IMDb रेटिंग
4.7/10
4.1 हज़ार
आपकी रेटिंग
जब एक जासूस की पत्नी की हत्या हो जाती है, तो वह प्रतिशोध लेने के लिए एक जेल जाता है। जबकि अंदर, उसे एक रहस्य पता चलता है कि प्रभारी लोग रक्षा के लिए उसे मार देंगे।जब एक जासूस की पत्नी की हत्या हो जाती है, तो वह प्रतिशोध लेने के लिए एक जेल जाता है। जबकि अंदर, उसे एक रहस्य पता चलता है कि प्रभारी लोग रक्षा के लिए उसे मार देंगे।जब एक जासूस की पत्नी की हत्या हो जाती है, तो वह प्रतिशोध लेने के लिए एक जेल जाता है। जबकि अंदर, उसे एक रहस्य पता चलता है कि प्रभारी लोग रक्षा के लिए उसे मार देंगे।
Paul Wight
- Victor Abbott
- (as Paul 'Big Show' Wight)
Benjamin Hollingsworth
- Joel Gainer
- (as Ben Hollingsworth)
फ़ीचर्ड समीक्षाएं
Any steel-thewed cop vs. Elephantine goon actioner including the trusty workhorse line: 'You should have killed me when you had the chance!' has the potential to be an enjoyably thick-eared DTV time-waster, and happily we soon thug-deep in Seagal/JCVD wronged cop turning super wrong-headed jailbird with brooding Det. Danvers (Dean Cain) ferociously going head to pectorals with towering, roid-raging rapscallion Victor Abott (Paul 'The Big Show' Wight') in the Soska Sisters pleasingly old-school head-knocker 'Vendetta', with its myriad knuckle-dragging, jaw-busting fights culminating orgiastically in one bodaciously bloody, free-for-all prison yard riot!
The stone-faced anti-hero Cain is wickedly vengeful as the single-minded, spike-fisted, increasingly sociopathic skell slayer and his towering, Tor Johnson-sized, permanently perspiring nemesis power-grunts his expletive monosyllables with a useful Baritone belligerence. 'Vendetta' is so deliciously 90s the glaring omission of a Hed PE track over one of the gore-slathered Laundry room is an almost unforgivable faux pas! The far from static film has a comfortably familiar aspect and the adrenalized fisticuffs, while not always perfectly executed are reliably plentiful, frequently grisly and should keep any shank-happy fight-freaks distracted until the next Scott Adkins beat-down epic comes out. I went into this with ZERO expectations and happily exited entertained and sometimes that's all I really want from a bruisingly bellicose, gang-banging, plasma-drenched B-movie.
I haven't watched pro/fake wrestling since I was a child, so this movie was blah at best. It was completely unbelievable in almost every aspect.
I must say that Dean Cain actually did a good job acting though. Too bad there was nothing else worthy. This review requires no spoiler alert because you already know everything that is going to happen :]
If you like to make a drinking game out of scrutinizing movies for their errors, make sure you have plenty to drink! But watch out because there are actually some very gory scenes for a B action movie.
I did give it a 5 because it was kind of entertaining - I didn't feel the need to stop watching. To sum it up... If you really like WWE you will really like this. You'll probably like it if your IQ is below 100 as well.
I must say that Dean Cain actually did a good job acting though. Too bad there was nothing else worthy. This review requires no spoiler alert because you already know everything that is going to happen :]
If you like to make a drinking game out of scrutinizing movies for their errors, make sure you have plenty to drink! But watch out because there are actually some very gory scenes for a B action movie.
I did give it a 5 because it was kind of entertaining - I didn't feel the need to stop watching. To sum it up... If you really like WWE you will really like this. You'll probably like it if your IQ is below 100 as well.
Every shot in this film looks like a panel from a comic, and once I got into that vibe I was able to enjoy it; however, I had to get past the first act for that vibe to kick in-I cringed for nearly a full 40 minutes. The first act is jam-packed with clichés, boring plot, & bad acting, (I assume the film was shot in order because the acting gets better in some ways.) If you're looking for "passed-on CW pilot turned motion-comic feature film" energy, this is the film for you.
I know WWE whatever is the studio behind this film, and that's fine (I liked some of their films, Oculus (2013) in particular,) but if I wanted to watch pro-wrestling-style fight scenes I would just watch pro-wrestling.
Paul Wight, who plays the antagonist, Victor Abbott, is under-utilized. Everytime I saw that man I thought, "Yes, give me some of that Vincent D'Onofrio-Kingpin!," and everytime I was let down. The way Wight fights in this film evoked the weak-sauce, muted violence of the in-ring pro-wrestling matches so much that it was hard to not picture him in an André The Giant leotard while he snarls into the camera. It really took me out of the film to watch such a powerhouse merely push his victims to the side-I couldn't take it seriously, the stakes were nonexistent.
I will give the Soska Sisters credit for not forcing us to endure the violence against one of the few women characters in this film, however, the smash cut from such an obviously missed opportunity to homage The Texas Chainsaw Massacre (1974) to the such a gruesome finale to that confrontation was jarring and left me a bit confused. I was also a bit disappointed that she had to be fridged.
I do not like The Punisher, as a character, I never have. Dean Cain, who plays Mason Danvers, was able to keep my interest in the film by never going full-Punisher. (I don't know why but I got more of a Cyclops vibe and I like that for him, l've always been more of an X-Men gal anyway.) Something snapped inside the mind of Frank Castle, and that makes The Punisher who he is; however, Mason Danvers comes off as calculated and intentional, something other characters in the film seem to pick up on. Dean Cain did a really good job.
Michael Eklund, who plays a stereotypical, string-pulling prison warden, is in a totally different and much better film.
Even though the soundtrack was not my cup of tea, I did appreciate the use of music in the film.
Most of the dialogue was cliched nonsense and exposition. I wish I could have seen what motivated these characters, instead I was told. Even then those motivations were often ambiguous concepts rather than specific, character-defining motives.
Despite the resolution of the film being at the end of an all-out, chaotic prison-yard-brawl, it was anticlimactic enough that I out-loud ask, "that's it?!"
I know WWE whatever is the studio behind this film, and that's fine (I liked some of their films, Oculus (2013) in particular,) but if I wanted to watch pro-wrestling-style fight scenes I would just watch pro-wrestling.
Paul Wight, who plays the antagonist, Victor Abbott, is under-utilized. Everytime I saw that man I thought, "Yes, give me some of that Vincent D'Onofrio-Kingpin!," and everytime I was let down. The way Wight fights in this film evoked the weak-sauce, muted violence of the in-ring pro-wrestling matches so much that it was hard to not picture him in an André The Giant leotard while he snarls into the camera. It really took me out of the film to watch such a powerhouse merely push his victims to the side-I couldn't take it seriously, the stakes were nonexistent.
I will give the Soska Sisters credit for not forcing us to endure the violence against one of the few women characters in this film, however, the smash cut from such an obviously missed opportunity to homage The Texas Chainsaw Massacre (1974) to the such a gruesome finale to that confrontation was jarring and left me a bit confused. I was also a bit disappointed that she had to be fridged.
I do not like The Punisher, as a character, I never have. Dean Cain, who plays Mason Danvers, was able to keep my interest in the film by never going full-Punisher. (I don't know why but I got more of a Cyclops vibe and I like that for him, l've always been more of an X-Men gal anyway.) Something snapped inside the mind of Frank Castle, and that makes The Punisher who he is; however, Mason Danvers comes off as calculated and intentional, something other characters in the film seem to pick up on. Dean Cain did a really good job.
Michael Eklund, who plays a stereotypical, string-pulling prison warden, is in a totally different and much better film.
Even though the soundtrack was not my cup of tea, I did appreciate the use of music in the film.
Most of the dialogue was cliched nonsense and exposition. I wish I could have seen what motivated these characters, instead I was told. Even then those motivations were often ambiguous concepts rather than specific, character-defining motives.
Despite the resolution of the film being at the end of an all-out, chaotic prison-yard-brawl, it was anticlimactic enough that I out-loud ask, "that's it?!"
The film was perfectly summarized by The Hollywood Reporter which said "the sort of B-movie violent actioner that makes you feel your testosterone level rising as you watch it". The film had a minimal plot which was used as a glue connecting all the fight scenes. For the most part, it was one action scene after another, and they were good. I felt like they were well-made and tense enough to be on the entertaining side.
I was surprised though to see The Soska Sisters making a film outside of horror. I generally think they succeeded at their first attempt. I recommend the film for those seeking a mindless and violent action film, and less for those seeking any meaningful story.
I was surprised though to see The Soska Sisters making a film outside of horror. I generally think they succeeded at their first attempt. I recommend the film for those seeking a mindless and violent action film, and less for those seeking any meaningful story.
"This is my house, the only thing that badge will get you in here is a slit throat." Mason (Cain) is a cop at the top of his game. After finally tracking down and arresting Victor Abbott (Wight) he moves on to the next criminal. When there turns out to not be enough evidence to hold him Victor is released and wants revenge. The next time Mason finds him Victor is standing over his dead wife. Now it is Mason's turn for revenge and after deliberately getting arrested he has Victor right where he wants him. This is a movie that is pretty much exactly what you would expect. The movie is really a B-rate action movie that plays off every cliché in the book. All that said the movie is pretty entertaining and is watchable. There are not really any twists or anything that isn't unexpected but again, when you go to watch a movie like this you pretty much know what your are getting into. Overall, nothing terrible but if you've seen one of these movies you have seen them all. I give this a C+.
क्या आपको पता है
- ट्रिवियाWilhelm scream at 1h19m48s when Mason punches an inmate.
- गूफ़Although it is stated that the warden has specifically ordered for Danvers not to be killed, the first attack on Danvers in prison is clearly an attempted murder.
- साउंडट्रैकWith You
Written by Irya Gmeyner and Pange Oberg
Performed by Irya's Playground
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Vendetta?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 1 घं 30 मि(90 min)
- रंग
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