Henry Gamble's Birthday Party

I see a lot of films, and this is without a doubt one of the best I've seen in quite awhile. It presents so beautifully how conformity and organized religion stifles and twists and how badly the real person in all of us wants to be recognized for who we really are. The performances are so spot-on that it's almost eerie; having grown up in a Midwestern family very similar to this one I felt as though I knew every one of the characters.

The plot involves Henry Gamble, whose father is a preacher, who is given his 17th birthday party by his family and friends. Henry is realizing he may be gay, and as the party progresses throughout the afternoon and night everyone begins to show the various struggles they also go through being human and trying to adhere to the rigid expectations they've created for themselves.

What I found so impressive about this film is that all of the characters are fine, likable people who care about each other. Some of them, particularly the adolescents, are much more accepting of their differences and support each other; others aren't capable of doing that, especially as beautifully illustrated by a bitter, fearful mother who refuses to let her repressed daughter enjoy any of the party and never lets her out of sight. The daughter is heartbreakingly portrayed, and the image I couldn't seem to shake after the film was over was her testing the water in a swimming pool, wanting so badly to dive in.

It appears that HGBP has been released to pay-per-view and isn't being considered for a general release to theaters. This is a very timely film for 2016 and it would benefit so many if this project could receive the exposure it deserved. It's depressing to think that "Captain America: Civil War" will be bringing in crowds this weekend but very few people will know a wonderful film like this even exists.

I hope Steven Cone, who also wrote the amazing screenplay, continues to have the opportunity to make films. This is someone to pay attention to, as he is clearly a talented guy.

The plot is that Henry Gamble is going to be seventeen and his father – Preacher Bob – wants to throw a big pool party to celebrate. As he is a preacher everything is going to be done the way Jesus would have wanted – but no alcohol, provocative music or other stuff that they make up as they go along. Thing is Henry is gay – but he is still in the closet although right from the get go you can tell he is bursting to come out.

Then the party starts and as the guests turn up it seems that everyone has baggage and they are also all struggling with then inner conflicts that go with faith and desire.

Now this has been applauded and panned in equal measure and the reasons are both valid. Firstly this is all about sex and sexual.ity but it is all talk and, quite literally, no trousers. Personally I think that is OK but for the nay sayers they are right in saying it is setting its stall out to attract the wrong audience. Also it does not deal with nigh o all of the issues that are raised, from sexual identity, faith conflicts, mental health issues or alcohol.

The thing is this is really well made. Despite any real dénouement the characters and their problems are very believable. It is well acted with only a couple of times where a character seems to be stepping into 'cliché-ville'. So am slightly torn, I actually did enjoy this though – hence my rating but as I said if you want a film with any real exploration of the issues that it is based on, then this will probably not rock your world.

This is a really lovely film by a filmmaker I had not heard of. Never in a rush to get anywhere, Stephen Cone's film weaves its way so naturally through these intersecting lives, as they jump in and out of the pool at Henry Gamble's 17th Birthday Party. Everyone has a crush on someone else, no one is satisfied, and yet there's nothing melodramatic, just subtle body language, and flashes of accidental honesty. I was immediately intrigued - from the first innocent conversation between two teen boys casually exaggerating the size of their members, to the prophetic line Henry announces to his family, as he looks at the time on the morning of the party, "I was just born." The family is very Christian, dad is the local pastor so there's prayer before meals, and they don't touch alcohol, which makes the homosexual subtext (among other secrets) at the beginning of the movie all the more intriguing. Coming out movies had their heyday, and to do one nowadays requires it to be a lot more, which this movie is. Mr. Cone's delicate hand, and his subtle message of compassion is never overwhelmed by the enormous, talented, relatively unknown cast, or the inherent drama of teenage angst.

Not sure what I think about this movie. It spends next to no time with the title character, choosing to spend it on the plethora of side characters while almost entirely ignoring the premise that probably draws most of the audience for this movie: a cute guy coming to terms with his homosexuality.

And yet, its characterization of church goers isn't as much of a caricature as many think. All of their judgemental opinions and holier-than-thou attitudes are things that I personally experienced growing up around church goers.

I'm not really sure what this movie set out to be, but at least it was honest.

After a promising start, this movie goes into many directions and introduces too many ancillary characters who we know nothing about, nor to do we care to know. It assumes we know the back story about each character - it may have made more sense as the last episode of a soap opera but not as a feature film. As a lawyer might say, "it assumes facts not in evidence"! Finally, screenplay is poor and the actors delivery hovers between stilted and merely adequate. Avoid this one.