महान रॉक एंड रोल स्टार एल्विस प्रेस्ली के जीवन को दर्शाया गया है.महान रॉक एंड रोल स्टार एल्विस प्रेस्ली के जीवन को दर्शाया गया है.महान रॉक एंड रोल स्टार एल्विस प्रेस्ली के जीवन को दर्शाया गया है.
- 8 ऑस्कर के लिए नामांकित
- 92 जीत और कुल 242 नामांकन
फ़ीचर्ड समीक्षाएं
Looks like Tom Hanks phoned in his role. His acting, if you can call it that was disgustingly terrible. Austin Butler was the perfect actor to play Elvis. I enjoyed the parts of the movie that he was in without Hanks hovering around trying to steal the scene. The writers needed to delve more into Elvis Presley's early life. Priscilla's character was just a footnote. It was if she was hardly in his life. I would actually watch this movie again if I could delete Tom Hanks from the film. Tom Hanks sucked the life out of the movie as much as Colonel Parker sucked the life out of Elvis Presley and his career.
There are certainly times in which Baz Luhrmann's "Elvis" is an engaging and entertaining biopic of rock-and-roll's biggest star. The performance numbers are often incredible and Austin Butler inhabits all aspects/ages of the lead role adeptly. Unfortunately, Luhrmann's let's say "unique" style of filmmaking can't quite get out of its way long enough (especially in the early goings) for this to be a top-notch flick.
For a very basic overview, "Elvis" tells the story of the titular character (played by Butler) from childhood all the way through his Vegas residency at the end of his career. The narrative frame comes from the voice of Colonel Parker (Tom Hanks), Presley's manager and quasi-abuser (largely in the financial department). Elvis's relationship to "black music", teen heartthrob fame, military service, and late-60s comeback are all given time here, including his marriage to Priscilla (Olivia DeJonge).
Perhaps the most notable thing to mention about "Elvis" is that the first 30-45 minutes are kind of a mess. Luhrmann is in peak wackadoodle form (granted, what else could be expected from the director of 1996's "Romeo + Juliet"), what with jarring time-cuts, crazy montages (one that turns the proceedings into a comic book!), and quite a bit of time spent on the bizarre Hanks Parker portrayal. There is also a far-too-on-the-nose scene in which a young Presley supposedly learns his later musical style via an R&B jam session and a revival ministry happening concurrently. I'd blame no one for thinking this was a total mess before the 1 hour mark.
Fortunately, in this case, there is still 2 hours left of "Elvis", and that's when it settles into being a pretty entertaining film. Basically, once all the crazy material is out of the way and audiences can just settle into Butler's portrayal, there is a lot to like. I was really impressed with Butler's ability to portray the young rebellious Elvis, as well as the fat, worn-down-by-life version. The staged musical numbers are every bit as good as those found in recent musical biopics like Rocketman or Bohemian Rhapsody. I'll certainly be revisiting some Presley tunes after seeing this.
Overall, I can't put "Elvis" in my top tier (Walk the Line, Love & Mercy, & Judy) of biopics because its director seems almost physically unable to "tell it straight" when this film and acting performances would have certainly been good enough for that grounded approach. But it was easily good enough to hold my interest and take me on an interesting journey through the iconic musician's entire career.
For a very basic overview, "Elvis" tells the story of the titular character (played by Butler) from childhood all the way through his Vegas residency at the end of his career. The narrative frame comes from the voice of Colonel Parker (Tom Hanks), Presley's manager and quasi-abuser (largely in the financial department). Elvis's relationship to "black music", teen heartthrob fame, military service, and late-60s comeback are all given time here, including his marriage to Priscilla (Olivia DeJonge).
Perhaps the most notable thing to mention about "Elvis" is that the first 30-45 minutes are kind of a mess. Luhrmann is in peak wackadoodle form (granted, what else could be expected from the director of 1996's "Romeo + Juliet"), what with jarring time-cuts, crazy montages (one that turns the proceedings into a comic book!), and quite a bit of time spent on the bizarre Hanks Parker portrayal. There is also a far-too-on-the-nose scene in which a young Presley supposedly learns his later musical style via an R&B jam session and a revival ministry happening concurrently. I'd blame no one for thinking this was a total mess before the 1 hour mark.
Fortunately, in this case, there is still 2 hours left of "Elvis", and that's when it settles into being a pretty entertaining film. Basically, once all the crazy material is out of the way and audiences can just settle into Butler's portrayal, there is a lot to like. I was really impressed with Butler's ability to portray the young rebellious Elvis, as well as the fat, worn-down-by-life version. The staged musical numbers are every bit as good as those found in recent musical biopics like Rocketman or Bohemian Rhapsody. I'll certainly be revisiting some Presley tunes after seeing this.
Overall, I can't put "Elvis" in my top tier (Walk the Line, Love & Mercy, & Judy) of biopics because its director seems almost physically unable to "tell it straight" when this film and acting performances would have certainly been good enough for that grounded approach. But it was easily good enough to hold my interest and take me on an interesting journey through the iconic musician's entire career.
Firstly Austin Butler was great , he could actually be Elvis as he looked so much like him and clearly worked hard to do Elvis justice , but I didn't really enjoy the movie but can't put my finger on why , the Main actors did a good job but I couldn't really get an emotional connection with them or the story line until the very end , I thought the legend Tom Hanks had too much of a part to play and Elvis didn't get enough , the story seemed to bounce all over the place and to me just felt and bit disjointed , Im no movie critic or expert so I recommend seeing it as lots have really raved about it but I woo the be watching it again.
Tom Hanks portrayal of Colonel was distracting and aggravating
Austin Butler was incredible.
So much about Elvis is glossed over and Baz's direction and edits are distracting to the point you don't feel like you ever get to know Elvis the way you want.
If this had been directed by someone like Michael Mann who's specializes in layered and complex "people" this may have been great. Baz delivered a mediocre movie and distracting visuals.....
My biggest gripe is it feels like Baz seemed to concentrate more on visual editing and made Elvis more of a side note in this film.
Good luck but it's def a cautionary tale of the more famous you are the more alone you'll always be.
Austin Butler was incredible.
So much about Elvis is glossed over and Baz's direction and edits are distracting to the point you don't feel like you ever get to know Elvis the way you want.
If this had been directed by someone like Michael Mann who's specializes in layered and complex "people" this may have been great. Baz delivered a mediocre movie and distracting visuals.....
My biggest gripe is it feels like Baz seemed to concentrate more on visual editing and made Elvis more of a side note in this film.
Good luck but it's def a cautionary tale of the more famous you are the more alone you'll always be.
The movie is interesting but I think it's overhyped. I mean I appreciate all the stuff about the influence of black culture but I feel like maybe they pushed too hard to be current with what was politically relevant with today i.e. George Floyd and diversity in cinema. Almost felt exploitive in that they were using stuff like Martin Luther King's death to try and humanize Elvis to be this "great" empathetic man. I don't know how much of it is actually true but I feel like they enhanced and focused on that because it's what the focus is in todays politics, they focused on Bobby King's death too. It just seemed like they were exploiting these great men of black culture to give their film credit in today's world. I almost just decided I wouldn't comment on it but then they actually had him talking with tear filled eyes to Rosetta Thorpe's ghost and that just crossed the line in how purposely this was done to appeal to todays culture shift to swing awards voters and the public because a " privileged straight white man" who abused drugs and philanderer'd with women that weren't his wife just isn't interesting or lovable in todays culture, so I feel like the filmmakers used and exploited black people to sell Elvis in todays market. I'm sure the producers were thinking how do we sell a rich white straight man like Elvis in 2022? In a Hollywood award season). Make him cry and dance with black people throughout half of the movie? Again I wish it was true, but feels like an exploitive attempt to join today's culture club. And I looked online and many articles said the movie embellished these friendships.
Also Butler's performance felt self-indulgent to me. Never felt like I was watching "Elvis" but that I was watching an actor play him. It wasn't bad just not this transformative great spectacle people are calling it. It's even good, but a far shot from what I'd call Oscar worthy. I feel like actors trying to get Oscars play these real people in this generic formulaic attempt for recognition, want an Oscar? Play a real person they say. Felt like a pretty guy posing. More of a !look at me! I'm Elvis, instead of actually being him. I've seen him in things before, felt like I was watching Austin Butler whisper like Elvis. And some of the lines were really clichè and corny like "fly high". Again, not a bad movie, just very overrated in my opinion. And I wonder how much computer work they did on the singing? Also Tom Hanks was totally playing a caricature and he came off as a clown, like a parody.
Also Butler's performance felt self-indulgent to me. Never felt like I was watching "Elvis" but that I was watching an actor play him. It wasn't bad just not this transformative great spectacle people are calling it. It's even good, but a far shot from what I'd call Oscar worthy. I feel like actors trying to get Oscars play these real people in this generic formulaic attempt for recognition, want an Oscar? Play a real person they say. Felt like a pretty guy posing. More of a !look at me! I'm Elvis, instead of actually being him. I've seen him in things before, felt like I was watching Austin Butler whisper like Elvis. And some of the lines were really clichè and corny like "fly high". Again, not a bad movie, just very overrated in my opinion. And I wonder how much computer work they did on the singing? Also Tom Hanks was totally playing a caricature and he came off as a clown, like a parody.
क्या आपको पता है
- ट्रिवियाFor his audition tape, Austin Butler originally recorded himself singing "Love Me Tender." When he watched it, he felt like it was an Elvis impersonation, and refused to submit it. A few days later, he had a nightmare that his deceased mother was dying again. Overwhelmed with grief and with the Elvis audition still on his mind, he decided to pour his emotion into music. Thinking of the lyrics to "Unchained Melody," he remembered, "I always take it for granted that that's to a romantic partner, [but] what if I sing that to my mom?" He sat down at the piano in his bathrobe and filmed it. "And that way of channeling those emotions just felt true," the actor said. The video immediately caught director Baz Luhrmann's attention, as he was both confused and intrigued. Luhrmann stated, "Was it an audition? Or was he having a breakdown?" The director expressed that the audition felt like a spycam. Luhrmann asked to meet with Butler and eventually gave him the part.
- गूफ़Elvis sings Trouble in 1956. Leiber and Stoller wrote the song in 1958.
- भाव
Gladys Presley: The way you sing is God-given, so there can't be nothin' wrong with it.
- क्रेज़ी क्रेडिटAt the very end of the movie, the voice of Elvis Presley can be heard greeting the audience.
- कनेक्शनEdited from Frank Sinatra's Welcome Home Party for Elvis Presley (1960)
- साउंडट्रैकSuspicious Minds
Written by Francis Zambon (as Mark James)
Performed by Elvis Presley
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Kat King
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $15,10,40,048
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,12,11,579
- 26 जून 2022
- दुनिया भर में सकल
- $28,86,70,284
- चलने की अवधि2 घंटे 39 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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