Hans Zimmer & Friends: Diamonds in the Desert

This documentary- which, I may add, is more of a concert film- showcases the most well-known works of the great Hans Zimmer. If you loved his scores in movies there is no way you won't love this production.

The concert visuals and cinematography are stunning, making it very entertaining to watch. Between performances, there are brief conversations with famous actors, directors, and musicians, where Zimmer shares his insights on various topics with his "friends."

The concert itself is impeccable, truly a masterpiece. The scores are powerful, and personally, I felt chills more than once.

On the downside, though subtle but noticeable, I found that at times what you see doesn't always match what you hear. Occasionally, the instrument highlighted on screen isn't the one most prominent in the audio.

This "movie" is perfect for any Hans Zimmer fan! I love a lot of his work and this did not leave me disappointed. The entire concert was fantastic! It truly was a breathtaking experience. The music was, as always, beautiful and exquisite. The interviews were great and very interesting. To listen to such masterpieces in a theatre was such a unique experience. If you are unsure about if you want to go... just do it. Go! It's a once in a lifetime opportunity and I can bet that you will enjoy it. Some of my favorite pieces didn't make the cut, but that didn't take away from how incredible the film was. Every moment is thoughtfully presented, and each performance is delivered at the highest level. If you are a fan of Hans Zimmer's work, do not miss this chance to experience greatness. Go see this film now-your future self will thank you.

We were lucky to have been able to watch this from the comfort of the Everyman Theatre in Wokingham. The music and photography simply mind blowing. The interviews (in black and white) are, in part, interesting. The musicians are incredibly talented. The "choreography" totally fitted the music. The sets outside of the concert hall (including the goat) worked well enhancing the musical experience. The concert hall footage shows the togetherness of the band. Humour with and appreciation of each other's talents throughout. Getting technical, the editing was superb, the sound quality absolutely excellent.

I haven't written a review in years.

Just watched here in Canberra, Australia.

Sorry, but I started typing to Hans immediately during opening saying the sound was terrible.

I ran out and told attendant.

Who surprisingly jacked it up slightly.

I almost walked out to go home.

But stayed thinking it may not come to video.

But it's obvious there were overdubs.

No bass whatsoever.

Like 3.0 and then 4.0 and then at best 5.0.

The pre-recorded Lisa section was the ONLY redeeming sound mix.

Tear inducing.

I could hear the aircon above the dialogue early on.

The lighting earlier was a bit subpar.

The best live mix was The Lion King.

One could hear every channel track.

Yes, it's worth a watch, but ironic when it's supposed to be about the sound.

Guess one hopes F1 will make up for it, and it better be as good as Days of Thunder.

Jerry Bruckheimer was the most interesting, and Zendeya explained why I keep hearing my wife scrolling through Cornfield Chase clips.

Looking at the credits...I shake my head.

Or is that my ears?

Love the updated arrangements, and newer musicians.

Nile was styling.

Lebo was consummate.

Still prefer Power of One anyday.

There were 4 of us in the cinema.

Yumbo.

Hans Zimmer & Friends: Diamonds in the Desert" is a combination of a concert report from Dubai in 2024, with short interviews with people who have influenced the work of this outstanding film music composer. Among the guests are Christopher Nolan, Dennis Villeneuve, and Jerry Bruckheimer, figures without whom Zimmer could not fully express his talent. The documentary lasts 2.5 hours, which is a very "epic" length, though it seems it could have been a bit shorter. Considering that the interviews add little to the overall theme (those who follow Zimmer's work will not be surprised), are brief, and visually look like phone recordings in a café, I would have preferred the director to focus 100% on the concert, which is interspersed with a few outdoor recordings for the title's needs. Here, the production shines, offering great editing, dynamics, and sound. I really enjoyed the performances of themes from Man of Steel, The Lion King, Gladiator, and The Dark Knight, which had a huge amount of "power." In summary, if you know Hans' music and the films it appeared in, I can't help but recommend it. It's a very nice thing, though not perfect.