Unbreakable Kimmy Schmidt

Kimmy is cute, strong, and compassionate, a great blend. She is gullible, but she is also wise and vigilant. Tina Fey's touch of intelligent and strikingly blunt comedy shines through.

This show is so fun! You can tell it's written by Tina Fey because it's got a (perkier) 30 Rock vibe. UKS utilizes many aspects of New York (Today show, times square, pick pockets).

I think it's funny when Kimmy's lack of education comes into play (e.g. proclaiming "Urethra!" instead of "Eureka!") She also uses lingo from the 90s/00s that really clash with modern day.

I know many people are comparing UKS to other shows (that I have not seen). However, it seems original to me. I mean, doomsday cult member trying to make it in the big apple?

It's worth a watch!

This show is ridiculous and the characters e over do it to what they can't get their stupid point across.

I've never been a big binge watcher, but I was so grabbed by this show right from the first episode that I just couldn't stop.

This show is full of beautifully gleeful charm, with a central character who can't stop smiling and no mean-spirited jokes anywhere in sight. The whole thing is just consistently happy and can really cheer you up within seconds.

I admit that the story does get a little tiresome at some points, where there isn't as much joking, but the series manages to keep reinventing itself in new and fun ways that brings back your interest immediately.

It's also a very subtly clever satire. Whilst the majority of it may seem like silly fun, the back story of the doomsday cult, the theme song and a whole host of other stuff is actually very intelligent, and of course, a lot of fun too.

You've got to watch this series, whether you want to binge it or not, because it's such a refreshingly happy show that stands out amongst the crowd of idiotic sitcoms and burning dramas.

www.themadmovieman.com

2019 sees the end of the Netflix series that began with such fanfare and acclaim but ends with a whimper rather than a bang.

Ellie Kemper plays Kimmy Schmidt, held hostage in an underground bunker for much of her twenties, by a doomsday cult. She's given a new lease of life following her rescue, so moves to New York. She moves in with Titus Andromedon (Tituss Burgess) a struggling actor who dreams of Broadway and gets a job as a nanny for Jaqueline White (Jane Krakowski) an uptown divorcee whose husband has left her with a young son and teenage daughter to look after.

For the first couple of seasons, I felt like "Kimmy Schmidt" was essential viewing. Shorn of the restrictions of Network TV, Tina Fey created a warm but hilarious series with characters specifically written for most of the lead actors but also able to use her star power to pull in some dynamite guest stars. It's a touch sad then that I feel the show has dropped off a bit with each of his subsequent seasons. I'm not sure, because although her specific writing credits remain a couple per season, whether Fey's general involvement has waned as the show has run on, or if some other creative force moved on but although the style of humour stayed the same, it just didn't seem to land as well.

I think, on the whole, if asked whether or not to recommend the show to someone, I'd still say that I would. There are only 51 episodes and of those the vast majority are very good - it's just a little unfortunate that it couldn't maintain the high standards that the early seasons set.