अपनी भाषा में प्लॉट जोड़ेंA banker with a talent for memorizing numbers is recruited by a mobster looking to get ahead.A banker with a talent for memorizing numbers is recruited by a mobster looking to get ahead.A banker with a talent for memorizing numbers is recruited by a mobster looking to get ahead.
Joe Perrino
- Nick
- (as Joseph Perrino)
फ़ीचर्ड समीक्षाएं
I should note that I only know about the mafia from movies, so I can't verify or refute the depiction of the gangsters in "The Brooklyn Banker". Anyway, it had an interesting plot and an interesting set of characters. Still, I wish that it had done more to emphasize the era in which it was set by showing news clips from the era (Watergate, Vietnam, etc).
The movie's OK but no masterpiece. Mafia movies are OK to see every once in a while; otherwise they get repetitive. I'd say that the movie's worth seeing once.
Who ever would've imagined the son (Troy Garity) of people (Jane Fonda and Tom Hayden) trying to bring down Richard Nixon co-starring with someone (Paul Sorvino) who played a member of Nixon's cabinet (Henry Kissinger)?
The movie's OK but no masterpiece. Mafia movies are OK to see every once in a while; otherwise they get repetitive. I'd say that the movie's worth seeing once.
Who ever would've imagined the son (Troy Garity) of people (Jane Fonda and Tom Hayden) trying to bring down Richard Nixon co-starring with someone (Paul Sorvino) who played a member of Nixon's cabinet (Henry Kissinger)?
All the time people say "They don't make em like they used to." The Brooklyn Banker breaks that statement. I recommend seeing it if you are a true fan of old school mob movies like the Godfather and Goodfellas.
This film gave us an excellent taste of what we loved so much about these classics. Not only did it have two of the greatest mob actors of all time starring but the piece also transported us to the 1970's and has preserved on film a unique part of NYC Italian history & culture - The Giglio.
The irony of this film was so poignant and unique. It had a quiet elegance even though there was violence. Could make for an interesting sequel. Would love to see what could be done with a non- indie budget!
Note: *You will especially enjoy it if you spent any time growing up in Italian parts of Queens, Brooklyn or the Bronx. It will feel like going home, even if for just a few moments. How often do we have that kind of opportunity? Thank you to the makers of this film. Keep em' comin'!
This film gave us an excellent taste of what we loved so much about these classics. Not only did it have two of the greatest mob actors of all time starring but the piece also transported us to the 1970's and has preserved on film a unique part of NYC Italian history & culture - The Giglio.
The irony of this film was so poignant and unique. It had a quiet elegance even though there was violence. Could make for an interesting sequel. Would love to see what could be done with a non- indie budget!
Note: *You will especially enjoy it if you spent any time growing up in Italian parts of Queens, Brooklyn or the Bronx. It will feel like going home, even if for just a few moments. How often do we have that kind of opportunity? Thank you to the makers of this film. Keep em' comin'!
This was a well written mob story that was period correct. I embraced all of the characters and casting was dead on. As a Italian American I loved all the old school references to our culture. The feast scenes were a throw back to my youth, the sights and sounds were beautiful. I could almost taste the sausage and peppers. Federico Castelluccio proved himself as a feature film director with Brooklyn Banker. He captured the essence of this period in time. I have to also recognize the writing of Michael Ricigliano his interesting twist on this mob flick kept me interested and rooting for certain characters. He really captured the old school mob movies and this will be destined to be a cult classic. I really enjoyed this film and highly recommend it.
From someone who grew up in the Bronx and Brooklyn, this film captures what it was like to live during that time. The Mob was not revered like some of the Mob Genre films I have seen in the past. They were avoided and the story of a legitimate guy who unintentionally gets involved seems very real.
I enjoyed the cinematography that captured a gritty but beautiful view of the area as it was starting to change. Troy Garity, who I understand grew up in California, captured the nuances and cadence of the residents of Brooklyn who spoke was was on their mind, were loyal to a fault and protected their friends and family.
David Proval played a simmering psychopath who was ready to blow at any moment. Paul Sorvino was great as the goofy father in law who is smarter than he lets on.
All in all, I think this film will stand the test of time.
I enjoyed the cinematography that captured a gritty but beautiful view of the area as it was starting to change. Troy Garity, who I understand grew up in California, captured the nuances and cadence of the residents of Brooklyn who spoke was was on their mind, were loyal to a fault and protected their friends and family.
David Proval played a simmering psychopath who was ready to blow at any moment. Paul Sorvino was great as the goofy father in law who is smarter than he lets on.
All in all, I think this film will stand the test of time.
The Brooklyn Banker exceeded our expectations, especially with the excellent stand out acting by Garity and Proval.
The director obviously has a good eye for detail as the camera work, lighting, and locations chosen, transported one into a somewhat gritty looking Brooklyn in the 1970's. Hats off, too, to the costume and set directors for being such perfectionists in keeping every detail true to that decade. The realistic casting of the extras and use of locations was also quite effective in bringing that era alive.
The movie was well paced and built up by the good acting and story line which rang true. Refreshingly, it did not overreach.
Quite good genre/indie film with a Scorsese type ending.
The director obviously has a good eye for detail as the camera work, lighting, and locations chosen, transported one into a somewhat gritty looking Brooklyn in the 1970's. Hats off, too, to the costume and set directors for being such perfectionists in keeping every detail true to that decade. The realistic casting of the extras and use of locations was also quite effective in bringing that era alive.
The movie was well paced and built up by the good acting and story line which rang true. Refreshingly, it did not overreach.
Quite good genre/indie film with a Scorsese type ending.
क्या आपको पता है
- ट्रिवियाFederico Castelluccio stared as Santo in the short version of Lily of the Feast.
- गूफ़Santo and Family go into a restaurant for dinner, as they proceed to the eating area, Santo goes to shake the hand of some man to his right but the man doesn't turn around to shake Santo's hand and leaves him hanging.
- भाव
Father Matteo: Do not get wrapped up in his life.
- कनेक्शनReferences Steelyard Blues (1973)
- साउंडट्रैकHappy Go Lucky
Composed by: Christopher Ashmore
Publisher: Audio Network Limited
Released: 2008
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Brooklyn Banker?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Банкир из Бруклина
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 35 मि(95 min)
- रंग
- पक्ष अनुपात
- 16:9 HD
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