Durak

The setup is fairly simple, during a violet domestic dispute about stolen money that serves as the film's prologue, a water pipe bursts. The whole scene underscores what is to come: a tale of a corrupt society teetering on the brink of disaster socially, economically and politically.

The hero of the film, Dima, the "durak" (fool) of the title of the film, is a bright young plumber on the way up in the world. After inspecting the damage, he soon realises that the burst pipe is merely evidence of a much larger issue: the entire block of flats is falling apart and will do so in 24 hours. While this should have been rectified during regular renovations of the building, the funds to do so were skimmed off the top by the local head of the housing organisation.

In response, Dima goes right to the very top of the provincial town in an attempt to save the lives of the occupants. Is anyone going to be motivated to act, however, if they have already been bleeding the system dry until now? Perhaps covering their own backs will prove the only motivation.

A brilliant film: one where you truly don't know whether to laugh or cry. From my time in Ukraine though, I dread just how accurate this slice of modern small town Russian life is.

Durak is a gem of a movie. It showcases a rare combination of suspense and philosophical questioning, rendering it a very entertaining film that leaves you thinking about it way past the end credits.

The characters in Durak are well developed, even those that do not get a lot of screen time. We get to know them, see how they live, understand their priorities and their motives. Deeper than that though, where the movie really excels is in exposing the nature and mighty power of the highly entangled system of corruption and how each individual character is both its co-creator and its puppet.

In a city with a corrupt council, a 9-floor high building block is about to collapse. It needs to be urgently evacuated. The corrupt city officials face the prospect of criminal proceedings against them if hundreds of tenants die under the rubles. Will they be able to rise above the profitable network of kickbacks and favors that they have been milking for a long time? Or have they been diving too deep into the sweet scum of corruption to get into the surface on time to actually do something useful for their poor citizens?

What about the poor citizens themselves? Living for decades in a dilapidated building under miserable circumstances, one would guess that change is what they desperately need. But 30 years is a long time. It is time enough for people to get used to the situation, to get to know to hate it, but also to cling to it at the same time as the only tangible piece of reality that still belongs to them. Reality in the form of a derelict pile of bricks that nevertheless stands as a barrier between their life on the one hand and death lurking in the snowy streets on the other. A pile of bricks where corruption also thrives, with a thread made of vodka and violence menacing the residents but also structuring the network of reality around them. Will they be willing to forgo everything and start anew or are they also too entangled to a mighty system of their own, unable to leave it behind even in the prospect of imminent death?

The force that poses these questions and stirs things up is the protagonist, Durak. He sees reality as it is and is determined to do something about it. He has no other choice, letting things be and following the song of the Sirenes of corruption is just not like him. He is the Socratean fly that sends ripples through the system, that forces the system to face its own stink and atrocity. What does that make him? The Hero or the Fool?

Do not be mistaken and take a comfortable distance from this movie, classifying it as an interesting depiction of corruption in Russia. This is not about Russia, this movie is about you. In whatever place you might live, it's you that is also noticing the web of corruption around you and the injustice, the desperation and the misery that it causes. It's you that decides to silently take part in it, in little or greater measure, or at least let it be and try to make a living somehow. It's you that keeps thinking from time to time that someone needs to do something about it all, that you need to take action to help people, to help yourself. But what would that make you? The Hero or Durak, the Fool?

During a nightly emergency repair a plumber discovers that the appartment building is in a really bad shape and is about to collapse. He comes into action but the municipal administration and the real estate mafia (who turn out to be connected inseparably) let their own (financial) interests prevail.

"Durak" is of the same year as "Leviathan" (2014, Andret Zvyagintsev) and about the same subject (real estate corruption in Russia). "Durak" is a bit less philosophical but it has a thriller element in the form of the appartment building that can collapse every minute.

In Dutch "Doerak" means "rascal". In Russian "Durak" means "fool". The title of the film says something about the Russian society, because in Western eyes the main charachter of the film is not a fool but a hero. In Russia however, they look different at these things. Not only is the real estate maffia not amused with the actions of the pluber, so are his wife (you bring the family into danger) and the occupants of the appartment building (leave us alone).

The appartment building may be in danger of collapsing, the Russian society has already collapsed in the film, permeated as it is with cynism in all layers of society.

By the way, also in the Western world there are accidents attributable to deferred maintenance. Remember the 2017 fire in the Grenfelltower (England), an appartment building with mainly poor occupants and poor fire safety.

The Russian film Durak (2014/II) was shown in the U.S. with the title "The Fool." Yuriy Bykov was the writer and director. The overall theme is consistent with Dostoevsky's "The Idiot." In that novel, Prince Lyov Nikolayevich Myshkin is an honest, kind, helpful person. No once can believe that anyone could truly be this good, and that's why the call him an idiot.

In a small Russian city, Syn Dimy (played by Gordey Kobzev) is also an honest, kind, helpful person, and no one respects him for it. He's a low- ranking foreman of a municipal plumbing repair crew. Syn discovers that one of the municipal housing units is about to collapse. He reports this to the authorities, but no one wants to hear it.

In a previous film by Bykov--The Major--we learned that the police department was a cesspool of corruption. In The Fool, we learn that the entire municipal system is based on corruption. Everyone is on the take. No one really cares about the 820 people in the building. The only question is how to continue in positions of power and affluence after the building collapses.

This is a brilliant, but very grim film. There's no humor in it. We saw it in the excellent Dryden Theatre at The George Eastman Museum in Rochester, NY. It's primarily set indoors--in the night club where the mayor is celebrating her 50th birthday, or in the doomed building, which houses very poor, very angry people. It will work well on the small screen. It's a movie you don't want to miss. Find it an see it.

I am surprised that this movie didn't get more attention. "The fool" is such an interesting and unique movie, set in a poor town in Russia, where corruption is a big issue. This movie focuses a lot on the characters motivations and morals, even though the topic of political corruption is so often made into a "evil big politics vs good poor people" theme, this movie tries to be more grey in its depiction. Instead of just showing you political higher ups that are just assholes for the movies sake, it goes deeper and presents its whole system as flawed and as a result people only caring about themselves. The plot revolves a lot around the question of responsibility and sacrifices. The characters are relatable and the movie can create so much tension, the acting is good overall and in some scenes it really shines. The atmosphere created by its music and camera shots was perfectly fitting to the scene, from long drawn out shots with jarring noises that makes you feel the cold of this Russian winter, to conversations in conference rooms which makes you feel claustrophobic. Overall I would say that this movie is perfectly made, from its very gripping story to its interesting questions about morality.