Bhaimon Da

A very well-crafted tribute to Munin Barua and Assamese cinema. Loved the actors who played Zubeen Da, Jatin Da, and HBS. 👍👏💐

A journey through the great Assamese cinematic era. The movie, themed around giving opportunities to newcomers, is something for which I offer my sincere appreciation. I enjoyed the performances of the actors portraying Zubeen Da, Jatin Da, and HBS.

It was a journey through a significant period in Assamese cinema, effectively showcasing Munin Barua's commitment to providing opportunities for new talent. The transitions between plot points could have been smoother.

I hope Assamese cinema continues to flourish and achieve even greater success.

Bhaimon Da is not just a film-it's a tribute, a heartfelt journey, and a cinematic salute to one of the most beloved icons of Assamese cinema. This biopic is a masterclass in storytelling, emotion, and legacy-building. From the very first frame, Bhaimon Da immerses you in the vibrant world of Assamese cinema, seen through the eyes of a visionary who dared to dream big. The film beautifully traces Munin Baruah's humble beginnings, his deep love for storytelling, and his relentless efforts to uplift the Assamese film industry-even during its most difficult times.

The performance of the lead actor portraying Munin Baruah is deeply moving and sincere. He captures not only the mannerisms and expressions of Bhaimon da, but also the emotional weight of his journey-the struggles, the sacrifices, and the soaring successes. Supporting performances are equally powerful, with characters representing real-life legends from the industry, creating a nostalgic and emotional resonance throughout.

The film's direction is outstanding. The narrative flows effortlessly between different phases of Munin Baruah's life, capturing both his personal and professional worlds with authenticity and warmth. The screenplay is filled with touching moments that will make audiences laugh, cry, and applaud-often all at once.

Visually, Bhaimon Da is rich and nostalgic. The cinematography pays homage to classic Assamese films while maintaining a modern sensibility. The music, infused with Assamese soul, enhances the emotional depth of the story and lingers long after the credits roll.

What makes Bhaimon Da truly special is its heart. It is evident that this film was made with immense love and respect for Munin Baruah. It honours not just the man, but an entire era of Assamese cinema that he helped shape. It reminds us why cinema matters and how one person's passion can inspire generations.

For anyone who has ever loved Assamese films, or simply believes in the power of dreams and dedication, Bhaimon Da is a must-watch. It is more than a film-it is a celebration of a legend, and a reminder that true artists never fade, they live on through the stories they leave behind.

Bhaimon Da is a cinematic gem and a fitting tribute to the irreplaceable Munin Baruah. Don't miss this beautiful homage to the man who gave Assamese cinema its golden moments.

I recently watched the biopic "Bhaimon Daa", and I must say I had mixed feelings about the film. In this review, I will begin by highlighting the aspects I found impressive before moving on to the areas where I believe the film could have been better.

To begin with the positives, the character selection was fantastic, with the exception of Zubeen Garg, whose portrayal didn't quite resonate with me. On the other hand, Gunakar Deva Goswami, Bondip Sarmah, and the actor who played Riju (the son of Bhaimon Daa) delivered truly commendable performances. The cinematography was also a strong point-visually captivating and aesthetically pleasing.

However, the film had its shortcomings. Firstly, I found issues with the background music, especially in the first half. At several moments, I felt distracted by the music, which was more melodic than evocative. It failed to enhance the emotional depth or mood of those scenes, and frankly, it didn't help me connect with the time period the film was trying to portray. In contrast, the second half had a more theatrical and synchronised score that matched the visuals more effectively.

Secondly, I noticed inconsistencies in the costume design. For instance, the style of the "churidar" worn by Bhaimon Daa's sister at the beginning of the film did not seem appropriate for the era being depicted.

Thirdly, I found the editing somewhat immature. The film could have benefited greatly from a more refined and professional editing approach. Additionally, the selection of Assamese fonts used in the cast credits lacked polish. The duration of the supers (text information shown at the bottom) was so brief that it was almost impossible to read them in time.

Another area that could have been improved was the colour grading, which I found to be poor and inconsistent throughout the film. This inconsistency disrupted the visual harmony of the movie.

Furthermore, the dialogue delivery of some characters felt unnatural and carried a theatrical tone that didn't fit well with the scenes. This became especially evident when compared to the performance of Ashish Vidyarthi, whose dialogue delivery was natural and impactful. This is a critical aspect where the directors of Assamese films need to focus more closely, ensuring that delivery remains authentic and grounded.

Finally, I felt that the script lacked cohesion. It appeared fragmented at times and could have been smoother and more intact in terms of flow and structure.

These are my personal observations, and I fully acknowledge that others may have different perspectives. I appreciate and welcome any opposing views, as discussions around cinema always enrich the experience.

Thank you.

The film depicts the lives of not only Munin Barua but his whole family, wrapped in the craft of filmmaking. It's a little melodramatic, but it works fine.

I loved three performances in particular - the first being Samudragupta Dutta as Shiv Prasad Thakur. Every time he appeared on screen, his aura filled it. I'm not sure how accurate his portrayal is, but it perfectly reflected the presence of a commanding figure in Munin Barua's life. Then Geetartha Sarma steals the show as Manash 'Rijju' Barua, and Bonodip Sarma does true justice to his respective role.

The BGM, especially the flute piece, was emotional, and the songs do justice to the tone. The entire "Xur Bahini" and Jayanta Hazarika segment was very strong.

That said, the film does have some irregularities in editing and writing. It jumps too often between different scenes with completely different plots, making some points feel abrupt and unexplained. The costume design, while melodramatic, has a few noticeable flaws. The "Hiya Diya Niya" composition part felt cheesy and forced, along with a few scenes in the first half. Also, I missed seeing a few prominent people I was expecting to have a feature.

Overall, it's a very good attempt to pay tribute to perhaps the most visionary director of Assamese cinema. It's not a masterpiece or a perfect biopic, but it has certainly reached a level Assamese movies hadn't touched in a long time.

(PS: My first review on IMDb - wanted it to be for something special. I guess "Bhaimon Da" has filled that void.)

Was watching again yesterday. It's really incredible to see that even on the third week, there was not even a single seat empty in the theatre. Director has done an incredible job in this movie. The characterization, screenplay, music and every other aspects of the movie is incredibly beautiful. Assamese cinema is back on the track with this Movie hopefully. From the second day of release, every show of the film is houseful and this is the third week.

It's a cinematic marvel in terms of picturization, screenplay, characterization, music, acting, etc. Being the first biopic in Assamese language, it has really set the bar real high.