IMDb रेटिंग
6.3/10
5.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter his tribe is slaughtered through an act of treachery, the teenage son of a slain Maori chieftain looks to avenge his father's murder and bring peace and honor to the souls of his loved... सभी पढ़ेंAfter his tribe is slaughtered through an act of treachery, the teenage son of a slain Maori chieftain looks to avenge his father's murder and bring peace and honor to the souls of his loved ones.After his tribe is slaughtered through an act of treachery, the teenage son of a slain Maori chieftain looks to avenge his father's murder and bring peace and honor to the souls of his loved ones.
- पुरस्कार
- 5 जीत और कुल 9 नामांकन
फ़ीचर्ड समीक्षाएं
In brief, this is an entertaining movie with lots of impressive fighting, a bit of supernatural colour, authentic period setting in pre-European New Zealand, and believable characters. The plot is simple: a chiefs son must avenge the dishonourable slaying of his father and his tribe, and with the support of his deceased grandmother (an effectively spooky Rena Owen) he seeks the help of a reclusive warrior with a dark past. The film deserves extra credit for the authentic portrayal of Maori fighting tradition and weapons, and the accuracy of the central role of honour, revenge, and supernatural beliefs in the warrior culture. I appreciated the decision to have Maori dialogue, I find the sound of the language itself expresses the warrior spirit.
The theme of honour and revenge was also central to the plot of Utu, meaning "blood for blood" a 1984 film directed by Geoff Murphy and set during the early European colonial era in NZ. Worth watching if you enjoyed the Dead Lands and want to see more of the warrior culture of the Maori, although a much more philosophical and slow paced film than this one.
Perhaps to add a little to the appreciation of both of these films, the depiction of Maori as extremely tough and fearless warriors is in no way exaggerated. These people lived very hard lives in a land with very few resources for humans. With no native animals to speak of, and few edible plants, Maori survived on little more than fish, a few birds, and a few berries and roots. The average life expectancy was early 30's. Despite this, they were tall, powerfully built people. There was fierce competition between tribes for resources, and they constantly fought each other over any pretext, usually ascribed to matters of honour and leading to endless blood feuds, but in at least some cases the real motive was hunger. Cannibalism was common, especially after the ostrich-like moa was hunted to extinction and the climate became colder.
Despite these desperate circumstances, Maori retained a rich mythological heritage and believed their land was populated by spirits, good and evil, and it was imperative that their ancestors be honoured and remembered, just as depicted in the film. To this day some Maori can trace their lineage, literally naming their ancestors, back 1000 years to the first tough, brave warriors that crossed the vast pacific to find and colonise NZ.
The only negative for me was that the film dragged a little in the middle.
The theme of honour and revenge was also central to the plot of Utu, meaning "blood for blood" a 1984 film directed by Geoff Murphy and set during the early European colonial era in NZ. Worth watching if you enjoyed the Dead Lands and want to see more of the warrior culture of the Maori, although a much more philosophical and slow paced film than this one.
Perhaps to add a little to the appreciation of both of these films, the depiction of Maori as extremely tough and fearless warriors is in no way exaggerated. These people lived very hard lives in a land with very few resources for humans. With no native animals to speak of, and few edible plants, Maori survived on little more than fish, a few birds, and a few berries and roots. The average life expectancy was early 30's. Despite this, they were tall, powerfully built people. There was fierce competition between tribes for resources, and they constantly fought each other over any pretext, usually ascribed to matters of honour and leading to endless blood feuds, but in at least some cases the real motive was hunger. Cannibalism was common, especially after the ostrich-like moa was hunted to extinction and the climate became colder.
Despite these desperate circumstances, Maori retained a rich mythological heritage and believed their land was populated by spirits, good and evil, and it was imperative that their ancestors be honoured and remembered, just as depicted in the film. To this day some Maori can trace their lineage, literally naming their ancestors, back 1000 years to the first tough, brave warriors that crossed the vast pacific to find and colonise NZ.
The only negative for me was that the film dragged a little in the middle.
This film delivers on the trailer's promise of an out of the box, skull crushing, action epic. It begins as a basic fable, but gains complexity as the story unfolds, all while hitting frequent action beats. The warrior's character in particular is more than a typical anti-hero, having far more of the "anti" than a Hollywood archetype.
I came for stylish brutality and badass fights, and this film delivers on both counts. As a martial arts film fan, I found the use of traditional Mauri weapons a fresh take on the genre. The choreography also holds up to a Hong Kong standard, but with a unique and brutal feel. All in all, it's a very memorable action epic. More than worth your time.
I came for stylish brutality and badass fights, and this film delivers on both counts. As a martial arts film fan, I found the use of traditional Mauri weapons a fresh take on the genre. The choreography also holds up to a Hong Kong standard, but with a unique and brutal feel. All in all, it's a very memorable action epic. More than worth your time.
Due to my current time restraints I'm going to skip the usual intellectually enthusiastic movie exaltation and just cut right to some idiotically strait-forward praise.
This movie was quite an amazing surprise. I didn't expect it to be so good, to the point where I haven't seen an action movie like it in at least a year. And when I use the word "good," it's to symbolize an all-encompassing quality. The depths of the human spirit were represented in the film, clearly and intensely, not considering it's depletion of maybe romance and humor, at it's worst. I found the drama unmatched, and the action and cinematography are extremely inventive. Not to mention: it's the only good Mauri period piece I've ever seen, so I think I might've been waiting a long time for something like this.
A true work of art.
This movie was quite an amazing surprise. I didn't expect it to be so good, to the point where I haven't seen an action movie like it in at least a year. And when I use the word "good," it's to symbolize an all-encompassing quality. The depths of the human spirit were represented in the film, clearly and intensely, not considering it's depletion of maybe romance and humor, at it's worst. I found the drama unmatched, and the action and cinematography are extremely inventive. Not to mention: it's the only good Mauri period piece I've ever seen, so I think I might've been waiting a long time for something like this.
A true work of art.
The movie's plot moves along predictable lines i.e a tribe is wiped out by a ruthless clan of another tribe with only the chief's young son who is able to escape. How he takes revenge with the help of a flesh eating giant tribal man living in the Deadlands, forms the story.
What slightly separates the movie from other movies is - it is completely set in the jungles, shows how the tribals fight and and some of the fight sequences are staged well.
What was required was a tight script, bit of mystery and fear and more depth in the characters to make it interesting. In the absence of this, the film becomes sluggish to watch.
Give it a miss.
What slightly separates the movie from other movies is - it is completely set in the jungles, shows how the tribals fight and and some of the fight sequences are staged well.
What was required was a tight script, bit of mystery and fear and more depth in the characters to make it interesting. In the absence of this, the film becomes sluggish to watch.
Give it a miss.
Fine little action movie settled in pre-colonial New Zealand (Maori tribes) - reminds me a little of Mel Gibson's Apocalyptico (with a far smaller production of course - but not a cheap looking one) or Rapa Nui (1994).
A fine revenge trip into long gone times - the actors are also very good, very believable in their roles. Just good.
A fine revenge trip into long gone times - the actors are also very good, very believable in their roles. Just good.
क्या आपको पता है
- ट्रिवियाOfficial submission of New Zealand to the best foreign language film category of the 87th Academy Awards 2015.
- गूफ़In reference to the previous statement about an apparent car in the back of shot, the viewer must have been seeing things. What it is is a Kereru (our native wood pigeon) that briefly and with much motion blur flies past the Warrior like a spirit form.
- भाव
The Warrior: I have a blackness that comes upon me - where even the God of War would not venture!
- कनेक्शनSpin-off The Dead Lands (2020)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Dead Lands?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $5,240
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,327
- 19 अप्रैल 2015
- दुनिया भर में सकल
- $9,06,158
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