मार्नी और मैं

I went into this movie not expecting it to quite live up to the Ghibli standard as most of the films not directed by Hayao or Isao, tend to be among their weaker ones. Yet in terms of story and subtle character writing I would easily rank this among the upper level of Ghibli's films.

The story starts off very simple yet it progresses into something very deep and as its mystery is gradually revealed it touches on concepts that are rarely captured in story telling of any medium. It is more than what it appears to be on the surface and it is far deeper than a typical plot about friendship and growing up. While those things are elements of the story, at its heart I would say that it is about the bonds that transcend generations. It is about how time can complicate relationships and simple decisions stretched out overtime can have unintended consequences. It's about discovering that the people we give so little thought to are sometimes far closer to us than we realize and are often experiencing similar hardships. It would have been easy for the story to end on an ambiguous note as so many stories like this do but thankfully the plot is fully explained and provides answers that make the story even more meaningful.

Along with its deep and unique story the characters are also subtly crafted and express emotions that are true to life. It deals with very complex feelings such as self loathing and social insecurity in a way the is very natural and rarely captured. Many of the characters are people who have trouble expressing themselves honestly and just as in real life, that behaviour is far more subtle than words can express. Anna is kind at heart but she can also be unintentionally cruel. She is polite and yet dismissive. Other characters who appear strong on the surface are in fact vulnerable but won't show it in private. The movie does a great job of showing characters from slightly different perspectives to show that they are more than simply the face they show the world. The film very believably portrays the idea that people very rarely express what they truly feel, in a way that others understand and that is often what leads to relationships breaking down.

As with most Ghibli films, the art direction here is also fantastic. The sets are beautiful and feel like real places. The tone and landscape are immersive and realistic. Its not only beautifully designed it is designed in a way that feels believable and serves a purpose.

While this isn't one of Ghibli's most awe inspiring movies, it is one of their most realistic and most profound. It takes a simple relate-able story and takes it someplace rarely explored. I would recommend this movie to anyone who has an appreciation for real subtle characters, unique coming of age stories and stories about complex relationships. I think it is a great movie for families as it is really deals with understanding the people close to us better. It has a great message for people of all ages and it is accessible enough that it can be appreciated on many different levels.

This Movie touches the human soul at many level. It depicts a child who has been abandoned, by her mother and then grandmother and later partly by her foster-mother, so she feels she can not depend on adults for security. It also shows the value of family and love and affection within the family. Unlike American movies where no one seems to have a family, where the only expression of love is trivial and sexual, here the emotions are deep and adult.

The movie elevates us to our higher beings, and that is why the experience is lasting, and enjoyable.

What I also liked about this movie is that the movie is pure and clean, and suitable for families again unlike American shows where there is always some agenda from some interest group. Here you are free to be yourself. below is in response to a perverted reviewer with mind in gutter who thought this move was misleading. Please do not associate yourself with this movie. This is obviously made for people with human soul, and not you.

Following Miyazaki's retirement, the pressure was heavy on Director Yonebayashi as the next successor of Ghibli Studio. But in the Japanese multimedia, it was stated by the Former Director Miyazaki and Producer Suzuki that the future successor was finally decided after watching Yonebayashi's first solo directed movie "When Marnie Was There (2014)". Was this really the case? My answer - Yes.

This movie is unique in a sense that the story revolves around two female protagonists "Anna" and "Marnie"; although it does remind us a hint of the nostalgic movie "My Neighbour Totoro" which starred "Satsuki" and "May", their relationship is far more complex. As the story progresses, their relationship becomes more clear and vivid to the audience, and the confusion of the intertwining reality and the dreamlike world starts to unfold. The two girls go on a journey as they discover each others past and dwells upon their current problems, and gradually develops an unbreakable bond that unites them stronger.

Although the trailer did cause some confusing misunderstandings between the two girls in Japan, and at the same time my expectations lowered; after watching the movie it was no doubt a splendid and flawless piece of art both literally and figuratively.

It is worth noting that Yonebayashi truly challenged the impossible, as even Miyazaki had once thought of making this novel into a movie but had backed down due to its continuous complex changes that occur in the world of the two girls. Furthermore, Yonebayashi has created his "own" depiction of the sky in this movie, and is no longer the "blue sky" and "white clouds" that Miyazaki has portrayed in his series of work. So we can expect to see his own unique world of Ghibli gradually bloom in the next upcoming years.

To summarize the experience, it was astonishing how we, the audience ourselves can go on a journey together with the protagonists to overcome their obstacles. Paying attention to the changes in Anna's facial expressions is extremely crucial if you want to enjoy this movie. The succinct yet complex portrayal of these two girls really make you think of the depths of friendship.To conclude, I would like to end with Suzuki's logo that he had written for the advertising poster. The message of the logo is so sincere that to me there is no better way of epitomizing the message that the author and the director was trying to convey to the audience - 「あなたのことが大好き」- "I love you"; an unconditional love.

When Marnie Was There is the latest and perhaps the last film from the legendary Japanese Studio Ghibli. The two giants of the studio, Hayao Miyazaki and Isao Takahata have both gone into retirement and the studio announced that they will not be making any more films for now. Takahata and Miyazaki are responsible for some of Ghibli's greatest films such as Spirited Away, My Neighbour Totoro and Grave of the Fireflies. When Marnie Was There is directed by Hiromasa Yonebayashi and is about the introvert girl Anna who is sent to the countryside to live with relatives. She becomes obsessed with a deserted mansion and the girl who lives there who may or may not be real.

Ghibli's films usually contains imagination and the focus is almost always on children but despite that, the films are not only meant for them and also often include deep meanings and thoughts. Ghibli has always been incredibly skillful in drawing and creating magnificent images and When Marnie Was There is no exception. The beautiful Japanese landscapes makes you want to travel there immediately and see the country for yourself. The film is told like a detective story and Anna finds and puts the clues together one by one. She is our guide throughout the film and what she experiences, we experience too.

When Marnie Was There has a story I believe many can relate to. Not being able to find your own place in this world and to feel like an outcast. Anna searches like many children do, for their place in society and at the same time she's trying to understand her life and situation. The film is also about strong friendship and love and why we are drawn specifically to some people. It's always hard for me to try and summarize Ghibli's films and explain why people should watch them. When Marnie Was There is a tale that absolutely works well as an entry to the magical world that is Studio Ghibli.

The last film to be produced under the Studio Ghibli banner before the acclaimed animation studio decided to take a break from filmmaking following the retirement of Hayao Miyazaki, When Marnie Was There is an elegantly crafted & gorgeously animated tale that intertwines dreams with reality as well as past with present, only to end up getting entangled in its own web.

Based on the novel of the same name, When Marnie Was There follows Anna; a 12-year old girl who takes a trip to a countryside town for health reasons and discovers an abandoned mansion where she finds an unlikely friend in Marnie; a blond girl. As their new relationship blossoms over the next few days & both get to know each other better, it is unraveled that Anna is more closely related to Marnie than expected.

Nicely directed by Hiromasa Yonebayashi, When Marnie Was There is his sophomore effort following his debut feature, The Secret World of Arrietty, which remains my favourite Studio Ghibli film to be not directed by Miyazaki. And although his latest is no doubt an ambitious work, its pay-off won't be rewarding enough emotionally unless the viewers try to connect the dots all by themselves by doing a little digging of their own.

The technical aspects are expertly carried out for each frame of it is sumptuously animated & vividly photographed from start to finish. Editing tries to juggle various elements of story at once & doesn't always succeed. However, there isn't any issue with the pacing for its 103 minutes of runtime never becomes tedious at any given moment. Also, the background score brims with tracks that infuse a soothing feel into the narrative.

The Japanese voice cast is only as fitting as the studio's previous works. However, it's the beautiful relationship between Anna & Marnie that leaves the biggest mark. The film can be viewed as a coming-of-age drama that follows the journey of Anna from a lonely & anxious girl at the beginning of the film to a more confident person later in the story. Marnie herself exhibits an aura of mystery around her that not only allures Anna but us viewers as well.

On an overall scale, When Marnie Was There isn't as magical as Studio Ghibli's finest films but its take on friendship & isolation nonetheless manages to cast a spell of its own in bits n pieces which makes its story captivating for a while. A love story, a coming-of-age tale & a deep journey into one's own past, When Marnie Was There may or may not benefit from multiple viewings but for now, it has to settle for an underwhelming experience in my book. Still, it's worth a shot!