Taboo

Its so original that we need the second season ASAP PLZZZZ

Tom Hardy is one of the best actors on the planet...period. Besides maybe Leonardo DiCaprio he's my favorite actor and one of the handful of actors where I'd watch the movie/show knowing nothing more than that their in it! Taboo is another great performance for Hardy. It is thrilling from start to finish and can't wait until they finally make Season 2!

Finally I came to see this Gothic gem from the BBC and I am not disappointed - quite the contrary is the case.

In 'Taboo' the set up of the world and the creation of a very dark and at the same time tender atmosphere as well as the nicely arranged spectrum of taboo-motifs (like sexual transgression, the grotesque and strange, overwhelming violence etc.) kept me from being bothered by the fact that I didn't feel one jot more sympathy for its main character than for its antagonists. James K. Delaney is an intriguing mysterious character attracting us in a depraved way. But he is also an individual of extreme moral reprehensibility we eventually cannot go along with.

The series makes very good use of Gothic- and Dark Romanticism writers' style to build up the gloomy atmosphere of a depressed 1814 England still anguished by the loss of the great colony. It is no coincidence when Delaney claims at some point in the series:"The ravens told me". We find lots of Poe here either in theme or characters. Madness wanders through the world of 'Taboo' and at least at the dip of the hem this madness is always caused by the East India Company, the Crown or Delaney. Curiously all the characters except Delaney himself are appearing so vulnerably and fragile that their indulgence (to be helpless and lost in this made up society) arises a counter-part to the unforgiveness of the room they live in.

'Taboo' also declares the downfall of the classic adventure genre. There is no space for nostalgic explorers or discoverers in the plot lines, Delaney is a broken man as he returns from Africa, even if he is not willing to admit this. It's rather a farewell to the exotic, the story takes place after the alleged adventure and mainly stays at the well-known. Interestingly the series manages it to combine some accounts on slavery shifting the story to an international level (not many historic series/ movies do this, they mostly remain in the domestic frame).

Further the actors do a very nice job. Particularly Tom Hardy, Jonathan Price and the reoccurring Mark Gatiss play exceptionally good. However I have to say that there was no huge character development, which I wished to see. The characters are not uni-dimensional, but they do not alter in their facets. The series tries to offset this flaw with new secrets and confessions in every episode pretending these to be a change, whilst it is actually only about the introduction of new information. A very common writing technique, I think.

Overall I can highly recommend 'Taboo', especially for fans of Gothic, Grotesque and the 19th century England.

Taboo is about adventurer James Keziah Delaney (Tom Hardy), who most think is dead, returns home to inherit his father's shipping empire in 1814 London and also seek vengeance for his father's death. He encounters numerous enemies while he tries to build his company against the monopoly that is East India Company. Hardy is one of the best actors on the planet...period. Besides maybe Leonardo DiCaprio he's my favorite actor and one of the handful of actors where I'd watch the movie/show knowing nothing more than that they're in it. Taboo is another in a long line of great performances for Hardy. The show is thrilling from start to their are rumors that they plan on making another season. I hope that's true.

Imagine a man with the shaman-like charisma and borderline madness of Jim Morrison (at least as he was depicted in Oliver Stone's film 'The Doors') but equipped with the vicious fighting skills of Wolverine. Add to that the intellect and strategic talents of Francis Underwood from 'House of Cards' as well as a - very large - dose of trauma induced mental problems (especially mother issues; well: some sister issues as well) – and you've almost got James Keziah Delaney (Tom Hardy), the central character of the new show 'Taboo'. And let me tell you: he just so happens to be one of the most compelling and original protagonists I've seen in a TV-show since Ian McShane blessed us with the character of Al Swearengen in 'Deadwood' (ok, there was that other guy from that cooking show, you know: 'Baking Bread' or something like that - he was pretty singular too).

'Taboo' is certainly not an easy show to describe - it's simply too unique for that - but let me have a go at it anyway. As with all my reviews, this is supposed to give you an overall impression of the show, so you won't find any plot details here, although some very minor spoilers are possible. Please bear in mind that I'm a hopeless screen junkie who has long lost the ability to properly use language unless it's in the context of film, so forgive me for constantly referencing other films and TV-shows in order to describe this series. If this grave condition of mine bothers you, you might want to stop reading now.

Still here? OK: imagine the dark, brooding atmosphere of 'True Detective' (I'm talking about the first season, of course) and transfer that mood to the city of London in 1814, at a time when the war between Britain and America is still going on but slowly nearing its end. Now further imagine that time period (candlelit rooms, horse carriages riding over cobblestones, fog rising from the river Thames and creeping through dark streets and busy docks) captured through the breathtakingly beautiful cinematography we usually find in a Ridley Scott film. Are you with me so far? Good. Because now that we've established the tone, mood and look of this show, we can explore the world of James Delaney a little further.

The end of the Anglo-American war is in sight, and as peace negotiations between the warring parties are secretly taking place, there's a third major player involved who is scheming to protect its influence: the East India Company, one of the first - and perhaps most powerful - corporations in history. It's this fascinating time of upheaval and secret battles for power in and around the New World which provides the backdrop for 'Taboo', and the show does an amazing job at transporting the audience to that era. This series features some of the best production design I've ever seen in a show (or a feature film, actually); everything looks lived-in and genuine; whether it be ships, houses, clothes or landscapes; every grimy cobble stone in every dimly lit alley virtually oozes authenticity.

When we first meet Delaney, he makes an entrance worthy of the Count of Monte Cristo. In case you don't know the story, that's the guy who was framed for a crime he didn't commit and then locked away for so long everybody eventually thought he was dead - only to return one day, rich beyond imagination, and with an elaborate plan on how to take revenge on everyone that had wronged him. This theme of a guy returning from the dead with unexplained riches but a mysterious plan on his mind is sort of the starting point for 'Taboo' (but it's only the starting point, so this isn't a spoiler). As we soon find out, Delaney's actually more like the Count of Monte Cristo's disturbed, savage twin, for he does things Edmond Dantes (that's the Count's real name) probably couldn't conceive of in his wildest dreams. Through his return - and by carrying out his plan - Delaney puts himself in the impossible position where he's not only up against the sinister forces of the East India Company, but also against the British Crown as well as the Americans, and it will take all his cunning and every dirty trick and violent skill at his disposal for him to stay alive and protect his interests.

Thanks to Tom Hardy's charismatic screen presence (and great writing), watching Delaney as he plots, threatens, kills, steals and hallucinates his way through this deadly game of chess is a thrilling joy and never less than compelling. Hardy creates the chilling portrait of a man who is haunted by the ghosts of his past; a man who seems to have one foot already firmly rooted in the afterlife and who communicates with the spirits of the dead - yet at the same time he's a relentless force of nature who pursues his goals with unwavering determination. There are many reasons to enjoy 'Taboo': this dark tale of dark passions - and even darker secrets - is beautifully written (by Hardy Sr., Hardy Jr. and 'Peaky Blinders' creator Steven Knight); it's gorgeous to look at (it was produced by Ridley Scott and shot by Scott's frequent collaborator Mark Patten), and it features great performances by such prominent British thesps as Jonathan Pryce, David Hayman or Stephen Graham - but make no mistake: this is 100% Hardy's show. The role of Delaney is tailor-made for him, and I honestly can't imagine 'Taboo' working with any other actor.

So to sum up my review: I highly recommend 'Taboo' to every Tom Hardy fan, but anyone who likes their tales dark and twisted and doesn't mind a somewhat deliberate pace (I'm talking to you, 'True Detective' fans) is equally well served - especially fans of original material. Great, unique television: 9 stars out of 10

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Lesser-Known Masterpieces: imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/