IMDb रेटिंग
5.3/10
19 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंWhen an ambitious young lawyer takes on a big case against a powerful and ruthless executive of a large pharmaceutical company, he soon finds himself involved in a case of blackmail and corr... सभी पढ़ेंWhen an ambitious young lawyer takes on a big case against a powerful and ruthless executive of a large pharmaceutical company, he soon finds himself involved in a case of blackmail and corruption.When an ambitious young lawyer takes on a big case against a powerful and ruthless executive of a large pharmaceutical company, he soon finds himself involved in a case of blackmail and corruption.
- पुरस्कार
- कुल 1 जीत
Lee Byung-hun
- The Accountant
- (as Byung Hun Lee)
Christopher Rodriguez Marquette
- Giffords
- (as Christopher Marquette)
Nathan Moore
- Lawrence
- (as Nathan J. Moore)
Chris J. Fanguy
- Cop #2
- (as Chris Fanguy)
Kamilla Bjorlin
- Susie
- (as Milla Bjorn)
फ़ीचर्ड समीक्षाएं
Despite a great cast this film could mot be salvaged. It has way too many holes in it and just wasn't believable. It had little redeeming value. Glad we were able to watch it for free.
I was so excited to see this film when i saw the preview and all the a list actors. Al Pacino, Anthony Hopkins, Malin Ackerman and Josh Duhamel, are among my favorites. What a disappointment, the plot is a mess and makes no sense. Al Pacino speaks with a ridiculous southern accent, Alice Eve is one of the worst actress, its like shes on anti depressants the entire film no emotion or connection with Josh. It was so frustrating to watch. I don't know whats happening in Hollywood, maybe they are running out of ideas but this film had so much potential. This film is up there with Knock Knock. Don't waste your time seeing it.
Somebody mentioned the emotionless acting, and even if I can second that to some degree, there was a requirement for some of them to display that psychotic trait so the movie would make sense, and therefore a strange thing to comment on in my opinion. I wouldn't bash on the acting so much as maybe the screenplay. The movie is built up as a true thriller should, to leave clues along the way until the last final scene which then will uncover the truth. It got a little too scrambled up, to try to follow the timeline, but I still enjoyed the dark feeling to the movie. Although I'm still not quite sure I understood what really happen I think I will give it another look to pick up clues I didn't get the first time. I think there's something to be told here, I'm just not sure the director got the message clear.
"New events have come to light that change the nature of this allegation." Arthur Denning (Hopkins) is a pharmaceutical executive that is being sued for negligence, and to top it off his girlfriend has disappeared. Ben Cahill (Duhamel) is an up and coming lawyer that is assigned to the case. When Ben becomes personally involved with what is happening lives and careers are in jeopardy. I was very excited about this movie. Al Pacino and Anthony Hopkins together seems like a dream paring and I was looking forward to seeing those two together. Little by little my hopes were vanishing and by the time they were on screen together it was so anti-climatic that I didn't even care. Pacino and Hopkins were on screen total for about 15 min, not together. The movie is told through present day and flashbacks, but I didn't realize that until almost the end. The movie is decent but because of my high expectations involving the first paring of Pacino and Hopkins I was severely disappointing. Overall, this for me was just too disappointing for me to have enjoyed like I could have if it was two lesser actors. I give this a very disappointing and frustrating C.
"Misconduct" has some very strong elements, including a talented cast and solid production values. There's a clever reversal of fortune at the midpoint. The plot concerns individuals taking extraordinary steps to bring an individual who seems to be above the law to justice, although some characters have hidden agenda and things are not always what they seem.
Yet, it doesn't quite come together.
The motivations of the characters aren't always clear, logical or consistent. Sometimes, this works to its advantage, particularly with Hopkin's performance. Other times characters do things that don't make much sense. This seems particularly confusing with one incident involving a firearm and another involving a needle.
Characters often seem to know things they have no way of knowing. One character maintains a pied-à-terre under an assumed name that everybody seems to know about.
Police procedures are often unrealistic. The police can't simply arrest somebody unless they actually observe them committing a crime, even on the strength of a accusation supported by evidence of uncertain provenance. The Fifth Amendment guarantees, "No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a grand jury..." Even if an accusation is not brought before a grand jury, an accuser can't simply go to the police and ask them to arrest somebody in a dramatic confrontation.
Characters often show up at critical moments for no rational reason. Half the cast shows up for a climatic scene.
Many details seem contrived. A body is found holding a cell phone displaying a text message. A garment picks up traces of perfume by being in close proximity to somebody.
Many of the scenes don't quite end. Somebody shoots a guy in the leg, but faces no consequences, then holds a gun on somebody else and we cut to the next scene without knowing how the scene ends. Ticking clocks are set in motion, but largely ignored.
The dramatic perspective is muddled.
The story involves a major lawsuit that might be a class action tort or might be a civil action for fraud, but it's not clear whom the law firm represents or why they have standing. Much is made of whether certain evidence was obtained illegally; however, this is usually only relevant in criminal cases, not civil cases, and it's not clear that the evidence was obtained illegally by the parties to the suit.
Basically, the film is less than the sum of its parts. Some of the parts are quite nice, but they don't quite fit together to form a cohesive and compelling whole.
Yet, it doesn't quite come together.
The motivations of the characters aren't always clear, logical or consistent. Sometimes, this works to its advantage, particularly with Hopkin's performance. Other times characters do things that don't make much sense. This seems particularly confusing with one incident involving a firearm and another involving a needle.
Characters often seem to know things they have no way of knowing. One character maintains a pied-à-terre under an assumed name that everybody seems to know about.
Police procedures are often unrealistic. The police can't simply arrest somebody unless they actually observe them committing a crime, even on the strength of a accusation supported by evidence of uncertain provenance. The Fifth Amendment guarantees, "No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a grand jury..." Even if an accusation is not brought before a grand jury, an accuser can't simply go to the police and ask them to arrest somebody in a dramatic confrontation.
Characters often show up at critical moments for no rational reason. Half the cast shows up for a climatic scene.
Many details seem contrived. A body is found holding a cell phone displaying a text message. A garment picks up traces of perfume by being in close proximity to somebody.
Many of the scenes don't quite end. Somebody shoots a guy in the leg, but faces no consequences, then holds a gun on somebody else and we cut to the next scene without knowing how the scene ends. Ticking clocks are set in motion, but largely ignored.
The dramatic perspective is muddled.
The story involves a major lawsuit that might be a class action tort or might be a civil action for fraud, but it's not clear whom the law firm represents or why they have standing. Much is made of whether certain evidence was obtained illegally; however, this is usually only relevant in criminal cases, not civil cases, and it's not clear that the evidence was obtained illegally by the parties to the suit.
Basically, the film is less than the sum of its parts. Some of the parts are quite nice, but they don't quite fit together to form a cohesive and compelling whole.
क्या आपको पता है
- ट्रिवियाMade just £97 (about $125) in its U.K. opening weekend, with an average of four viewers per screen.
- गूफ़It would be close to impossible for any law firm to draft, finalize, and arrange formal service of a fraud complaint against a billionaire, plus schedule a deposition with him, all in less than one week. A demand for production of documents is usually needed first, with a minimum of two weeks for the plaintiff to respond, then a deposition is scheduled to obtain the plaintiff's testimony about the documents.
- कनेक्शनReferenced in Cinematic Excrement: 2nd Look: Hillary's America (2023)
- साउंडट्रैकHead Trip
Written & Performed by Lee Coombs
Courtesy of Cutting Edge Music (Holdings) Limited
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Misconduct?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Falta de ética
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,10,00,000(अनुमानित)
- दुनिया भर में सकल
- $20,49,761
- चलने की अवधि1 घंटा 46 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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