Elvira, te daría mi vida pero la estoy usando

Cecilia Suarez as I already knew is one very talented actress, and in this movie she has the opportunity to showcase her underrated talent, besides she looks GORGEOUS thorough the movie, like a golden age Hollywood actress. Her work is so organic that you believe that Elvira's struggle is real, and wish you could help her.

Her character, Elvira is a woman with two kinds and a husband that lefts her, and now, her life is gonna change forever, having to deal with money, children and a big city. This movie shows how women support each other in life, and that one has to reinvent themselves when life doesn't go as planned, and sometimes this changes makes you realize how strong you can be. The movie has a dark them portrayed in a funny way, thanks to the cast, you can laugh at really bad situations, since it has a lot of Mexican humor. Pay attention to the guest appearances by other actors. This movie is a must see, portraits really well the medium class of the Mexican society, and how we can laugh our problems off.

We are told a very dramatic story but one that is entertaining, in addition, it has good performances and good music.

A great movie with a great character, Elvira is so funny.

First of all, if you haven't seen this movie, you're making a huge mistake. This new film, from Mexican director, writer, and producer Manolo Caro, will make you believe again in the future of Mexican Cinema. Maybe I'm overreacting a little, but let me explain myself.

Cecilia Suárez's performance is astounding, revealing once again her capability of making us live through her emotions on screen, and proving us why she is the best choice for the lead role. And not only Cecilia's given an amazing performance, but also every performer in this movie, Mexican actors and actresses who have worked their way in this industry over the years.

This entire movie is filled with the drama Elvira is living, combined with the dark comedy Mexican audiences are used to. Something I find really interesting of Manolo Caro's works, is the power he has over his cast. As a director, Manolo manages to bring out the very best of every character, making it easy for the audience to feel somehow related and identified to the situations that the character goes through, not only in this film but also in his previous productions, such as "No sé si cortarme las venas o dejármelas largas" (2013), and "Amor de mis amores" (2014).

As I said earlier in this review, Mexican Cinema is not dead, neither is going through any kind of decline or decay, the Mexican Cinema is growing and building itself up. This film, and Manolo Caro are proof of it.

The truth is that this film isn't half bad, it has high production values, some solid performances from the cast of women, specially Cecilia Suárez in the main role and the storyline isn't bad.

The problem comes when the director tries too hard to emulate his hero, Pedro Almodovar, losing all of it's own identity. Even trying to include a Mexican touch on it, you can't miss the intentional references, just like his prior film, 'No se si cortarme las venas o dejármelas largas'.

That's too bad. Maybe in his next works he can find his own voice and portrait something unique, besides trying to emulate or copy his hero.