Dum Laga Ke Haisha

This movie does touch the realistic side of commoners with a hint of comedy within it. In a span of two hours the movie covers all the problems and changes a newly wed couple go through. Groom not ready to accept that bird watching is no more an option for him and bride trying to settle in a house where her education is an envy point for others. The comic melodrama keeps the viewer glued to their seats till the end of the movie. Music is nice and simple which pushes viewer to cherish the old and simple times. It was hard to believe that Bhumi Pednekar debuted with Dumb laga ke Haisha. Her eyes and facial expressions never made me feel that I was missing anything in the movie. Part I loved was, when Ayushmaan and Bhumi fight over the songs to be played in the tape recorder. Must say a brilliant idea!!

DLKH brings the much needed freshness in Bollywood romance movies. And it comes with a very strong message woven around a very sweet love story. The direction is impeccable with moderated melodrama.

Ayushmann Khurrana might never get the stardom like the Khans and the Kapoors but he is definitely one of those actors never afraid of doing path breaking movies and top them up with amazing natural acting - be it comedy or drama. But he gets a good competition from the new girl Bhumi Padnekar who delivers a very good performance, depicting a struggle of a fat girl in a white skin - size zero obsessed society of India. Sanjay Mishra, playing the role of Ayushmann's father, gives a memorable performance with really good dialog delivery topped up with brilliant comic timing.

The length of the movie is unusually short for a Bollywood movie but then quality is always more important than quantity. Overall, for someone in a mood to watch a light romantic movie, your search ends at DLKH.

This movie comes easily into the list of "movies I can watch anytime".

Had heard the song "Moh Moh ke Dhaage.." many times but not seen the movie. Finally saw it on Prime and movie as good as the song. Its a very simple story of two mismatched people married and finding the differences don't matter when they love each other.

Ayushman Khurana excels in such roles and the actress Bhumi Pednekar is also very charming and good.

A very refreshing movie from Bollywood where there is normal Hindi spoken unlike the Westernised one in most movies. Simple people leaving in simple houses and dressed like an average Indian. Overall an authentic Indian setup unlike the Western aspirational garbage aimed at NRIs.

The comedy works in all scenes and also the serious scenes played by the older actors is very good.

A reluctant Prem is forced to marry an obese Sandhya because she is qualified to be a teacher and the family needs monetary help. Prem himself is a 10th fail due to his poor English skills. Prem cannot get over the looks of his wife and is further frustrated when he sees his friend marrying a pretty girl.

His wife who is an independent woman and no pushover can no longer take his indifference and files for divorce.

Like a normal Hindi movie, the rest of the movie is how they reconcile and find love for each other.

When a movie teaser is released, it has to be catchy and interesting that should fuel the curiosity among the moviegoers to spend few bucks for that cinema. Dumb Laga Ke Haisha exactly works on that strategy. It had limited release ( 769 screens all over India) with shoe-string budget ( 13 crores) and unknown star-cast. What worked in its favor - is applauding performances, immensely likable story and mind-blowing script.

Marriages are made in heaven but for Prem( Aayush Khurrana), it was made in hell. In Dumb Laga Ke Haisha, marriage is made between two people of different background, different thinking and in different size.

New-bee director Sharat Katariya( 10 ML Love) is probably the talent to watch out for. The theme of the movie is simple yet noble, set in the mid-90's with background of beautiful city of Haridwar about simple, ordinary and middle-class business family which will remind of classic movies by Hrishikesh Mukherjee and Basu Chatterjee. The movie is intrinsic to its core right from the beginning with hilarious moments enough to tickle your funny-bone. The initial reel will definitely bring down the house when the boy meets the girl. Even the divorce scene, the fight between the neighbours has been executed brilliantly that would put a smile on your face. Hats off to the director and script writer for making the best out of it. Background score and music is limited yet convincing. Art direction representing a typical middle-class household is worth-mentioning. Cinematography capturing the essence of Haridwar is eye-catching. Coming to the performances, Ayush Khurrana does a fabulous job as a push-over, introvert, loyal son. He does a good comeback after series of flops. New talent Bhumi Pednekar should walk away with few awards this year. This is her first film and the amount of maturity she shows in her acting is astounding. Sanjay Mishra as usual is brilliant.

Do yourself a favor, go and grab the tickets and embrace Dumb Laga Ke Haisha. Astounding 5/5

If the idea of a perfect girlfriend for you is defined by her size, this film is for you. Unlike the 60s and 70s when voluptuous women ruled the fashion scene, in the 21st century models eat tissue papers to fill their stomach. Coupled with a few movies and the business propaganda of health products and gyms, you have the perfect formula for disaster.

In DLKH, the story surrounds a family which has reached an agreement with another for the marriage of their children. The groom is particularly unhappy with the shapelessness of his bride, but having to abide by custom chooses to get married anyway lest it should make his family upset. Soon after the wedding, the bride realises the extent of her husband's mental block, when he refuses to get anywhere close to her.

The narrative is slow, covering the intricacies of the character's behavior coupled with the happenings of a small town in India. The acting is top-notch, allowing the viewer to diagnose every aspect. The film throws out its moral at you and even if you don't accept it, you are left with no choice but to appreciate it nonetheless.

Worth a watch.