IMDb रेटिंग
6.7/10
4.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंKorengal picks up where Restrepo (2010) left off--with the same men, in the same valley, with the same commanders--but presents a very different look at the experience of war.Korengal picks up where Restrepo (2010) left off--with the same men, in the same valley, with the same commanders--but presents a very different look at the experience of war.Korengal picks up where Restrepo (2010) left off--with the same men, in the same valley, with the same commanders--but presents a very different look at the experience of war.
- पुरस्कार
- कुल 1 जीत
फ़ीचर्ड समीक्षाएं
This isn't a documentary for the peace loving or the clean. It is an extension to Restrepo... which my wife would prefer that I quit watching. This movie is a TRUE to life documentary that represents the bond that you civilians dream of having.. but cannot. That bond IS formed in the crucible of combat. Its not ego.. its reality. I miss it day by day.. but not the other issues that go with combat deployments.
But I would like to call out CPT 'POS' Kearny, whom I despise from the original as an egotistical, "doesn't get it',incompetent leader that failed in the first and opened his mouth in the second, which quantifies as failure in my mind..a complete ass that one. Second.. and unfortunately I have to call out SSG Brendan O'Byrne with his BS diatribe about 'doing what you have to do'. You faqin azz. You signed up.. you have and lead Soldiers.. YOU WILL DO WHAT YOU MUST!! to bring them back. You fetal and cry in the shower on your own time. I wish you no ill will.. but please stop talking of your theological issues on an otherwise perfect movie.
Last bit.. and I am not sure if the audience is familiar with 'Roll Call' during a Soldiers memorial service. It is the most excruciating thing for me to observe, even on movie, and I shed..another tear for Restrepo.. whom I still don't know.. just like I did the fellows that I did that fell.
A great flick that most won't get. It's really for us current or ex- GI's that served in Iraq or the 'Stan. It is a true to life movie that shows the grittiness and brings fame on to great civilians that do the bidding of their government (other then Kearny, degenerate prick) regardless of their beliefs.
PS. I love 'Big Al' 50 Cal as well.. badest MoFo currently serving.
But I would like to call out CPT 'POS' Kearny, whom I despise from the original as an egotistical, "doesn't get it',incompetent leader that failed in the first and opened his mouth in the second, which quantifies as failure in my mind..a complete ass that one. Second.. and unfortunately I have to call out SSG Brendan O'Byrne with his BS diatribe about 'doing what you have to do'. You faqin azz. You signed up.. you have and lead Soldiers.. YOU WILL DO WHAT YOU MUST!! to bring them back. You fetal and cry in the shower on your own time. I wish you no ill will.. but please stop talking of your theological issues on an otherwise perfect movie.
Last bit.. and I am not sure if the audience is familiar with 'Roll Call' during a Soldiers memorial service. It is the most excruciating thing for me to observe, even on movie, and I shed..another tear for Restrepo.. whom I still don't know.. just like I did the fellows that I did that fell.
A great flick that most won't get. It's really for us current or ex- GI's that served in Iraq or the 'Stan. It is a true to life movie that shows the grittiness and brings fame on to great civilians that do the bidding of their government (other then Kearny, degenerate prick) regardless of their beliefs.
PS. I love 'Big Al' 50 Cal as well.. badest MoFo currently serving.
Was shown made using a kick starter which makes it that more impressive for me with such a high caliber film. Its from the same prospective as Restrepo with the same Men and the same OP, but doesn't cover death and surviving, but more of dealing with boredom, how much they look forward to firefights, and how war effects you over a period of time to a point you begin to not care if you live or die. Its more physiological as Restrepo was emotional. At times it felt as a out takes of Restrepo but it really illustrates what war feels like from a theater seat. It places itself up there with Armadillo and Restrepo. Cant wait till its released on Netflix.
I was a member of Battle company during this deployment. They gave us a helluva fight. "Korengal" makes a nice complement to "Restrepo" and should be an eye-opener for anyone curious about what guys go through in Afghanistan. My only complaint is I wish there was more action in it. I recently just published and e-book about it (available on Kindle, Nook, Kobo & Smashwords) entitled "To Quell The Korengal" if anyone is interested in reading more about it.
www.amazon.com/Quell-Korengal-Darren-Shadix- ebook/dp/B0197IIPVQ/ref=sr_1_1?ie=UTF8&qid=1449888085&sr=8- 1&keywords=to+quell+the+korengal
www.amazon.com/Quell-Korengal-Darren-Shadix- ebook/dp/B0197IIPVQ/ref=sr_1_1?ie=UTF8&qid=1449888085&sr=8- 1&keywords=to+quell+the+korengal
Director Sebastian Junger tries to add more depth to the documentary Restrepo he made with Tim Hetherington. In the meanwhile, Tim dies while filming in Misurata, Libya. This one delves more into the troops' feeling and the war's effectives on them. For me, it touches on too much of the same subject. It's the same place at the same time. Restrepo came earlier and feels more immediate. It was closer to the events and was more visceral. I appreciate the attempt to dive deeper into this world. I would suggest concentrating on one or two characters. It would allow the audience to truly track the development and the change in these troops over time. The footage may not be there but they could do interviews with some of these guys back home. It is eye opening to see everybody say that they rather be back in the Korengal valley. However the movie really needs the 'Where are they now?' segments.
2010's Restrepo brought the Afghanistan War in to peoples' homes, bearing visceral shots and the raw emotion of modern warfare. Photojournalist Tim Heatherington and Sebastian Junger spent ten months with Combat Outpost (COP) Restrepo's "Battle Company" reaping an inordinate amount of footage. More footage than they could place into the first documentary. A year later, Heatherington would be dead; killed by shrapnel whilst covering the 2011 Libyan Civil War. Junger felt that the copious amount of footage leftover from Restrepo lent itself to another film. Thusly, Korengal, a companion film, was born.
Where the prior of the pair seemed aimed to illustrate Chris Hedge's 2002 quote, "The rush of battle is a potent and often lethal addiction, for war is a drug, one I ingested for many years," the latter shoots to exploit a more poignant and familial sense from the footage and interviews. For those familiar with Restrepo, do not expect anything revolutionary here. What you will be seeing is footage shot during the same time period (2007-2008) using the same equipment. That said, this is in no way a strike against the film. Junger fares well in his organization of the footage and new interviews. This is an altogether new narrative.
As a piece of war journalism, it stands out as a worthy companion piece to the first film, not only elaborating on notions explored in Restrepo's 93 minute running time, but introducing new and arguably more meaningful elements. Junger succeeds in revisiting their footage, and bringing freshness to what could have become a dull supercut of Restrepo's outtakes in another man's hands. It's a damn shame Heatherington wasn't around to see this complete vision of the creation he and Junger set out upon in 2007. These two pictures have set the standard for war journalism, and will hopefully usher in a new era of the discipline.
Where the prior of the pair seemed aimed to illustrate Chris Hedge's 2002 quote, "The rush of battle is a potent and often lethal addiction, for war is a drug, one I ingested for many years," the latter shoots to exploit a more poignant and familial sense from the footage and interviews. For those familiar with Restrepo, do not expect anything revolutionary here. What you will be seeing is footage shot during the same time period (2007-2008) using the same equipment. That said, this is in no way a strike against the film. Junger fares well in his organization of the footage and new interviews. This is an altogether new narrative.
As a piece of war journalism, it stands out as a worthy companion piece to the first film, not only elaborating on notions explored in Restrepo's 93 minute running time, but introducing new and arguably more meaningful elements. Junger succeeds in revisiting their footage, and bringing freshness to what could have become a dull supercut of Restrepo's outtakes in another man's hands. It's a damn shame Heatherington wasn't around to see this complete vision of the creation he and Junger set out upon in 2007. These two pictures have set the standard for war journalism, and will hopefully usher in a new era of the discipline.
क्या आपको पता है
- भाव
LaMonta Caldwell: It's just a valley. It's a valley that is if you look from high above, it looks like a quiet valley.
- साउंडट्रैकEnjoying Firefights
by Marty Beller
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Korengal?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,01,310
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $14,630
- 1 जून 2014
- दुनिया भर में सकल
- $1,01,310
- चलने की अवधि1 घंटा 24 मिनट
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