The Messenger

All you want from a very, very surprising movie. A skillfully written and acted movie, more please..............!

Main characters are fully formed, the dialogue is rich the locations well thought out.

The main characters are very human and you want more and the movie keeps giving.

Young actors are well directed giving me the feeling of a fully rounded journey.

I saw this at the Scottish film festival and was not expecting a small masterpiece.

I watched The Messenger because I saw on IMDb that it was categorized in the thriller and horror section. That was the only reason I was interested in this movie. And again the movie is categorized in the wrong section. It has absolutely nothing to do with a horror movie nor a thriller. IMDb should check movies out for themselves before categorizing them. It's very annoying. The Messenger is just a drama, and not even a good one. It's one of those movies were the story has been done before and way better. The "I see dead people" is a nice idea for a story but unless you bring something new and better then seen before it is of no point making it. The Messenger is way too slow to be entertaining and the slow violin and piano music throughout the movie doesn't help a bit. The cast is okay but also nothing that you will remember about.

The Messenger is a strange one, it may disappoint audience who want horror or thriller flick since this is exclusively a psychological drama. The entirety of the movie revolves around Jack, a psychic, as he tries to live his daily life being haunted by spirits of the dead. While the concept is not novel and the ride can be exhausting, it does present a few good perspectives on the mental agony he must go through.

There's a lot of wandering involved as Jack (Robert Sheehan) either runs away from his plague or searching for odd ways to find peace, both of which usually end up poorly. The cinematography works well to set the mood, often using dark palette almost like a cloud hovering around the main character. It gives plenty of fine landscape or urban shots, although these might get old towards latter half.

Robert Sheehan is good on the lead character, he may not warm up quickly since his depression can be discouraging. Often misunderstood, his good will doesn't always reward him with accolade, after all people hearing voices and talking randomly is utterly bizarre. His character can be sympathetic yet it's the nagging feeling that he's not all there which gives depth to his performance.

The movie cleverly portrays him as a man with supernatural gift or simply a mental trouble. Other characters such as his sister or the psychiatrist enhance the relationship even more by showcasing Jack's gradually deteriorating life. This is certainly not a movie that relies on scare or shock, it's a long psychological trudge, The problem with this set-up is the arduous atmosphere surrounding Jack. There's barely any five minutes where he's not yelling or nearly breaking down. This can get tiresome, the constant conflict can produce drama, and it does for a couple of instances, but it's also very heavy and might just deter some audience.

While the drama aspect can be peculiarly engaging at times, The Messenger's overly solemn tone might not relate well to viewer expecting more thrill or excitement.

Have to say that the acting in general was good. Unfortunately, even for a drama, it was too long winded. Some dialogs were ridiculously unreal. Even someone with a twisted mind wouldn't act like that. Too much attention seeking from someone with basically a burden.

Too much drama will kill a film. Again, I have to say its a British film. Like most British films they are produced for a market. The British market. Story's where the viewer is expected to go deep is actually a Spanish or South American specialty. Or even better, Asian country's.

The story itself is good. It doesn't matter if it is a "I see Dead People" film. There are thousands of films in all genres that have something from another film, or even the first in that genre.

Its just not my thing. As far as I am concerned you should leave these kind of films to Hollywood, or other specialists in drama.

How ever, if you like British drama's, just have a look at this one. For every genre there is a market.

I just happen to be on the wrong market with The Messenger.

Jack is something of a psychic or medium who sees the dead. Or rather they seek him out to send messages to the loved ones they have left behind and did not get the chance to say goodbye to. Now the idea is far from new but the film tries to see it from Jack's perspective.

We get the back story in flashbacks and also the constant analysis of his psychiatrist. There is also his estranged sister and the attempts to reconnect. The film itself struggles to find the moments that are essential for a thriller, so has to rely instead on the story. That is where it comes unstuck in that it tends to plod and despite the inspirational landscapes, that are a recurring theme, it still remains essentially bleak.

The cinematography is excellent and the acting is all top rate. Robert Sheehan as Jack is very good as the troubled – but essentially well meaning – young man who has been branded because of his 'powers'. Tamazin Merchant is his 'worried' sister and is also fine. It is though a pretty grim watch with no denouements that will lighten the load. However, it is still a more than watchable affair for all that and it kept my attention for the duration – so can't be too bad.