Peter Mimi delivers yet another impressive directorial performance.
Although the story isn't particularly new - we've seen similar plots in various foreign films and shows - the execution was solid, especially considering the context of Egyptian production.
Strengths of the Series:
. Kareem Mahmoud Abdel Aziz shines once again in a non-comedic role, his second strong collaboration with Peter Mimi after Mousa.
. Visually strong direction and framing by Peter Mimi - the cinematography was striking and added real depth to the scenes.
. Ahmed Ghazzy continues to impress, proving himself as a powerful emerging talent.
. A strong opening, especially in the first episode, with well-structured storytelling and world-building.
. The action choreography was well-executed, with fight scenes that felt dynamic and engaging.
Weaknesses of the Series:
. The show struggled to maintain its initial pace and intensity, ending on a weaker note than it began.
. At times, the story moved too quickly, and certain plot points were left unexplained.
. The ease with which characters entered and exited the fortress felt unrealistic and hurt the show's credibility.
The inclusion of modern songs during certain scenes felt out of place and took away from the immersion.
. The ending felt incomplete, which was disappointing - though it does leave room for future parts. I genuinely hope there's a continuation, as the story still has threads worth exploring.
Final Thoughts:
A solid series overall, and a fresh addition to the Egyptian drama scene.
Peter Mimi continues to push boundaries, offering new genres and styles to local audiences - just like he did with El-Hashashin.
