Gerald's Game

Worth the watch. But not for the Marvel/Star Wars crowd. As you can probably tell from the reviews, there were not enough explosions or CGI to keep most people entertained.

Stephen King is at times a brilliant writer, and most of his novels give a home-bred 70's vibe. There's the presence of raw indecency and rotten attachments right beside the gore, and this movie is very good at portraying that.

I started watching this movie expecting to get bored at some point, because Gerald's Game is an odd pick of a novel to make into a film. A lot of the story revolves around the heroine spending hours alone and restricted. In a book, the writer has the freedom to play around with memories and weave them into the present, but was the director going to be able to do that?

The answer is, yes, he is, and he does that very well. Kudos to a thoroughly entertaining experience, whether it was the 80's gore effects, the commendable acting of Mr. and Mrs. Gerald, or the shifts from almost comedic to certainly nauseating scenes.

The only thing that bothered me was that the cinematography was a bit dated, and nothing creative. But it doesn't mean that this movie is not worth the watch, and it will be even more enjoyable if you haven't read the book!

I will confess that I have never read the Stephen King novel on which this movie is based. Maybe the end is a bit clearer in the novel, but the ending of the movie really kind of left me a bit empty. I was really enjoying this movie up to that last ten minutes or so. I can't say that I had been particularly familiar with Carla Gugino, who played Jessie in this, but I thought her performance was fabulous. The story begins with Jessie and her husband Gerald (Bruce Greenwood) taking a vacation in a remote place in the hopes of resparking their marriage, which had gone dry romantically and sexually. To do that, Gerald had brought handcuffs and handcuffed Jessie to the bed. To that point this really had something of a "dark comedy" feel to it; it was humourous in a warped sort of way. But it doesn't stay that way for very long. Jessie wasn't enthusiastic about Gerald's handcuff game, or the rape scenario that he wanted to play out with them, and she eventually objected, leading to a fight between them - during which Gerald dropped dead of a heart attack with Jessie still chained to the bed. Alone, with no one to help her, no food, a hungry dog that had found its way into the house and was feeding on Gerald's body and only a single glass of water, she has to find a way to survive. The movie eventually becomes a journey of self-discovery for Jessie as she finds herself exploring the demons in her own past back to her childhood and her relationship with her father and how they connect with the present.

This is really well done, and it includes a few scenes that are absolutely cringe-worthy. I actually had to turn away from the screen a couple of times. But personally I just thought this fell apart a bit with the ending. I didn't like the "Moonlight Man." I didn't think the "Moonlight Man" was really necessary to the story. The dog and just the situation seemed quite sufficient to make this a thoroughly superb horror movie and, to me at least, the "Moonlight Man" took a horror movie and turned it into something silly - although that was only in the last ten minutes or so of the movie. I will say that this definitely has a Stephen King feel to it, and up to that last ten minutes I would have said this was superb. But when an ending leaves me dry I end up having to mark it down just a little bit. (7/10)

Masterpiece. The last ten minutes were brilliantly executed. This director's work is definitely on par with Frank Darabont's movies. Every sequences of the novel is present in the movie. Acting is delivered at its finest. Netflix need more Stephen King adaptations like this one. A must watch for everyone.

-Dude from Blossomsoft

Gerald's Game was surprisingly more introspective and less gruesome than I imagined (except one particularly cringe-worthy scene). From a viewer who didn't read the Stephen King novel the film was based upon, I went into the Netflix original prepared to be disturbed. The film doesn't waste time getting you to the meat of the story. From the start Carla Gugino gives an emotionally powerful performance as Jessie – a mentally abused victim struggling to repair a failing marriage - that sets the tone for the rest of the film. The reluctance she shows toward her husband Gerald (Bruce Greenwood) forces you to never sit comfortably as the plot begins to be painted.

One of the great strengths of this movie was answering the questions you were going to ask before you asked them. Understanding from the beginning that Jessie was to end up handcuffed to a bed throughout the entirety of the film already had me questioning her inability to escape. As soon as you see her situation play out and begin to think of her options, the writers provided answers as to why that isn't possible in a unique and believable fashion. With the multitude of challenges she has to overcome she is forced to relive her disturbing past, which in-turn must help her overcome her shackled state if she is to even have a chance of surviving.

The use of symbolism in this film is constant, but so much so that at times it seems to spell it out for you, or literally tell you. I felt the comparisons between her current situation and her past was a bit too blunt. I would've called for a little less hand-holding and a bit more mystery surrounding the connections that were made between the men in her life. Yet one of the most obvious symbols - the blood- red eclipse – was one that surprised me the most as its representation transforms into a powerful message of strength.

The anchor for this film was Carla Gugino and her amazingly powerful performance with a great showing from co-star Bruce Greenwood. The dialogue and thought process that unfolded from the two kept me emotionally entwined in the story and eager to find out what would happen next. Along with fantastic performers, Gerald's Game was made better with the subtlety of the soundtrack and cinematography. I was more impressed at the times where there was no music playing at all, which seemed often and was appropriate. It built suspense and kept focus on the current scene when all the viewers were left with was the disturbing sounds of her struggle. The eclipse as mentioned was a favorite of mine. The deep red ring emphasized the horror of events unfolding, yet transformed with the character and began something greater.

Even after the movie was finished I found myself thinking over the message that was left for the viewers to contemplate. It was one that I didn't expect and was glad to see at the same time. Gerald's Game was a fantastic physiological thriller that never had me shaking my head in un-believability. I enjoyed the restraint of music in key moments, and was enthralled by the situation presented. This makes two Stephen King adaptations that have nailed the difficult process of transforming a story from a book to film. JordanRoss gives Gerald's Game:

8.1/10