The Yellow Birds

Not a war film. But a film about war. Not the best. But decent. And good reflection of good intentions. It is a drama presenting two young men in Iraq war. Theirs mothers. The traumas. The choice of one. And the confession of the other. Sure, it is not real convincing. But, after so manyy great war films, "The Yellow Birds" has the purpose to remind the frame of heroism , sacrifice, lost of the other. And, in this sense, it does a good job. Because, against its status of sketch, it has the virtue to present, in the right nuances, a tragedy who, in this case, escapes from the circle of special effects and easy melodrama or heavy patriotism. A decent film. With few great scenes.

Will not appeal to those looking for an action oriented war movie, as the film is a methodically paced and cerebral look at the devastating effects of war on soldiers both on the battlefield and on their return home.

The three leads here Tye Sheridan, Alden Ehrenreich, and Jack Huston give fine performances, with strong support from Jennifer Anniston and Toni Collette. You'll have to wait till the end of the movie to find out how the mystery of what happened to Private Murphy (Sheridan) unfurled, amidst the film's numerous flashbacks.

Overall, this movie, despite being most difficult to watch at times, is still an important one illustrating the horrific effects of war on many soldiers.

For the first half hour or so I didn't know what to make of this film. The tone was all over the place and I couldn't tell if the filmmaker wanted to make a War film or a drama.

I'll do my best not to spoil anything, but it wouldn't matter if I did, as this film isn't worth your time. It was very clear throughout the film that the writers/filmmaker, either weren't very knowledgeable of the US Army and how soldiers address each other, conduct themselves, or what battle drills are or how they are conducted.

These two young soldiers we follow constantly refer to a non-commissioned officer as "sir". Anybody who has served knows that is a big no no and would earn them a nice smoke session(forced strenuous PT) until they address him properly. This is just one of many issues with the film.

I honestly have no clue when this movie is set. Based on their uniforms I assume it takes place during the early stages of the invasion of Iraq, yet bars and private homes have modern flat screen wall mounted tv sets? Also there is a scene near the beginning, of the two leads meeting each other at a shooting range, but I couldn't tell if it was supposed to be at bootcamp, or at their assigned duty station. This film is rife with this style of poor writing.

The War scenes should've either been cut entirely or presented more ambiguously. Because these actors and the director slept walked right through them. None of it felt earned or organic, which is partially due to the lifeless foley. The rifles, LMGs, explosions, hiss/snaps of incoming fire etc. all sounded like it was meant to be marketed to the elderly, so it wouldn't hurt their ears. I'm surprised nobody stepped in and told this director to get some kind of energy and passion out of the actors.

By about the fifty minute mark it was clear that they were going for a mystery/drama, but even that felt unearned. None of the dramatic scenes felt natural, it felt as though the writer was searching for something to keep the audience invested.

This wasn't the worst War film I've seen, but it's not a good one either. It tries too hard to be multiple different things at once, the acting was average at best, there wasn't enough build up to any of the plot points, the directing was weak for the most part. There is a good movie in here.... Somewhere. They just couldn't find it.

This is a strong and compelling adaptation of Kevin Power novel involving the Iraq War. It has driven and poetic moments, and versatile and strong acting, but does have the almost jumpy feel to it as we go back and forth from real time to different engagements in the film. . The strength of Director Alexandre Moore elicits centered performances from his cast, including strong support by Aniston as a desperate mother, Collette as an exasperated one, and Huston as a veteran leader who defies the easy dramatic classifications of "good" and "bad." The strength and passion of the film lies with the two leads who are outstanding. Sheridan (Mud, Joe, Ready Player One) is a soulful actor who deftly conveys Murph's naïveté and eventual break and crisis. He's instantly sympathetic. Ehrenreich, who has swung hard from impressive work (Hail, Caesar) to less so (Solo: A Star Wars Story) is focused and settled as the damaged young man at the story's center. His Bartle is a true everyman -- without direction, not a star soldier, not a failure. The difference in him before and after he reaches his personal breaking point is clear; the sometimes-poetic narration seems to come from somewhere that didn't exist until it was unearthed by his experiences.

The levity of the film comes from the emotional and compelling performances. War pictures come across many ways and mostly with action and eye popping cinematography. This film comes at you in a completely different way and tells the story of what men and women see, feel and think in times of battle. Many are fearful, scared and become soulless to the graphic scenes they see. I like the film and feel it deserves many accolades. A superb story and perfectly captures the feel of war. A solid 8 out of 10

The mechanics of this movie were good, the quality of the movie was good, the acting itself was just OK but a little bit lacking, for that it barely scratches a 5 for me. First let's get a pure aesthetic thing out of the way. If you are going to make a war film, get the actual equipment right. The U.S. Army uses Blackhawk helicopters and have for quite awhile now. Go to the military's public affairs office, find their office that works with Hollywood and the film industry and arrange for some Blackhawks not Huey's. The movie comes off as high quality enough to take that step. Oh, and you are not going to have those gun truck, Humvees with turrets, supporting you without someone in the hatch with some fire power.

Now. The acting here was just OK, not great, maybe good. The scenes though and the whole plot reveal at the end...it is just hogwash. Plain and simple. This is not how soldiers behave and not what I (as a veteran) can tell you, would even be imaginable. The platoon/ company/ chain of command dynamic is completely absent. The squad dynamic is altogether wrong, and those are huge plot holes. The writer has only a small vague understanding of how men and women in our armed forces behave, and interact with each other and how military operations work. I am trying not to give away any spoilers but the incident in the film is something that would be a million to one shot of happening in real life, and the way the follow on was carried out would have even longer odds. That doesn't even get to the odds that soldiers would think in this way, let alone carry out. Frankly, I can't even imagine a scenario where anything like this could actually even be conceived or even began to be carried out without hitting immediate large roadblocks that would cease it immediately in today's military. Again I can give it a 5 on some of it's cinematic merits but ultimately it doesn't overcome huge realistic obstacles. I don't believe it has any political/ideological objectives as far as being pro or anti-war. If it did it fails on that but I'm hoping that there wasn't one. Mostly this just suffers from a real lack of realism which draws in a lack of real connection and feeling. If they changed it into a more entertaining action movie that might make it more passable, but for the drama they were trying to portray it was overall lacking.