Murder Comes to Town

The show paints a vivid picture of the events without revealing too much. It allows the viewer to create a hypothesis as to the why, what, and who done it. The actors are believable and you really feel the pain and sadness for the victims family. Your caught feeling a sense of rage towards the murderer for the often senseless act of taking another persons life. I love the voice of Joe Alaskey the narrator in the first twenty shows. Reminds me alot of Orson Welles voice and was very sorry to hear that he passed away. RIP

This is a well produced show (I personally think the re-enactments are fine) but it falls short for two reasons: neglecting the evidence and the narrator.

For example, in the last episode I watched, S3 E9, a woman is found raped and stabbed to death in her home. They point out that a strange stain is found on her shirt and they show them in the reenactment meticulously cutting it out of her shirt and bagging it. Fast forward to the end of the show, they find the culprit and he actually eventually confesses, but they NEVER addressed the stain! In an earlier episode where someone was shot to death, they never once talked about the murder weapon other than it being a rifle. Was it found, etc? Instead of spending more time on the evidence and forensics, they focus more on interviewing people saying things like "I never thought this could happen in OUR little town!".

And, the narration is just terrible. The writing and the narrator's voice is infuriatingly over the top melodramatic. It's insulting to the audience.

This is a good crime docudrama, but it's hard to tune out the narrator when you have to listen to him. The series has had more than one narrator, but the one I'm referring to is Joe Alaskey. He doesn't get that the "H," when it comes after "W," is silent.

So all throughout the show you will constantly hear "H'what," "H'where," "H'why" etc., though strangely, he doesn't do this with "who" or "whoever."

And he's very obvious about transposing the "W" with the "H." I don't understand why the director allows this. It truly is annoying and sounds unprofessional. I hope Joe Alaskey reads this. The "H" when it comes after "W" is SILENT!

Alaskey gets so carried away with this gimmick that sometimes he actually says "Ha-where," "Ha-while," "Ha-whenever," etc. Just stop this!

I liked this for the most part. The cases are interesting and the vast majority of them were new to me.

The re-enactment's can be a little cheezie, but aren't they always? They mostly didn't bother me, and don't dominate the show. Those are offset by interviews with people who were there at the time; primarily family members of the victims, and of course, the law enforcement who worked on the cases.

A lot of reviewers seem to have a problem with the narrator. I didn't. His voice seems to fit the subject matter, and he sounds similar to the original City Confidential narrator, Paul Winfield. I've heard much worse.

For myself, these shows are all about the cases and how they were solved, and this series brings that. Overall, I think it's a solid who-done-it? Most of the cases are quite intriguing with plenty of twists to keep you guessing till the end.

The stories are interesting, but the acting is terrible.

Granted, the actors are given some pretty cheesy dialogue to work with, so they're probably doing their best. It's like a bunch of 5th graders wrote a play. It takes away from the story, unfortunately, and can make it unbearable at times.

Other than the ridiculous acting, the show covers a lot of ground. I do think it's hilarious when they talk like a town is in the middle of nowhere, even though it's maybe 15 minutes from a major city. I understand it's for dramatic effect, so I give that a pass. I do enjoy learning a bit about small towns I haven't heard of before.