महान रॉक एंड रोल स्टार एल्विस प्रेस्ली के जीवन को दर्शाया गया है.महान रॉक एंड रोल स्टार एल्विस प्रेस्ली के जीवन को दर्शाया गया है.महान रॉक एंड रोल स्टार एल्विस प्रेस्ली के जीवन को दर्शाया गया है.
- 8 ऑस्कर के लिए नामांकित
- 92 जीत और कुल 236 नामांकन
फ़ीचर्ड समीक्षाएं
Tom Hanks portrayal of Colonel was distracting and aggravating
Austin Butler was incredible.
So much about Elvis is glossed over and Baz's direction and edits are distracting to the point you don't feel like you ever get to know Elvis the way you want.
If this had been directed by someone like Michael Mann who's specializes in layered and complex "people" this may have been great. Baz delivered a mediocre movie and distracting visuals.....
My biggest gripe is it feels like Baz seemed to concentrate more on visual editing and made Elvis more of a side note in this film.
Good luck but it's def a cautionary tale of the more famous you are the more alone you'll always be.
Austin Butler was incredible.
So much about Elvis is glossed over and Baz's direction and edits are distracting to the point you don't feel like you ever get to know Elvis the way you want.
If this had been directed by someone like Michael Mann who's specializes in layered and complex "people" this may have been great. Baz delivered a mediocre movie and distracting visuals.....
My biggest gripe is it feels like Baz seemed to concentrate more on visual editing and made Elvis more of a side note in this film.
Good luck but it's def a cautionary tale of the more famous you are the more alone you'll always be.
There is a lot to unpack about what I did not like about this movie but I also feel I need to 'fess up about my love of Elvis and growing up a fan as a child. I was 11 when he died and it came as a big shock. In rural Norfolk where we lived mostly 20 years in the past so it seemed that he had only just arrived. I spent a long time after following the legend. The Kurt Russel movie, the odd "That's the Way it is / Was" documentaries - stylistically plundered for this movie and of course all the movies. Owning 40 Greatest Hits was pretty much issued to you growing up. Then Punk Rock and New Wave came and Elvis just became the distant past, even if he did shock his audience in a way Johnny Rotten could only dream. Occasionally American Trilogy would come on the radio and I'd crank it up and do an Elvis impersonator sing-along, "Wisha was, inna lanna cotton" I played it on my excited drive to see this movie I had been waiting for, saying to my partner, "If this song is not referenced in the movie, I'll be stunned, it is definitive Elvis".
Once the film started, it was the first track we see enacted by the incredibly brilliant Austin Butler who nails it. Sadly, there is not much else good to say about this movie beyond his performance. It makes sense of course that Baz Luhrmann would open with that. Luhrmann is never one to use a nutcracker when there is a sledgehammer he can bang an idea a few times with until you get it. That's my point. This is not really an Elvis movie. It is a Tom Parker movie that wishes it was an Elvis movie. I am not sure you can be that dark and cynical about Elvis life and hope to get away with it considering what baggage the typical audience are likely to bring to the show. For Elvis to be portrayed as this easily manipulated kid, when anyone who watched the documentaries mentioned above knew The King was always in charge. If you tip the weight of the narrative to Colonel Tom you have to reduce the personality of Elvis. Don't get me wrong when I first heard rumours about this movie I was very keen for a Colonel Tom movie played by Tom Hanks but for that movie to work it needs a less important Elvis, that's a tough trick to pull off.
This movie is only coherent to an Elvis fan. To others not plugged into the folklore, myth and legend, it is long and boring with Luhrmann over egging his point and being cynical and depressive. He either fast forwards too much that is relevant or dwells on insignificance to bolster and pad out the Colonel Tom con artist. There is the art of the conman, the huckster, referenced through this movie. In reality, the biggest card trick is shuffled by the director who promises us a celebration of Elvis but delivers a woeful, tedious tale of a mediocre manager who got lucky clinging to a rocket after it had already launched. Butler is brilliant, no doubt, Hanks is hammy at best. Luhrmann tries to use Elvis to paint Tom Parker which is like I said, using a sledgehammer to crack a nut.
Fun in places but subtle it ain't. Thang yer verry mush.
Once the film started, it was the first track we see enacted by the incredibly brilliant Austin Butler who nails it. Sadly, there is not much else good to say about this movie beyond his performance. It makes sense of course that Baz Luhrmann would open with that. Luhrmann is never one to use a nutcracker when there is a sledgehammer he can bang an idea a few times with until you get it. That's my point. This is not really an Elvis movie. It is a Tom Parker movie that wishes it was an Elvis movie. I am not sure you can be that dark and cynical about Elvis life and hope to get away with it considering what baggage the typical audience are likely to bring to the show. For Elvis to be portrayed as this easily manipulated kid, when anyone who watched the documentaries mentioned above knew The King was always in charge. If you tip the weight of the narrative to Colonel Tom you have to reduce the personality of Elvis. Don't get me wrong when I first heard rumours about this movie I was very keen for a Colonel Tom movie played by Tom Hanks but for that movie to work it needs a less important Elvis, that's a tough trick to pull off.
This movie is only coherent to an Elvis fan. To others not plugged into the folklore, myth and legend, it is long and boring with Luhrmann over egging his point and being cynical and depressive. He either fast forwards too much that is relevant or dwells on insignificance to bolster and pad out the Colonel Tom con artist. There is the art of the conman, the huckster, referenced through this movie. In reality, the biggest card trick is shuffled by the director who promises us a celebration of Elvis but delivers a woeful, tedious tale of a mediocre manager who got lucky clinging to a rocket after it had already launched. Butler is brilliant, no doubt, Hanks is hammy at best. Luhrmann tries to use Elvis to paint Tom Parker which is like I said, using a sledgehammer to crack a nut.
Fun in places but subtle it ain't. Thang yer verry mush.
Firstly Austin Butler was great , he could actually be Elvis as he looked so much like him and clearly worked hard to do Elvis justice , but I didn't really enjoy the movie but can't put my finger on why , the Main actors did a good job but I couldn't really get an emotional connection with them or the story line until the very end , I thought the legend Tom Hanks had too much of a part to play and Elvis didn't get enough , the story seemed to bounce all over the place and to me just felt and bit disjointed , Im no movie critic or expert so I recommend seeing it as lots have really raved about it but I woo the be watching it again.
Austin Butler is terrific, I want to say that immediately. But, I was waiting for the movie to start, and in the dizzying display of visual pyrotechnics I forgot this was a Buz Luhrmann movie, so it would probable never start. A long, beautifully made trailer that hints at a revolutionary bio-pic. But that's all it is, a hint. Tom Hanks's Colonel Parker is out of a Charles Dickens novel. Yes Fagan. But I must say Austin Butler kept me there. True that sometimes he doesn't look or feel real but neither did the real Elvis. Butler's physicality is astonishing and that's what I took with me and I thought, I would love to see the movie when it comes out,.
Looks like Tom Hanks phoned in his role. His acting, if you can call it that was disgustingly terrible. Austin Butler was the perfect actor to play Elvis. I enjoyed the parts of the movie that he was in without Hanks hovering around trying to steal the scene. The writers needed to delve more into Elvis Presley's early life. Priscilla's character was just a footnote. It was if she was hardly in his life. I would actually watch this movie again if I could delete Tom Hanks from the film. Tom Hanks sucked the life out of the movie as much as Colonel Parker sucked the life out of Elvis Presley and his career.
क्या आपको पता है
- ट्रिवियाFor his audition tape, Austin Butler originally recorded himself singing "Love Me Tender." When he watched it, he felt like it was an Elvis impersonation, and refused to submit it. A few days later, he had a nightmare that his deceased mother was dying again. Overwhelmed with grief and with the Elvis audition still on his mind, he decided to pour his emotion into music. Thinking of the lyrics to "Unchained Melody," he remembered, "I always take it for granted that that's to a romantic partner, [but] what if I sing that to my mom?" He sat down at the piano in his bathrobe and filmed it. "And that way of channeling those emotions just felt true," the actor said. The video immediately caught director Baz Luhrmann's attention, as he was both confused and intrigued. Luhrmann stated, "Was it an audition? Or was he having a breakdown?" The director expressed that the audition felt like a spycam. Luhrmann asked to meet with Butler and eventually gave him the part.
- गूफ़Elvis sings Trouble in 1956. Leiber and Stoller wrote the song in 1958.
- भाव
Gladys Presley: The way you sing is God-given, so there can't be nothin' wrong with it.
- क्रेज़ी क्रेडिटAt the very end of the movie, the voice of Elvis Presley can be heard greeting the audience.
- कनेक्शनEdited from Frank Sinatra's Welcome Home Party for Elvis Presley (1960)
- साउंडट्रैकSuspicious Minds
Written by Francis Zambon (as Mark James)
Performed by Elvis Presley
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Elvis?Alexa द्वारा संचालित
- Is Elvis Presley's music used in the movie?
- Did they film any scenes in Memphis?
- Who actually performs the vocals of the songs in this film?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Kat King
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $15,10,40,048
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,12,11,579
- 26 जून 2022
- दुनिया भर में सकल
- $28,86,70,284
- चलने की अवधि2 घंटे 39 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें