मशहूर जासूस हरक्यूल पोयरोट जिस ट्रेन से यात्रा कर रहा होता है जब उस ट्रेन में एक हत्या हो जाती है, तब उसे उस हत्या के मामले को सुलझाने के लिए नियुक्त किया जाता है.मशहूर जासूस हरक्यूल पोयरोट जिस ट्रेन से यात्रा कर रहा होता है जब उस ट्रेन में एक हत्या हो जाती है, तब उसे उस हत्या के मामले को सुलझाने के लिए नियुक्त किया जाता है.मशहूर जासूस हरक्यूल पोयरोट जिस ट्रेन से यात्रा कर रहा होता है जब उस ट्रेन में एक हत्या हो जाती है, तब उसे उस हत्या के मामले को सुलझाने के लिए नियुक्त किया जाता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 31 नामांकन
फ़ीचर्ड समीक्षाएं
The problem it's not just what they changed or omitted, but all the clues they invented to replace the real story make little sense.
Of the four filmed adaptations of 'Murder on the Orient Express' the only outstanding one is the 1974 Sidney Lumet film, which is one of the best cinematic Agatha Christie adaptations to me. The others are the David Suchet version, which is often considered one of the worst of the series but from personal opinion while very flawed it's better than given credit for, and the 2001 Alfred Molina version which is a mess. This latest version has a good deal going for it but feels like an adaptation too far. Actually saw it a couple of days ago, but was not sure what my thoughts on it were.
Let's start with 'Murder on the Orient Express's' good things. It is a very beautiful film visually, very elegantly shot, lots of stunning scenery, sumptuous costumes that are evocative of the period and a train that has the grandeur and claustrophobic confinement that is necessary. The make-up is also wonderfully elaborate. The story does have some intriguing moments and it is a very clever one in the first place. Poirot is an interesting as he should be. Kenneth Branagh does a very nice job with the visual style, the script is thought-provoking and Poirot's crime-solving is delightful. The relative faithfulness to the source material is commendable too.
He also stars as Poirot and generally is surprisingly good, he is very commanding, suitably steely and captures his crime-solving skills beautifully. He could however have brought out more of Poirot's lighter and more eccentric side, like the obsessiveness, there isn't enough of that here. The cast is star studded and generally the acting is very good. Standouts include Judi Dench, Michelle Pfeiffer, a surprisingly well-cast and suitably conflicted Josh Gad and Daisy Ridley, Derek Jacobi and Willem Dafoe also make much of not very much.
Conversely, there are other elements that don't work. The mystery itself is intriguing as a story but doesn't have enough tension or energy. With so many characters and so much focus on Poirot, the exploration of the supporting characters is limited, meaning many of the characters are really sketchy in development. Branagh excels in the visual side of the direction but it comes at the expense at providing enough depth to the mystery.
The film has a slow and awkwardly staged beginning and the ingenious denouement feels under-cooked and contrived for an ending so justifiably famous and brilliant. Just to make it clear, the problem is not the denouement itself, it's the execution of it that's the problem. While the cast are on very good form mostly, an exception is Johnny Depp. Really didn't get the sense that Rachett was a nasty piece of work, like in the book and especially Toby Jones' interpretation in the Suchet adaptation when talking of the previous versions, and that the performance was too much of a pale caricature of Depp's lesser roles. Have really liked a lot of what Patrick Doyle has done, but this is not one of his better music scores. It's not awful, but it is blandly uninspired and its slightly syrupy feel doesn't fit. Oh, and Branagh's moustache is like a character of its own and am really not sure as to whether that is a compliment or not.
In summary, some good things that stops it from completely derailing but the lack of steam makes it a bland endeavour, this wonderful story and Christie deserve better. 5/10 Bethany Cox
The movie is so different from the book! And many of the scenes are exaggerated, and some important parts from the books are not included in the movie. Some characters lost or exchanged names. No "dr. Constantine", Greta Ohlsson changed into Pilar Estravados, Antonio replaced by some Italian name I can't remember. Some of the characters' personality are also too much for me. Count Andreyi is a... count. It's impossible he is so temperamental in the movie (while in the book Count Andreyi are more respected and well-behaved).
Disappointing, for a Christie's adaptation.
I'm being careful to avoid spoilers here! The film starts with a relatively entertaining light-hearted action sequence which brings Poirot to the forefront of the story-line. But, it quickly goes downhill from here. We are then introduced to the rest of the cast and we quickly learn they all have their own stories.
After this though, the film becomes incredibly dull and slow. This remake is completely unnecessary and tedious
I have only given it 5 stars because I have significant respect for Agatha Christie's Poirot and it is only the base story-line which rescues it. Boring acting and predictable plot-twists.
Most definitely mediocre.
Firstly, the film is undeniably beautiful, the costumes, sets, filming etc, the film will undoubtedly win an Oscar for the visuals. You can see big money was put into the look of the film.
My major irritation throughout, was his moustache, just absurdly over the top, when Depp and Pfeiffer should have been dominating scenes, all I could look at was that moustache. That apart Branagh was excellent, I never thought he'd carry it off, but he did.
I am intrigued as to whether this is a one off film, or if there'll be the odd appearance on the big screen. Only time will tell.
All in all, it was good, I wanted and hoped to absolutely love it, unfortunately I didn't, but no way is it as bad as some say, too much quality for that.
7/10 (hoped for a perfect 10!)
क्या आपको पता है
- ट्रिवियाSir Kenneth Branagh was aware of the over-extravagance of his character's mustache, but he justified it by the fact that there were fifteen quotes in the original novel mentioning the mustache.
- गूफ़Between Vinkovci (last stop before the murder) and Brod (today Slavonski Brod, the final stop in the movie) there is roughly 70km of a totally flat railroad. Nowhere near the alpine/mountain/snowy setting that it is depicted in the movie.
- भाव
Edward Ratchett: You are a strange, peculiar man.
Hercule Poirot: I am of an age where I know what I like and what I do not like. What I like, I enjoy enormously. What I dislike, I cannot abide. For instance, the temporary pleasantries before what is determined to be a business discussion.
Edward Ratchett: You're fun.
- कनेक्शनFeatured in WatchMojo: Top 10 Must See Trailers of June 2017 (2017)
- साउंडट्रैकAnatolian Longa
Written by Hassan Erraji
Courtesy of Extreme Music
टॉप पसंद
- How long is Murder on the Orient Express?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Asesinato en el expreso de Oriente
- फ़िल्माने की जगहें
- Valletta, माल्टा(harbour)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $5,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,28,26,543
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,86,81,472
- 12 नव॰ 2017
- दुनिया भर में सकल
- $35,27,94,081
- चलने की अवधि1 घंटा 54 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1