Set Fire to the Stars

Having now watched this film twice I have to say that to me Set Fire To The Stars is a master class in classic film making, Hitchcock often referred to 'pure cinema' the art of story telling via the art of the composition of shots and the smooth editing used to translate the written word into a visual experience and this film truly achieves what Hitchcock discussed.

It takes me back to the classics of film, the films that originally drew my attention and focus into the importance of film as an art form and lead to my career aspirations of sharing the joy and experience I had felt into the minds of the young and impressionable generations of the future. I have been a lecturer in Film Studies for 15 years.

The relationship between Thomas and Brinnin is just so beautifully created it almost feels as though one is part of this close and personal journey they shared. The relationship that develops through the film almost brought me to tears on more than one occasion while watching the film (if not for being a true 'Yorkshire man' then I think I could have shed a tear or two) The pain and frustration that Brinnin feels towards Thomas can be truly felt by the viewer, in one moment their relationship is so perfectly created only for the next scene to totally destroy Brinnin's 'love' for Thomas – pride that almost immediately becomes embarrassment, joy that turns swiftly to sadness – can only be said to be breath taking.

The performances of both Celyn and Elijah are at the height of what one would expect from the classics of Hollywood in its Golden Age, I do have to say that Celyn outshines on more than one occasion - which are the moments that made me feel extremely emotional, a man on the edge who was so lost in excess that I felt extreme sorrow for the character and those around him.

The composition of the shots is without doubt awe inspiring; I did not find one shot that jolted me from this visual feast. I get great delight from films that are obviously so cinematic, sadly something that is missing from so many contemporary films and what distinguishes a film from a movie. The scenes that stood out the most to me are the lake scene, the café scene (which was perfectly composed), the chess game and the woodland – just perfect.

Understated and stylish window into Dylan's later years. Both Celyn Jones and Elijah Wood offer up immersive performances in this affecting and brilliantly scripted film. There have been a handful of films and documentaries released to celebrate the centenary of Dylan Thomas- yet few stand on their own two feet as well as this. It's largely due to the focus on a specific period of Dylan's life and to the fact that the film is ultimately a beautifully observed portrait of a relationship between two men. You don't need to be a Dylan Thomas fan to enjoy this film: every scene could be a photograph, Gruff Rhys (of the super furry animals) has scored a soundtrack with echoes the jazz of some of Dylan's own poetry, and Kelly Reilly does a wonderful turn as Dylan's famous wife Caitlin. It is clear that both Andy (this is his directorial debut) and Celyn are talents to watch.

Though not really my thing at all, the film was well structured.

Set Fire to the Stars tells the story of Dylan Thomas during his time with poet John Brinnin as he helped him in his spoken word tour.

Set Fire to the Stars attempts to be as intense as the artist that it's based on and portray a life that's both wild and sad. The type of story we'd expected about a 1950s poet I guess.

It can be amusing. Most appealing for artist who either think there Dylan Thomas or feel like John taking care of Dylan.

It's a very cool title, and it has cool art direction somewhere between fact and fiction that glamorizes the world of Dylan Thomas lives in, though Dylan is not that glamorous.

Very cool cinematography as well. the Black and white really sets the mood. Also loved how the music blended into it. The technical film aspects put you in the illusion that the movie really was made in 1952.

One really great highlight was when the actors recited the words of the writer's they play.

A pure motion painting that really captures the time period it's about.

Superb reviews here of a magnificent film.

One complaint.

Too often the music kills the moment.

When no-one is speaking, and also when someone is speaking, the scene would be more intense without musical sounds that intrude.

Many years ago, in the 1940s I believe, H.L.Mencken wrote strongly of his irritation when musical sounds were introduced into films for dramatic effect.

This is a film largely about the spoken word and human frailties, in brilliantly simple black-ands-white settings that are intimate whether in a field, a forest or a cabin.

Of course it's merely personal opinion, but to me the music here merely clutters a classic.

This was an astonishing little film. What a performance from Elijah Wood. I did not know he had it in him. What can one say. Pitch perfect work. The Dylan Thomas character was great, and probably quite accurately portrayed, as a tormented soul. Great characters throughout, and excellent directing. The cinematography was breath takingly beautiful. If you are the literary sort, or enjoy poetry, this is quite a film. The locations were lovely, the sets were totally believable, the props were amazing, and the entire production was outstanding.

If you are looking for a lot of action, take a pass. This film is all about drama.