Chevalier

Whoever thought this was good comedy material may need to think about other ways of making a living. The combination of writer, Efthymis Filipou and director Athina Rachel Tsangari (also co-writer) proves to be far from satisfying - other than for the easily pleased. How many times have we seen this stale scenario played out on stage and screen – a group of middle aged 'buddies' away on a luxury fishing trip who, begin to become bored with each other's company and decide to find ways of 'entertaining' themselves at each other's expense. The hapless viewer knows the superficial direction this is taking within minutes of playtime IE; Who of them is the best, the biggest, the most successful, the most, etc, etc,....absolutely nothing new here, in fact, it's all presented in a lack-lustre derogatory formula that drags on far too long.

Only self-congratulatory festival critics could rave on so about works of this caliber. If you're inclined to follow the trending rants of Sundance and other world film festivals you might have a chance staying awake through this lame offering. Either the director or cinematographer or both, waste the settings and situations with boring in-focus-out-of-focus on deck exercise machine discussions, not once but twice, as if they have just discovered the use of photographic depth of field. The cast of handpicked performers try to inject life into old situations but are doomed to morose failure by a suss script and heavy-handed direction. If this is supposed to be an intellectual character study then it sure needs a lot of explaining.

While some of the soundtrack music selections are good within themselves, they just don't suit the story. I have no trouble believing the comments made by the reviewer from the Netherlands who wrote; "The cinema they attended was packed for the beginning and half empty by the mid-way point" - the viewers voted with their feet. Only on SBS and the trash-fest of World Movies would you find this 'entertainment' non-event. Sorry Greece, if this is regarded as one of your years best you may have a problem.

Chevalier is the tale of six men on a fishing trip who decide to begin a competition to determine who among them is "the best in general". What begins as a harmless game begins to get to each character in different ways as they start worrying about their own faults as well as others'.

What struck me most about this movie is how they managed to balance the surreal humour (similar to The Lobster and Dogtooth also co-written by Efthymis Filippou) with a more realistic vibe. What really works is how you actually sort of understand how things could escalate in such a ridiculous way as soon as the ego is brought into it, and you believe in the characters as real people with real motivations.

It also appears to have a warm heart beating under the surface, with several touching moments between the companions and a great sense of camaraderie, despite the fact that they're all desperate to win.

I watched this film in a small cinema with around 50 other people packed in, and throughout the film was none stop laughter.

Part surreal buddy comedy, part satire of the human condition, well worth checking out.

The plot is that six friends all go on a luxury trip aboard a yacht in the Aegean Sea. They do all the things you are supposed to do like scuba diving, eating rich sea food and water sports, but they soon start to get on each other's nerves. Then one of them has an idea of a new game. This is to find out who is 'best' and this they will do by coming up with competitions with which they can collectively judge each other. By the time they hit port they can tot up the scores and the winner gets to wear the Chevalier ring.

Then the fun begins and these middle aged men soon let their inner demons out as competitiveness rears its ugly head and all too quickly it is every man for himself – in a very restrained way of course.

Now this is a comedy but for me it was long on good ideas but short on laughs. There are a few but not scattered liberally. The acting is all great and the crew are as relevant as the main players and indeed injected a dimension that keeps this from becoming 'becalmed' – to use a nautical reference. It did keep me interested until the end, but I still feel I am being generous with my score. In Greek with good subtitles – this is an original film that hopefully will float your boat.

While I appreciated "Attenberg" - which was the somewhat complementary study of women behaviour as "Chevalier" does for men - this film left me wondering.

Entertaining it wasn't and even at 1,5x speed it felt like a slow chore to get to the end. A reviewer suggested this might be how women see men, and that might explain why I didn't enjoy watching it, nor understood its purpose.

It's therefore simply my male fault. Furthermore I may find women more interesting than men and honestly IRL I would have immediately avoided these men as soon as I got their attitudes figured out (making me the true best one? ^^). Attitudes which are an inconsistent mess of illusionary beliefs, kindergarten competitiveness and theatrical exibitionism while searching for examples, allies and subjects, bestowing piety for the weak and no mercy for the adversaries.

Are women really that different? I'm not sure; still the writer-director here thinks so and focuses on this side of maledom.

An opinable, well produced ethological "study" but not really my idea of a good movie.

The so called "Greek Weird Wave" returns with another entry, this time a comedy directed by Athina Rachel Tsangari (best known for ''Attenberg"). The co-writer of "Dogtooth" and "The Lobster" Filippou assists her efforts to make an unconventionally funny and somewhat disturbing comedy. As the jury in London Film Festival (Best Film award for the movie there) stated "Chevalier is a study of male antagonism seen through the eyes of a brave and original filmmaker. With great formal rigour and irresistible wit, Athina Rachel Tsangari has managed to make a film that is both a hilarious comedy and a deeply disturbing statement on the condition of western humanity". Well, that's accurate but the formal rigour in all (post)modern Greek movies is getting a bit tiring and the movie is a funny comedy but not really a hilarious one. Yet the film is probably a bit better that George Lanthimos' uneven last entry "The Lobster". So if you are a Greek Weird Wave fan you should check it out and a few good laughs are guaranteed.

Grade: B-