Over the Garden Wall

From the first second the dark and enchanting atmosphere pulls you right in. Greg's fearlessness and Wirt's worries, their love for each other creates a wonderful dynamic. Maybe it's not everyone's cup of tea, but I'd advise you to give it a try. Ten 10-12 minutes episodes, it takes about 2 hours to finish the whole series. Watching it like a film is reccomended.

Over the Garden Wall is brilliant. Thank you Cartoon Network for allowing it to happen. Beautifully animated, wonderfully paced with just the right blend of humor and creepiness. Also - kudos to using the mini series format, I hope this is only a sign of things to come and more self contained short events are on the way. I'm tired of watching several seasons of a series that started strong end up wandering aimlessly with no clear endgame in sight.

The voice cast was exceptional, and the resolution handled perfectly. A big thanks to the other reviewer that gave the Cartoon Network programming history perspective above, explains a lot. Now if only CN could find a way to apologize for and right the wrongs done to all of the terrific DC nation series that were unceremoniously canceled.

What can I say about this show? It has to be expirienced to grasp it, because of all these interesting characters which appear in the different episodes.

The main characters Wirt and Greg make up this pair of brothers of which Wirt is an insecure but straight one and Greg is a goofball with high spirits. Even though both serve a purpose in the series I kind of hated Greg most of the time, because the goofball role came of not as comedic but just stupid like a no-brain moron most of the time, but he gets better over time.

We encounter many interesting characters and scenarios through the episodes on their journey through the forest. Creepy stuff happens and they somehow solve it.

An unsetteling feeling hangs over every episode and the gorgeous backgrounds are made with great attention to detail to suit every feeling we're supposed to feel and that is the core purpose of art! One of the highlights of this mini-series.

Worth watching for everyone who enjoys well crafted animation and fairy-tales.

In May 2014, Stuart Snyder, the man responsible for single-handedly destroying Toonami, bringing in live-action schlock to CARTOON Network, establishing the "NO GIRLS ALLOWED"* policy for cartoons, declaring that boys only like comedy (as a member of that demographic, I can assure you that such a statement is completely asinine), and ultimately killing every good show the network made resigned as the President of the Network. And oh what glorious day it was.

If Cartoon Network made this series as an apology for the sins of Snyder, then it succeeded. This series is dark, atmospheric, weird and pretty scary at times. It's not bright, it's not dumbed-down, it doesn't hold back on the creep factor, especially for Tim Curry's character, Auntie Whispers, and it takes its audience seriously. And even though the cast has a lot of celebrity actors (aside from Tim Curry, they also got Christopher Lloyd and cast Elijah Wood as one of the two main leads), they got them because they knew these guys were perfect for the roles. The story is revealed a snippet at a time and from what little I've gathered from the two episodes it strikes me as being just as dark as the setting and atmosphere.

Oh, and just to put icing on the cake, they stuck the old Cartoon Network Studios animated logo on to the end of it like they used to for shows like Samurai Jack and Power Puff Girls, followed by the classic Cartoon Network logo with the Cartoon Cartoons theme dubbed over it.

They're back, and this is only the beginning of what I hope is another era akin to that of the late-90s/early-2000s.

*IMDb does not allow me to spell the word "GIRLS" with a backwards "R". Please pretend that it did.

As I was watching Over the Garden Wall with some friends, I found myself commenting, more than once, how charming this would be/is for kids. It's got anthropomorphic creations (birds and horses and other things that talk, pumpkin-headed farmers, frogs in a band on a river-bank, magical and funny and weird dreams, or a dream, from a child), and yet it has a sophistication to the writing that kids appreciate; one might think that they will only take in the lowest-common denominator - put on whatever, it's fine, it's for kids - but this is smart stuff. This is also really great for adults, the ones at least who can tap a little into their childhood sense of awe, because of the humor and irreverence. Over the Garden Wall is like taking Adventure Time, transferring the other-worldly into early 20th century Americana, folk tales, even some Alice in Wonderland (the structure for me is very Wonderland, especially with a young character getting lost and on a series of episodes), and adding some songs as well that are reflective of the period.

The story follows Wirt and Gregory (Elijah Wood and the young Collin Dean, who has been on Adventure Time a couple of times), brothers who seem to be lost in the woods and are trying to find their way home. Their main adversary appears to be 'The Beast', who is being stalked by the Woodsman (Christopher Lloyd in a wonderful part - you can't always tell if he's good or bad or both). As one can imagine, or hope for, a lot of wild and crazy things happen to these young people, such as the pumpkin farmers (what are they digging for in the farm?), the frogs on the boat (and suddenly there may be some singing from Gregory's frog, who's name always changes), and John Cleese as both the possibly deranged landowner of a spooky mansion and an old woman. Even Tim Curry gets a good character as 'Auntie Whispers', who is 'protecting' her niece, a possessed girl.

The creators of 'Garden Wall' suffuse many scenes with some nightmarish moments, but it's all with a light, absurd touch, and a lot of this is helped immensely by Collin Dean's performance and the writing for the character of Gregory. This is a little kid who has zero filter; he'll say the truth of something no matter what, even if it's a moment (especially if it is) when the smart thing would be to lie or shut up. That's where so much humor comes in - also watch and listen how he sings ever so cheerfully at times - since in many scenes Wert is trying to get by on a fib or a lie or a trick, or doesn't have that sense of boundless optimism. It's one of the most charming acting voices for an animated character in as long as I can remember, and accentuated by the gigantic pupils - made to make him look cute as a button - and head-gear (he's an elephant, after all!)

There's a real sense of play and, equally, danger (the final episode with the Beast, Auntie Curry), and I found myself laughing a lot, but I also found I took this story a little more seriously than I would an Adventure Time or something else with Patrick McHale's name on it. It takes from some folk tales and fairy tales, but it has an identity all its own. It's creepy and weird and adorable and heartfelt, and it carries both the awe and innocence of being a little kid and the disillusionment of being a teenager like Wert. And did I mention the songs are a lot of fun and contribute to the atmosphere? It's like taking in old ragtime songs (some of the time) and giving them an animated, pop-up book feel. It's tremendous, semi-subversive stuff for kids, and a joy for adults.