IMDb रेटिंग
7.0/10
8.1 हज़ार
आपकी रेटिंग
चार्ली एक फ्रेंच उपनगरीय युवा है, जो अपने स्कूल की नई लड़की सारा से दोस्ती कर लेती है, हालांकि वह आगे होने वाली घटनाओं के लिए तैयार नहीं होती.चार्ली एक फ्रेंच उपनगरीय युवा है, जो अपने स्कूल की नई लड़की सारा से दोस्ती कर लेती है, हालांकि वह आगे होने वाली घटनाओं के लिए तैयार नहीं होती.चार्ली एक फ्रेंच उपनगरीय युवा है, जो अपने स्कूल की नई लड़की सारा से दोस्ती कर लेती है, हालांकि वह आगे होने वाली घटनाओं के लिए तैयार नहीं होती.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 जीत और कुल 10 नामांकन
Radivoje Bukvic
- Le père de Charlie
- (as Sasha Bukvic)
Thomas Solivérès
- Gastine
- (as Thomas Solivéres)
फ़ीचर्ड समीक्षाएं
Right from the start you are in it . The character development was unreal- every character you feel like you knew within just a few scenes . What incredible acting from a young crew .
The thing is it isn't even really a love story - maybe they were lovers and maybe not - but it's the friendship that really kills you here - that makes this a tragedy . The level of love and trust and vulnerability shared to just get taken away for no reason , honestly it's more painful than a break up.
There were many great scenes - the baiting in the beginning with the question about passion and freedom set up the whole film , the montage of the developing friendship and the montage of the bullying - it all tied together and felt real and heartbreaking.
It left me thinking about what the real catalyst for this was - was it when she said Sarah was a "classmate " ? Was it truly just trauma from her mom coming to play in every relationship in her life ?
The victimization and narcissism was very well shown . The loss of interest in every other aspect of element of life , the total obsession born from grief - only to be torn apart again at a reconciliation ( seemingly )
Honestly is made me feel and it will make you feel too - feel betrayal and tragedy and loss .
Very quality film and worth your time .
The thing is it isn't even really a love story - maybe they were lovers and maybe not - but it's the friendship that really kills you here - that makes this a tragedy . The level of love and trust and vulnerability shared to just get taken away for no reason , honestly it's more painful than a break up.
There were many great scenes - the baiting in the beginning with the question about passion and freedom set up the whole film , the montage of the developing friendship and the montage of the bullying - it all tied together and felt real and heartbreaking.
It left me thinking about what the real catalyst for this was - was it when she said Sarah was a "classmate " ? Was it truly just trauma from her mom coming to play in every relationship in her life ?
The victimization and narcissism was very well shown . The loss of interest in every other aspect of element of life , the total obsession born from grief - only to be torn apart again at a reconciliation ( seemingly )
Honestly is made me feel and it will make you feel too - feel betrayal and tragedy and loss .
Very quality film and worth your time .
If you are an adult, mature enough to find teenage silliness boring, the first part of this movie will seem a bit slow paced. Once the pathological relationship between Sarah and Charlie become clear it will evince somewhat more interest. But I think the "surprise" ending will not prove to be a surprise to most intelligent adult viewers. And when it's all over you may justifiably ask yourself, what was the purpose of this movie? Entertainment? Only for those who find themselves entertained by a rather lurid world of teenage passions. I hope you're not sitting next to one of those. A cautionary tale for parents? Hardly. A character portrayal in which one can empathize with the difficulties of the two girls because their high school experience is so much like our own, or like others we knew? Not very likely. So the movie, if it serves any purpose at all, is for the vicarious enjoyment of a seemly existence and its consequences. At many points in the movie you are almost sure to ask yourself whether Charlie couldn't have made much better decisions in her relationship with Sarah. The class, at the beginning of the movie, which tells the students (and surely warns the rest of us) that passion and intellect cannot coexist is certainly a very French view and this comment is surely meant to underline the rest of the movie. Perhaps if this were the inflamed passion of adults, as in the Postman Only Rings Twice, this forewarning would be appropriate - but unnecessary. Here it is needed but doesn't help.
If person like Sarah haven't not influenced yours life, than this movie can be to short to make reasonable impact on you. On other side, if yours life was strongly influenced by person like Sarah, then this movie could be a little bit to harsh. Before I met such a person I was unable to imagine that this kind of people could possible exist – it just does not make any sense. It was harsh to see this movie, but it is very good to be reminded in clear way that those people exist.
So she's a great director, too. I still haven't seen Laurent's 'Les Adoptes', but will close this gap asap after watching this her 2nd feature film. On the surface alone 'Respire' offers everything that's good about and expected from a social drama produced in Europe: hand- held camera, faithfulness to the light in which we'd see each scenery in real life, the effects being in the faces rather than in post production. The story being told by those faces as much as by film narrative, foremost by Josephine Japy's face. And the film unfolds as everything but mere surface. It's a very simple story, a school friendship going awry with tragic consequences, but Laurent's focus is on the subtleties of this relationship's evolution in each moment, and in collaboration with formidable acting this makes it a compelling watch. One small but powerful feature of film language that particularly delighted me was the smart use of slow motion: slow-mo is too often used in other films in a very annoying, bashful in-your-face way, here it is sparsely used, brief moments that follow the sole purpose of accentuating, and these moments work. The final result is a quiet, engaging, and ultimately disquieting and unsettling portrayal of the potency of emotional conflict at teen-age, of how unrehearsed and thus affecting, cruel and potentially dramatic and disastrous actions and reactions can be, especially if the pretence of adjustment hides the cracks of insufficient, failing or absent home support. Reacting increasingly becomes overreacting, foreboding eventual catastrophe; vulnerability takes vengeance on the greater vulnerability, and it is the containment of this greater vulnerability beating with the heart of the more reasoned protagonist that will in the end cease abruptly and give way to a surrender of control. The final take, as simple, precise and convincing as the entire film, is nothing short of ingenious. Praise be due to the performances of both leads, especially Josephine Japy (often reminding me of a young Binoche), as well as that of Isabelle Carre, playing Charlie's mother.
Respire is in all respect typical French drama. Apparently dry scenes, where you wonder if you're missing something. Restrained and subtle emotions that are confusing and irritating. A couple of dramatic plot twists. And beautiful, good, young actresses. I love it.
Josephine Japy as the introverted Charlie and Lou de Laage as extrovert Sarah are fine casted. Sarah can get under your skin. There are several moments in the film that I wanted to hit or hurt her. Charlie is often apathetic. I would kick her ass sometimes or shake her to wake her up. The crying and gasp scene at the end of the film is breath taking.
Although I'm far from the subject in age and I'm not a woman, I could easily empathize with Respire and it hit me several times like I was 17 again.
Josephine Japy as the introverted Charlie and Lou de Laage as extrovert Sarah are fine casted. Sarah can get under your skin. There are several moments in the film that I wanted to hit or hurt her. Charlie is often apathetic. I would kick her ass sometimes or shake her to wake her up. The crying and gasp scene at the end of the film is breath taking.
Although I'm far from the subject in age and I'm not a woman, I could easily empathize with Respire and it hit me several times like I was 17 again.
क्या आपको पता है
- ट्रिवियाMélanie Laurent's second feature film as director.
- कनेक्शनReferenced in Horrible Reviews: Breathe Respire, 2014 - Video Review (2016)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Breathe?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $42,297
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,063
- 13 सित॰ 2015
- दुनिया भर में सकल
- $11,58,695
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