Murder Comes to Town

The stories are interesting, but the acting is terrible.

Granted, the actors are given some pretty cheesy dialogue to work with, so they're probably doing their best. It's like a bunch of 5th graders wrote a play. It takes away from the story, unfortunately, and can make it unbearable at times.

Other than the ridiculous acting, the show covers a lot of ground. I do think it's hilarious when they talk like a town is in the middle of nowhere, even though it's maybe 15 minutes from a major city. I understand it's for dramatic effect, so I give that a pass. I do enjoy learning a bit about small towns I haven't heard of before.

With what is approaching a glut of true crime shows it pays to be different. Different in focusing on small town crimes that other shows have passed by is a start. The other difference is in the telling, particularly the narration. Sounding very much like the late Paul Winfield the narrator adds a heaviness matching the horrific crimes. It may, or may not, be one's cup of tea as such. It mostly works to make the dark atmosphere however. What works the most is the way we our introduced to the persons of interest keeping one wondering into the final act without falsely creating "red herrings". The reenactments using actors is a mixed bag, but the stories are sadly compelling using some of the victims friends and family to add a element of real unease and loss.

This has a City Confidential Vibe to it... Love it!!

The format of the show is excellent. But I watch a lot of true crime shows and know how important narration is. The narrator of this show is so annoying I skipped all 20 episodes he narrated. He sounded like Vincent Price in some horror film.

This is a good crime docudrama, but it's hard to tune out the narrator when you have to listen to him. The series has had more than one narrator, but the one I'm referring to is Joe Alaskey. He doesn't get that the "H," when it comes after "W," is silent.

So all throughout the show you will constantly hear "H'what," "H'where," "H'why" etc., though strangely, he doesn't do this with "who" or "whoever."

And he's very obvious about transposing the "W" with the "H." I don't understand why the director allows this. It truly is annoying and sounds unprofessional. I hope Joe Alaskey reads this. The "H" when it comes after "W" is SILENT!

Alaskey gets so carried away with this gimmick that sometimes he actually says "Ha-where," "Ha-while," "Ha-whenever," etc. Just stop this!