कार्डिनल वॉल्सी के पतन के बाद, उनके सचिव, थॉमस क्रॉमवेल, स्वयं को राजा हेनरी अष्टम के दरबार के विश्वासघात और षड्यंत्र के बीच पाते हैं और जल्द ही राजा के करीबी सलाहकार बन जाते हैं, जो कि खतरे... सभी पढ़ेंकार्डिनल वॉल्सी के पतन के बाद, उनके सचिव, थॉमस क्रॉमवेल, स्वयं को राजा हेनरी अष्टम के दरबार के विश्वासघात और षड्यंत्र के बीच पाते हैं और जल्द ही राजा के करीबी सलाहकार बन जाते हैं, जो कि खतरे से भरी भूमिका है.कार्डिनल वॉल्सी के पतन के बाद, उनके सचिव, थॉमस क्रॉमवेल, स्वयं को राजा हेनरी अष्टम के दरबार के विश्वासघात और षड्यंत्र के बीच पाते हैं और जल्द ही राजा के करीबी सलाहकार बन जाते हैं, जो कि खतरे से भरी भूमिका है.
- 9 प्राइमटाइम एमी के लिए नामांकित
- 15 जीत और कुल 61 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
It's been a while since I watched the first season. The second season Mark Rylance and Damian Lewis (and some others) are amazing actors!!! Of course, Damian Lewis is one of my favorite actors. He is always amazing but Mark Rylance is beautiful in this series. I'm sorry I'm having a hard time finding more words to fill up the minimum characters which I think is a little silly.
I just cannot say enough about Mark Rylance. He is amazing in this series, the second season that I am on as I can't really remember from a long time ago when I watched the first season. I'm really speechless about his acting it's so good! Thank you!
I just cannot say enough about Mark Rylance. He is amazing in this series, the second season that I am on as I can't really remember from a long time ago when I watched the first season. I'm really speechless about his acting it's so good! Thank you!
Peter Straughan condenses Hilary Mantel's award winning historical fiction novels for television. Peter Kominsky gets all the candles he needs for gloomily lit interiors but more importantly gets out great performances from his actors and a wonderful paced drama. There is little here that is stuffy or po faced.
Damian Lewis is a thinner, youthful and more athletic Henry VIII here. Claire Foy (Ann Boleyn) is the chancer who uses her body to enchant Henry when almost everyone is against her. Thomas More is portrayed as a religious zealot here happy to torture and kill in the name of Rome, far removed from 'A man of all seasons.'
Holding everything together is an understated but riveting performance by Mark Rylance as Thomas Cromwell. A social climber, a fixer, the son of a Putney blacksmith adept in the shadowy world of political intrigue and planning. Cromwell literally lurks in the shadows helped with all that candlelight. Cromwell is loyal too as he is with Cardinal Wolsey even after his fall from grace.
The kernel of the story is familiar although it is easy to forget that this is an adaptation of historical fiction. In short it is not all true.
Damian Lewis is a thinner, youthful and more athletic Henry VIII here. Claire Foy (Ann Boleyn) is the chancer who uses her body to enchant Henry when almost everyone is against her. Thomas More is portrayed as a religious zealot here happy to torture and kill in the name of Rome, far removed from 'A man of all seasons.'
Holding everything together is an understated but riveting performance by Mark Rylance as Thomas Cromwell. A social climber, a fixer, the son of a Putney blacksmith adept in the shadowy world of political intrigue and planning. Cromwell literally lurks in the shadows helped with all that candlelight. Cromwell is loyal too as he is with Cardinal Wolsey even after his fall from grace.
The kernel of the story is familiar although it is easy to forget that this is an adaptation of historical fiction. In short it is not all true.
Hilary Mantel's superb novels 'Wolf Hall' and "Bringing Out of the Bodies' manage to execute an extraordinary balance. On one hand, they rehabilitate the reputation of Thomas Cromwell, one of Henry VIII's advisors, who received wisdom portrays as a man of viciousness and ambition; according to Mantel, this picture dates only from Victorian times, and Mantel rehabilitates Cromwell as a surprisingly humanistic working class hero. But as the same time, she never strays into the territory of ascribing modern motives to the characters she wishes she have our sympathy, and "primitive" attitudes to the ones we're supposed to hate. Instead, she brings us inside the morality of the times: the fact that it doesn't map cleanly onto our own is precisely what makes the books interesting. This BBC television adaption can't quite replicate the stream-of-consciousness from inside Cromwell's head provided by the novels, and almost inevitably it's a bit more Tudors-by-numbers. But it doesn't do a bad job either, avoiding the obvious clichés and giving us a convincing realisation of Mantel's work that captures most, if not quite all, of its inherent subtlety. Mark Rylance is simply superb as Cromwell, and most of the other actors offer a convincing interpretation of their roles, especially Claire Foy as Anne Boleyn, the minor noblewoman who punches above her weight all the way to the chopping block. What's still to come is the third (as yet unwritten) book of the trilogy, and the fall that follows Cromwell's rise. I look forward to it as novel and television alike.
As a life long Anglophile - with a special passion for the Tudors, I could not wait for this series - after only the first episode, I was not disappointed. Wolf Hall is the story of a (not so well known) Tudor personage Thomas Cromwell - lawyer and confidant of Cardinal Wolsey - who at one time early in Henry VIII's reign was "the most powerful man in England." After Wolsey's decline (none of them stay on top forever), Cromwell worked with King Henry VIII directly.
The fascinating thing about Cromwell is that he was a lowly born commoner, but possesses a quick mind, a sharp tongue and is utterly fearless. Mark Rylance is a great Cromwell - not striking in appearance - quite ordinary in fact, yet possessing the qualities that took him far. Even though after only a short glimpse of Damian Lewis in the first episode, I believe he will be a great Henry (based more on his past performances than anything else.)
Aside from being about one of the most interesting families and time periods in history, Wolf Hall's writing scintillates. These types of dramas are long on dialogue and short on action (so Fast and Furious or Mission Impossible fans - stay away), but the dialogue makes the story.
Some examples:
After Wolsey is disgraced (he failed to secure the annulment of Henry's first marriage to Catherine of Aragon from the Pope), Cromwell goes to Anne Boleyn - who is waiting in the wings as Henry wife #2:
Anne: "we only asked the Cardinal (Wolsey) for one simple thing (meaning the annulment)"
Cromwell: "It wasn't simple"
Anne: . . ."Maybe you think I am simple?"
Cromwell: "You may be, I hardly know you."
In Henry's court, no one talks to the next Queen in line like that.
Later, Cromwell visits Norfolk (who was an avowed enemy of Wolsey):
Cromwell: I hope he (The King) doesn't think still of invading France"
Norfolk: "What Englishman doesn't??" "We own France!!"
later same conversation:
Norfolk: "tell him (Wolsey) if he doesn't (go North) I'll come to him and I will tear him with my teeth!!
Cromwell:"May I substitute the word "bite" for "tear?"
Finally in the next scene Cromwell meets Henry and their subsequent discussion concerning a re-invasion of France shows how snarky and smart assed Cromwell can be - even to the King's face.
It is brilliant.
And of course if you have visited England, the scenery and castles will bring back fond memories of your visit.
The Tudors have been a popular subject of movies for some time (Keith Michell - 1970 Six Wives of Henry VIII; or a pretty complete list at http://tudorhistory.org/movies/), this one promises to be one of the best.
I cannot wait for subsequent episodes. DonB
The fascinating thing about Cromwell is that he was a lowly born commoner, but possesses a quick mind, a sharp tongue and is utterly fearless. Mark Rylance is a great Cromwell - not striking in appearance - quite ordinary in fact, yet possessing the qualities that took him far. Even though after only a short glimpse of Damian Lewis in the first episode, I believe he will be a great Henry (based more on his past performances than anything else.)
Aside from being about one of the most interesting families and time periods in history, Wolf Hall's writing scintillates. These types of dramas are long on dialogue and short on action (so Fast and Furious or Mission Impossible fans - stay away), but the dialogue makes the story.
Some examples:
After Wolsey is disgraced (he failed to secure the annulment of Henry's first marriage to Catherine of Aragon from the Pope), Cromwell goes to Anne Boleyn - who is waiting in the wings as Henry wife #2:
Anne: "we only asked the Cardinal (Wolsey) for one simple thing (meaning the annulment)"
Cromwell: "It wasn't simple"
Anne: . . ."Maybe you think I am simple?"
Cromwell: "You may be, I hardly know you."
In Henry's court, no one talks to the next Queen in line like that.
Later, Cromwell visits Norfolk (who was an avowed enemy of Wolsey):
Cromwell: I hope he (The King) doesn't think still of invading France"
Norfolk: "What Englishman doesn't??" "We own France!!"
later same conversation:
Norfolk: "tell him (Wolsey) if he doesn't (go North) I'll come to him and I will tear him with my teeth!!
Cromwell:"May I substitute the word "bite" for "tear?"
Finally in the next scene Cromwell meets Henry and their subsequent discussion concerning a re-invasion of France shows how snarky and smart assed Cromwell can be - even to the King's face.
It is brilliant.
And of course if you have visited England, the scenery and castles will bring back fond memories of your visit.
The Tudors have been a popular subject of movies for some time (Keith Michell - 1970 Six Wives of Henry VIII; or a pretty complete list at http://tudorhistory.org/movies/), this one promises to be one of the best.
I cannot wait for subsequent episodes. DonB
The two seasons of this series are very well made and well acted. This show should be great for fans of the Tudor period but if that doesn't interest you, or you've seen too much on that narrow topic, then maybe not.
Just one thing bothered me. They really need to stop casting black actors in historical dramas where no black people would have appeared. Okay, maybe darker skinned members of the Spanish legation but not members of Henry's court. I don't think they realize that it gives the appearance of grating racism when they cast black people in minor roles but of course never in a major role.
In Shakespeare, okay. But this is hardly Shakespeare. Bridgerton is okay too. That's a fantasy. If you are going for historical realism and not one of those fantasy shows aimed at teenagers who hate history, then stick with history.
Why put all that effort into getting the costumes right if you're going to get the actors wrong? I usually don't complain about DEI like you-know-who but this is a case where I have to object.
If the BBC needs to meet some quota for non-white actors, then choose stories that naturally lend themselves to non-white characters. If it has to be some aspect of British history, then the colonial period is a possibility.
Maybe the BBC doesn't have the budget for overseas location shooting anymore? I've heard they had budget problems for the second season of this show. Maybe that explains why there was so many padding scenes of people walking through courtyards and gardens.
In summary, it's worth watching but I think I've met my lifetime quota for Tudors now. Move on to something else.
Just one thing bothered me. They really need to stop casting black actors in historical dramas where no black people would have appeared. Okay, maybe darker skinned members of the Spanish legation but not members of Henry's court. I don't think they realize that it gives the appearance of grating racism when they cast black people in minor roles but of course never in a major role.
In Shakespeare, okay. But this is hardly Shakespeare. Bridgerton is okay too. That's a fantasy. If you are going for historical realism and not one of those fantasy shows aimed at teenagers who hate history, then stick with history.
Why put all that effort into getting the costumes right if you're going to get the actors wrong? I usually don't complain about DEI like you-know-who but this is a case where I have to object.
If the BBC needs to meet some quota for non-white actors, then choose stories that naturally lend themselves to non-white characters. If it has to be some aspect of British history, then the colonial period is a possibility.
Maybe the BBC doesn't have the budget for overseas location shooting anymore? I've heard they had budget problems for the second season of this show. Maybe that explains why there was so many padding scenes of people walking through courtyards and gardens.
In summary, it's worth watching but I think I've met my lifetime quota for Tudors now. Move on to something else.
क्या आपको पता है
- ट्रिवियाThe weaving technique that Elizabeth Cromwell is shown doing with her hands is called Fingerloop Braiding, a popular technique used during the period to make cords, purse strings and laces for clothing.
- गूफ़Claire Foy who plays Anne Boleyn has blue eyes. In real life Anne Boleyn had dark eyes.
- कनेक्शनFeatured in The Wright Stuff: एपिसोड #20.10 (2015)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does Wolf Hall have?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Wolf Hall: The Mirror and the Light
- फ़िल्माने की जगहें
- Wells Cathedral, Wells, Somerset, इंग्लैंड, यूनाइटेड किंगडम(interior, Gray's Inn)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 16:9 HD
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