Sweet Dreams

If you believe in dreams, the magical world of dreams, this movie is a must watch. A beautiful creation that on one hand talks about how important is to dream and working hard to turn them into reality, on the other hand it also talks about the difference between reality and dreams.

The best part of this movie is definitely Amol Parashar. I was in awe mode after seeing him portraying a role which I think was definitely meant only for him. The innocence on his face, cute smile and those magical vibes while you watch him is enough to glue the viewers to the magical ride.

The lead actress Mithila Parkar and also Meiyang Chang performed their part very well.

I watched this film not only because I am a Die-Hearted fan of Mithila Ma'am but also that I'm a Hopeless Romantic. The issues, insecurities and dilemmas that our Generation faces have been nicely depicted in the film. Lastly as a boy, I can totally relate to Amol Sir's Character and his fear of not being 'A lonely Old Man". But I felt Saurashini Ma'am's Character was so nuanced & it shows the need to balance between Hopeless Romanticism & being Practical. The Characters played by Meiyang Chang and Sukkanya Vats were also very nice. The songs are quite soulful too

Overall a very delightful watch.

While the idea behind the story was interesting, the way it was presented didn't work for me. The pacing was very slow, and many parts felt unnecessary. It seemed like the creators were trying too hard to make everything perfect, but instead, it ended up feeling forced and incomplete.

The characters didn't feel real or relatable, which made it hard to care about what happened to them. Some parts of the story didn't connect well, leaving a lot of confusion. Instead of feeling mysterious or thought-provoking, it just felt like something was missing.

I kept waiting for something exciting or engaging to happen, but it never did. By the time I reached the middle, I was so bored that I almost gave up watching.

I gave two stars because the concept had potential, but the execution wasn't great. If the pacing was faster and the story was more engaging, it could have been much better. Unfortunately, it just didn't deliver.

Can life and love intersect in two separate dreams occurring at the same time to two different people? Sweet Dreams, a fluffy and fuzzy rom-com starring Mithila Palkar, Amol Parashar and Sauraseni Maitra, would have us believe that they can. The film is predicated on that fantastical notion. Willing suspension of disbelief, anyone ?

In support of its 'dreamy' narrative construct that moves between the real and the apparently imagined, the film, a Jio Studios presentation directed by Victor Mukherjee and out on Disney+Hotstar, enlists William Shakespeare and Hamlet. In a stray scene, it casually evokes what the Prince of Denmark said to a friend: "There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy."

Kenneth "Kenny" Fernandes (Parashar) and Dia Jaisingh (Palkar) not only dream daily of each other without ever having met, but they also spend the rest of the film, and all their energies, looking for each other. They have friends and well-wishers who readily believe them and help them out.

Dia has her best friend Tanu (debutante Mohini Shimpi) by her side in times of need. Kenny's business partner Akash (first-timer Sukkarann Vats) and the latter's girlfriend and colleague Nubra (Ayesha Adlakha, also a debutante) are his go-to people. But eventually it is their own devices that the duo must rely upon as their "textbook attraction" draws them out of their dreams.

If love makes the world go round, Sweet Dreams makes two individuals go round and round in circles. The boy, coming off a messy break-up, has lost his grip on reality. He consults a therapist (Faye D'Souza in a special appearance).

The girl, an aspiring singer-songwriter, admits at one point that "I need to grow up". She is in a relationship with a restaurateur Ishant Chhetri (Meiyang Chang) who wants to relocate to Canada and open an eatery. They are in love all right but they aren't kindred spirits.

Kenny is a recycle artist, an unusual profession for a romantic hero who wants to escape the here and now and find solace in his dreams. In the real world, he finds a soulmate in the free-spirited Roop (Sauraseni Maitra) and takes her into confidence about the current state of his mind, confused and fragile.

The roles do not demand much from the actors but to their credit they infuse the characters with palpable charm. Mithila Palkar is especially good as the girl who chases elusive certitudes in a world where everything is in a state of flux.

Amol Parashar provides the perfect foil with his effortless fleshing out of a man whose heart and head work at cross-purposes. Sauraseni Maitra makes her supporting role count for much more than the footage apportioned to it.

This dude, Victor Mukherjee, needs to spend more time learning and making stuff than he does consuming. Literally every frame of this project, as well as all of his previous so-called "endeavors," have been ripoffs or, as he would like to put it, "nods" or "homages," to his favorite shows and movies. These F. R. I. E. N. D. S. Watchers can never become actors or writers as much they have deluded themselves on the contrary.

Coming back to this movie, there's nothing else. Just nothing. Never until those typical final fifteen minutes would a character ever appear without a stupid smile on their face. The delivery of the lines make me think androids have long infiltrated among humans, while those embarrassing dialogues themselves are like translations of some kind of young adult novel - baseless "philosophical" discussions.

Bollywood has long been done, and I should have stayed away from this movie.