IMDb रेटिंग
5.3/10
20 हज़ार
आपकी रेटिंग
अपने बेटे की दुर्घटनावश मौत के बाद, एक मां विदाई लेने के लिए एक अनुष्ठान करती है। लेकिन उसकी अवज्ञा जीवन और मृत्यु के बीच संतुलन को बिगाड़ देती है.अपने बेटे की दुर्घटनावश मौत के बाद, एक मां विदाई लेने के लिए एक अनुष्ठान करती है। लेकिन उसकी अवज्ञा जीवन और मृत्यु के बीच संतुलन को बिगाड़ देती है.अपने बेटे की दुर्घटनावश मौत के बाद, एक मां विदाई लेने के लिए एक अनुष्ठान करती है। लेकिन उसकी अवज्ञा जीवन और मृत्यु के बीच संतुलन को बिगाड़ देती है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 3 नामांकन
फ़ीचर्ड समीक्षाएं
It appears from the reviews that true horror fans appreciate this whereas people who are just looking at it from a story perspective grade it much lower. As a horror fan , and never heard of the film I was pleasantly surprised of how creepy and scary it was with some genuine disturbing moments that are lacking from many modern day horrors. I do not know why the score is so low so hopefully this will bolster it !
Prison Break's Sarah Wayne Callies carries this British-Indian horror production with the same demeanour as her more familiar role; maternal enough to sell the film's major theme, yet strong enough to carry the entire feature. This, after all, is what Callies is tasked with, as the grieving mother she portrays invites her dead son's spirit back to the world of the living with inevitably chilling consequences.
While the majority of studio horror nowadays is bound by so many stipulations - the jump scares, the teenage cast demographics - that ultimately render it generic, The Other Side of the Door benefits from a refreshing change of setting in its Indian locale. As a result, not only does the film look elegantly beautiful with its colours and scenery, but its plot also benefits from a less familiar cultural angle than most supernatural thrillers are afforded. The central menace here - a temple doorway through which the living can contact the dead - is so far removed from Western ideology and the recurring origins of its horror movie monsters that the film undeniably offers something that is at least different, if not completely new. The second act, where things go bump in the night as Maria questions the nature of the spirit she's allowed back into her home, is admittedly routine, but that's not the issue with modern horror; the issue is whether or not it can at least try to overcome this mundane narrative.
This is where the screenplay's wider themes come in to sharper focus, as the audience encourages Maria to make the right choices while sympathising with her fragile state of mind. The horror isn't simply limited to creepy children and unseen entities, but also the lengths a parent is compelled to go to in order to be reunited with a lost child. It's most certainly enough to make the more pedestrian scares forgivable as you witness a family being torn further apart by their loss just as much they are the shadows that lurk around them.
The Other Side of the Door won't terrify you any more than any other supernatural horror released this year, and that's because, by now, genre aficionados really have seen it all. What it will do, however, is linger with you much longer as you place yourselves in the shoes of an emotionally drained mother who, you understand, would do anything to see her son again.
While the majority of studio horror nowadays is bound by so many stipulations - the jump scares, the teenage cast demographics - that ultimately render it generic, The Other Side of the Door benefits from a refreshing change of setting in its Indian locale. As a result, not only does the film look elegantly beautiful with its colours and scenery, but its plot also benefits from a less familiar cultural angle than most supernatural thrillers are afforded. The central menace here - a temple doorway through which the living can contact the dead - is so far removed from Western ideology and the recurring origins of its horror movie monsters that the film undeniably offers something that is at least different, if not completely new. The second act, where things go bump in the night as Maria questions the nature of the spirit she's allowed back into her home, is admittedly routine, but that's not the issue with modern horror; the issue is whether or not it can at least try to overcome this mundane narrative.
This is where the screenplay's wider themes come in to sharper focus, as the audience encourages Maria to make the right choices while sympathising with her fragile state of mind. The horror isn't simply limited to creepy children and unseen entities, but also the lengths a parent is compelled to go to in order to be reunited with a lost child. It's most certainly enough to make the more pedestrian scares forgivable as you witness a family being torn further apart by their loss just as much they are the shadows that lurk around them.
The Other Side of the Door won't terrify you any more than any other supernatural horror released this year, and that's because, by now, genre aficionados really have seen it all. What it will do, however, is linger with you much longer as you place yourselves in the shoes of an emotionally drained mother who, you understand, would do anything to see her son again.
Since a good horror film like "the others" or "shining" apparently comes every decade or two, I've stopped having high expectations. I'm not sure what, but may be horror films can either be masterpieces or a failure. Or it's just that not much budget is put into them. Acting, premise and plot was decent. So I feel a little unfair when I'm gonna bring down so much good work just because of poor writing.
The beginning was appropriately paced fast enough, but it is then that you also realise the narration fails to develop the characters.
Passed mid time, story begs for the resident of the house to question the sudden change in his house, and he doesn't. At that point I start skipping before I get bored.
I watched this because another comment said it was worth a watch. Well, I'm recommending it is if you have some side activity, or if you easily get excited .
The beginning was appropriately paced fast enough, but it is then that you also realise the narration fails to develop the characters.
Passed mid time, story begs for the resident of the house to question the sudden change in his house, and he doesn't. At that point I start skipping before I get bored.
I watched this because another comment said it was worth a watch. Well, I'm recommending it is if you have some side activity, or if you easily get excited .
Like, seriously. Here we have a film with a plot that genuinely sounds decent but the filmmakers are incapable of pulling off. Sound familiar? Well that is because this has happened already this year with The Forest.. but The other side of the Door manages to be even worse. Horror films used to be inventive and fun in a twisted way, but is that now impossible to pull off?!
The plot involves a woman who's son is killed in a terrible and tragic accident, she discovers she can communicate again with him through an ancient Indian temple, but is warned to never open the door. Of course, if you warn somebody in a cliché horror movie not to do something they are totally gonna do it and she does which brings all the spirits into the world of the living. It could have been done so well.. but i put emphasis on the COULD. First of all the son is evil now. Literally a line of dialogue is "he is evil". Now, correct me if I'm wrong but this was never explained.. ever. Are we supposed to just look at him and say "yeah that makes sense considering he's dead". There was no hint to this when he was alive and no back story.
Unexplained things like this happened a lot in this film and it really bugged me. Nothing was ever scary, not even the jump scares made me jump, which is a bad sign to begin with. Not to mention i drifted off many times for a few seconds over the course of the film.. which should never happen if i am enjoying something. By that i mean i did not enjoy any of this film. The premise is great but the way it was executed just felt so wrong. So in the end, this film is just another cliché horror garbage fest that i will end up forgetting about by the end of the week probably. I really hope i get the horror i crave by the end of the year, 10 Cloverfield Lane is why i remain hopeful.
The plot involves a woman who's son is killed in a terrible and tragic accident, she discovers she can communicate again with him through an ancient Indian temple, but is warned to never open the door. Of course, if you warn somebody in a cliché horror movie not to do something they are totally gonna do it and she does which brings all the spirits into the world of the living. It could have been done so well.. but i put emphasis on the COULD. First of all the son is evil now. Literally a line of dialogue is "he is evil". Now, correct me if I'm wrong but this was never explained.. ever. Are we supposed to just look at him and say "yeah that makes sense considering he's dead". There was no hint to this when he was alive and no back story.
Unexplained things like this happened a lot in this film and it really bugged me. Nothing was ever scary, not even the jump scares made me jump, which is a bad sign to begin with. Not to mention i drifted off many times for a few seconds over the course of the film.. which should never happen if i am enjoying something. By that i mean i did not enjoy any of this film. The premise is great but the way it was executed just felt so wrong. So in the end, this film is just another cliché horror garbage fest that i will end up forgetting about by the end of the week probably. I really hope i get the horror i crave by the end of the year, 10 Cloverfield Lane is why i remain hopeful.
I love horror. These movies are a bit overdone,however I loved the casting. Sarah Wayne Callie's is one of my favorite actresses and Jeremy Sisto can always pull it off. This movie is predictable, however, I watched until the very end. I paused when doing something else! It definitely has some super creepy scenes. They did a great job at making this movie as realistic as possible when dealing with the genre. I ignored the reviews and ratings and rented this on demand. Looking back I would have waiting until Netflix or a non pay. Instead I wanted a good creep and I got it! This movie gets a B- from me and watch before you decide if it's a good or bad movie.
क्या आपको पता है
- ट्रिवियाMyrtu is played by Javier Botet. This is not the first time that Botet plays a horror girl, since then he played Niña Medeiros in the Rec (2007)'s franchise as well as the feminine ghost in मामा (2013), and most recently as the Crooked Man in The Conjuring 2 (2016).
- गूफ़When Maria reads from "The Jungle Book," she opens the book to a point about half way through. However, the story she reads aloud is the first one, "Mowgli's Brothers," so the book should have been opened to a much earlier spot.
- कनेक्शनFeatured in Half in the Bag: Shut in and Arrival (2016)
- साउंडट्रैकHeart and Soul
Words and Music by Hoagy Carmichael and Frank Loesser
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Other Side of the Door?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Del otro lado de la puerta
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $30,00,342
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $12,11,210
- 6 मार्च 2016
- दुनिया भर में सकल
- $1,43,32,467
- चलने की अवधि1 घंटा 36 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
What is the Brazilian Portuguese language plot outline for The Other Side of the Door (2016)?
जवाब