably slung at your lovers. Again and again and again. Just like the sex you've had with your lovers again and again and again. You know their bodies and you know how to please them and above all, you know how to hurt them. Sorrow. There's a resplendent simplicity here that hypnotizes the viewer.

You hear music banging inside the club, yet the lovers are outside in halflight. Having sex, obviously. This is a good image of what this film surprisingly achieves best: intimacy. And it fights for that with it's magnificent camera-work and editing.

But what would this review be if it didn't talk about the 3D sex? Love and cinema are inseparable. Love stories are why you stick glued to a chair for a couple of hours. Raw sex is part of love, yet, films used to cut to birds necking after a kiss. Then it became steamy windows. Signs, metaphors, analogies, semiotic nausea. And here, Noé takes that away which makes the film even coarser, and ultimately more brutal.

I wanted to write this review because the whole marketing ("finally a love story restricted for -16) and shock value (an eye-rolling warning in the opening credits) have cheapened what this film has achieved and I encourage viewers to look beyond.

This film tells the story of a man trapped with his wife and child, yet he keeps on thinking about his ex-girlfriend who is not contactable. The story then winds back in time to tell how his relationships with his ex-girlfriend and his wife come about.

I have heard about the gratuitous explicit sex scenes in the film, and indeed there is a prolonged sex scene every five minutes. The story is quite interesting, as the man reflects and reminisces about Elektra, who is so adventurous that she becomes increasingly unstable. The problems encountered by the man are quite real life, and viewers can easily relate to his situation. What strikes me is that the lighting effects of the film is very remarkable, the use of focused lighting enhances the mood a lot. The slow strobe effect in the swingers' club is captivating. Overall, "Love" is worth a watch as it depicts real life relationship problems.

Let's just get this out of the way, there is a lot of unsimulated sex in this movie. This is definitely on par with porn, but since it was shot with "real" actors it was allowed in theaters. I did see somewhere online that there is a super cut of all the sex scenes from this and it comes in at just under 30 minutes, so let that inform your decision to watch or not.

This is a story of a couple that are in a very sexual relationship and decide to invite their beautiful neighbor to join them. This causes problems.

If you like 9 Songs then you will most decidedly like this. Love probably features more sex but does offer a lot more plot as well.

I know I only rated it a seven out of ten but that's because I admit this film's faults. It certainly isn't near perfect but I felt very moved by the characters and their story. Lots of people may not be able to relate to this film however those of us that do can say that everything about this depiction of love has been experienced and is real. As a grown single adult living in today's dating world I can attest that the relationship between Murphy and Electra exists. Their obsession with each other and with sex that led them into a deep and possibly unreal infatuation was honest and thought provoking. Love sometimes doesn't make sense and can't be described or made logical. Their connection was what drove them into darkness, madness and despair. Love is completely all consuming on any level it's represented on. So many times have I given myself up for something that a year later I looked back on and couldn't reconcile my behavior, and so many times have I given myself up to something to only sabotage it before it completely devoured me. I don't know if I have been in love, but I have felt what these characters are going through and I wouldn't know what else to call it. In the vein of Harmony Korine and Lars von Trier I think Gasper Noe is a genius. Yes this movie is uncomfortable, yes the acting isn't great and yes the story is dry, but it's a genuine take on what relationships look like for some people in their mid twenties to early thirties and I loved every second of it.

'Love' will most likely be discredited by many due to it's sheer honesty, like many films of it's kind are. Yet this honesty, as brutal and daring as it might seem, feels necessary to connect with and understand what the characters are going through, on an entirely new emotional level. In the words of Murphy, Gaspar Noe might have made the only movie that truly depicts 'sentimental sexuality'.

'Love' has many subtle and not-so-subtle references to the underlying story and to the director himself. Gaspar's mother is named Nora Murphy, while Murphy's son is named Gaspar and Electra's ex boyfriend - Noe. His favorite movie is Kubrick's '2001', while hers is Lang's 'M', both of which seem to fuel Murphy and Electra's behavior throughout the movie, where Murphy is often aimlessly overwhelmed with hope and desire, while Electra seems unable to forgive.

Gaspar Noe constantly cuts through the past and the future, using the techniques he is so familiar with since Irreversible. The movie abruptly switches between various stages of Murphy's and Electra's relationship, always cutting back to the present, where Murphy's is in absolute emotional agony and despair, raising a child with Clara.

At times Murphy and Electra are so deeply engrained in one another that their fights and dialogues seem outright comical and immature, as if we are observing a 16 year- old couple. But this is truly where 'Love' stands out. Being in love feels and looks exactly like this, it's raw, emotional and brutal yet foggy and sweet; when no one else exists or matters.

In one of Electra's and Murphy's conversations they talk about the sad reality that they are going nowhere and dragging each other down, they discuss taking a break. It is an extremely sad and emotional scene, where the thought itself brings so much fear into them, that they simply end up holding each other even tighter.

The script for 'Love' is only 7 pages long. It is full of beautiful and weird dialogues and extremely emotional, 'free-played' graphic scenes. These scenes however are not there to impress the viewer or open the doors to the unknown. This is also not a nymphomaniac-like sexual exploration. Gaspar Noe does a masterful job in showing us the true emotional aspect of love, in it's raw and relatable form, sex.

The sound-score is stunning, with the music gradually changing depending on the mood and the context of the scenes. Even though a lot of times it seems like we are watching the same people 'fuck' in the same positions, different context, feelings and music make each of these scenes truly unique and mesmerizing on it's own.

Noe also does a wonderful job in his minimalistic depiction of the story and the scenery. Murphy and Electra always wear contrasting colors, while the background is usually very simple yet fitting to them both. As if to say that when in love, everything should be seen through the eyes of the lovers.

'Love' might sometimes seem silly, overly graphic and way too sentimental, yet it hits all the right notes.