Avril et le monde truqué

As a film fanatic who grew up watching lots of 2D animations, I'm very happy to see they're still alive in other parts of the world after Hollywood abandoned them for 3D animations. Especially when it comes to this kind of animation, obviously the France produced some extraordinary films in the recent years such as 'Ernest & Celestine', 'A Cat in Paris', 'Zarafa' et cetera. This is an internationally produced film in the French language, but available in the English language too, which was based on the graphic novel by the French cartoonist Jacque Tardi.

This is the story of a young girl Avril that takes place in the 1940s, Paris. But it all begins many decades earlier that reveals how a family of three generations were pursued by the powerful men. It is the parallel universe story, especially when it comes to the technology, the world is underdeveloped and is in the steam age. This film is about the science and invention where Avril's parents, grandparents were on the verge to invent an ultimate serum. Now those bad guys are after Avril and her cat, Darwin. So before they catch her, she must find her family members if they had survived the crash a decade ago to put an end to all the surrounding mysteries.

Usually Europe means fairy tales with magic stuffs, but this is an sci-fi-adventure. Feels like watching a Japanese anime. Excellent story, the brilliantly developed characters with lots of suspense and thriller, so I don't think it makes sense to call it a comedy or children's film. Definitely for all ages, the film has a bit of everything to please the people from different generations. The sketches were another highlight, very catchy with the low bright colours. Directed by the two new directors, but their's experience is the fine result of this film.

"Cats don't dance. And they don't talk! So be quiet."

It is a beautiful world with the twin Eiffel towers, a bridge in the English channel kind of stuffs, yet it suffers from all types of severe pollutions. The global warming is the hot topic right now, but this film sets in 65 years earlier. So it comes in the line of 'Boy and the World', but all the focus was turned towards the family of scientists and their adventures than to press harder on the important issue. But throughout the narration, it is quite clear the world was affected by without the proper scientific progression and adaptation to save it. Avril might be the centre of the story, but the film character distributed widely and theirs story were well preserved to keep the excitement and pace steady till the end. So be prepared for some unexpected, because it's very matured yet a light humorous film.

The title might give an expression of a cliché, so if you expect a fantasy tale, then you're in the wrong place. But I'm surprised for how unique it was from other sci-fi films. Especially somewhat resembles 'Les Misérables' and some others, yet quite refreshing with all the twist and turns. When the actual story ends, there's an extended scene which makes us to dream for a sequel to come. But it all ended here, so a follow-up is very unlikely. Apart from the story, the technical brilliance was like par with the Animes, especially it reminds Miyazaki's films. These directors must keep doing films like this and who knows they may become the French versions of Tomm Moore.

One of the best animations of the years. A sci-fi which is not a dystopian theme. I said that because that's what very common in the current films. Instead, it is a mid 20th century story and totally an entertaining film with the breathtaking visuals. The story wise, it is nothing less than any similar live-action themes. It should have been very popular by now, but it is not and the reason is it is not a Hollywood. That's really very sad, but if you are an international film fan then you should give it a try and animation fans must not skip it. Like I said you won't often get a film matured, at a time funny as this one where adults and children can sit together.

8/10

Set in a rich, pseudo steam-punk alternate-history - established by a clunky, if well thought-out, set-up sequence - and brought to life with fluid, weighty, almost 'Tin Tin'-esque faux cel-shaded animation, this detailed French sci-fi/ fantasy stands out thanks to its fantastic, forward-moving action-sequences and uniquely designed world, both of which constantly feed into the rather fresh-feeling narrative to create a cohesive and generally compelling experience. 'April And The Extraordinary World (2015)' very much feels like a comic-book brought to life, which is good - beyond the inherently aesthetically pleasing value this implies - because it's actually an adaptation of a graphic novel (which I haven't read). The characterisations are relatively complete throughout, which creates a sense of clarity and allows each core player to stand as their own person. This focus on character means that the overall narrative always feels driven by those featuring in it; you always care about them and believe their motivations. The plot evolves at an organic pace, with its mysteries unravelling logically and satisfyingly throughout the tight run-time. It also has an excellent handle on its tone, with tangible stakes being balanced with several sight gags that provide a good chuckle or two. Overall, it's an entertaining experience that genuinely feels like a classic adventure story. 7/10.

This animation tells the story of a post Napoleon would, where all scientists are captured, and the world becomes very different due to a lack of technology. The last surviving free scientists strive hard to create the serum that can make life perpetual, but mysterious forces are after them.

The colour scheme of the animation is dark and dull. The characters are not cute either, and therefore it's hard for me to develop a liking for it. Though the story is quite engaging, I still don't find myself developing a connection with April and her experiences. The normally careful April all of a sudden trusts a stranger appearing from nowhere doesn't make sense, which annoys me quite a bit. Overall, the story is strong but has a loophole or two. I would have liked it better if the colour scheme was brighter.

There is much to love, but also a bit to dislike about "April and the extraordinary world" (the correct and more interesting title is "April and the twisted world"). Its story explodes with creativity, especially compared to US animation (which tends to severely underestimate the intelligence of children). Its "ligne claire" - animation style is both a break from US-animated CGI, which hasn't been successfully adapted in Europe, and an homage to the patron saint of European comics Hergé (co-director Ekinci did, in fact, do the storyboards of the 1991-92 "Adventures of Tintin" TV series, which is often considered to be the best adaptation).

Leaning on Jacques Tardi for the visuals is a reminder that BD (bandes dessinées) adaptations work best in the classic animated form. One cannot help but compare "April" to Luc Besson's real-action adaptation of "Adèle Blanc-Sec", Tardi's most famous work. That movie was a commercial success, but BD fans were disappointed with the humorization of a serious story-line and the cheap-looking effects.

What's not so great about "April" is that it's so voluntarily old-fashioned that you may have a hard time convincing your kids to watch it. The character expressions and movements are very static, the heroine is not designed to express emotions through gestures. That is very Tardi, very Adèle Blanc-Sec (which translates as "dry white", after all). But what works fine in a BD doesn't necessarily work in a movie. It seems that French animators still cannot bring themselves to realize that the times they are a-changing, and that a l'art pour l'art approach cannot reinvigorate an expiring industry, apart from justifying a €9.2 million budget (against which it has earned 5%).

Given the character's lack of expression, the film relies heavily on the dub, and I must say other actresses could have done more justice to the part of April than Marion Cotillard - Mélanie Laurent, for instance, or Chiara Mastroianni who voiced Marjane Satrapi in her BD autobiography "Persepolis". Cotillard is a fine actress but she has a tendency to exaggerate, which can be entertaining but also quite unnerving - just look up her death scene in "Dark Knight rises" on Youtube if you don't (painfully) remember. Jean Rochefort, on the other hand, is wonderful as "Pops", April's grandfather. He speaks his lines with great candor and veracity, as does Olivier Gourmet as the father.

So what you get to watch here is a very creative, if old-fashioned animation, which could be of more merit to adults than kids, who may find it hard to follow and perhaps somewhat boring. This is not a perfect European animated film for the whole family - that would be last year's Irish "Song of the Sea". It's also not a fandom film for BD connoisseurs, as the dub and continuity jar a bit, and as there is no commitment to a mature audience, like in the works of Sylvain Chomet. But if you're starved for anything animated that is not Japanese or yet another US CGI-film about talking animals, this one is definitely for you.

"Steampunk is ... a joyous fantasy of the past, allowing us to revel in a nostalgia for what never was. It is a literary playground for adventure, spectacle, drama, escapism and exploration. But most of all it is fun!" George Mann

April and the Extraordinary World is an animated French adventure for the whole family (I recommend about 8 years and older) reminiscent of the fantastic 'toons of Hayao Miyazaki (think of Howl's Moving Castle). Leading us through an alternate steampunk history of modern France, April (voice of Marion Cotillard) is a little girl whose scientist parents in 1941 were abducted by the "Empire" to advance the cause, in this case by creating an immortality drug.

With her charming talking cat(a product of the scientists' experiments), April spends her youth confronting malevolent forces like a driven policeman (Javert anyone?), a roguish boy, and nature itself. Not one moment of the 1 hr 45 min is wasted; each is crafted under the expert direction of Christian Desmares and Franck Ekinci for maximum adventure and humanity (for example, love may be blooming and Grandpa Pops is feistier than ever).

The graphics as well are outstanding in the steampunk visual style with the omnipresent steam and pipes, furtive surveillance rodents, bicycle-powered blimps, and suspended trolleys, among some of the creative expressions. Although great advances such as the use of electricity and oil have not been discovered, the above-mentioned steam objects awe April as she navigates this alternate universe of coal and wood.

Conservationists shouldn't despair, for there are numerous references to the need to use coal, for instance, responsibly—already coughs are in the ambient sound. The suggestion that without the invention and use of atomic energy and fossil fuel, the world could have been stuck in an ecological disaster is an intriguingly benign take on modern energy.

The extraordinary April and the Extraordinary World is nothing if not an invitation for girls to follow their dreams and create as their talents demand. For all children it is a call to be bold and responsible as they enter the real modern world.