La prochaine fois je viserai le coeur

Intelligent, frosty character study of a French serial killer of young girls, based on a real case from the 1970s. The super dark anti-hero is played with great subtlety by Guillaume Canet, and the film is very well shot.

But there's a last layer missing that keeps this from going from a very good film to a great one. As much as it's always interesting, and sometimes even heartbreaking, there's a lack of larger theme or context that keeps this confined to being a thriller/character study - if a very intelligent and thoughtful one - and not the rare film that transcends into something even larger.

But it's still very worth seeing as a study of a brilliant but tortured man compelled to horrible violence, and on 2nd viewing I found it a more powerful and emotional experience, catching details and moments I missed the first time around.

Intelligent, pretty cold character study of a French serial killer of young girls that, unfortunately, only took stabs at the surface without digging deeper into the meaningful material. The casting is excellent with Guillaume Canet's performance as the exemplar Gendarme with sociological issues is both chilling and convincing.

NEXT TIME I AIM HEART is the perfect example of what could have been a very good movie: one emphasize at first the narrative pulled by a "true story" then one tells the tale with showing the murders with the at least strange behavior of the killer, a french cop in real life - military side. Exactly thus like a TV documentary which does not possess a point of view, the director tells everything whereas the spectator's guessing facts...

What then ? Why this movie would be better that any rag paper as" The New Detective? There is, regrettably, no reason for it because the mechanism of the pathos is played with the regularity of a Swiss clock of one vulgar funny gag of Naked Gun's movie. Not to mention the music which is only re-underlining the drama of the story, in case to we would have understood nothing at all !

Nevertheless in spite of these heavy and dumb brass instruments, the performance of Canet is rather good, and does not suffer by any lack of realism, as well as some ones wrote it in the press critics. And then some sequences add curiously to the suspense of the movie climax - for example the scene of pursuit in Peugeot 604. Nevertheless the movie quotes in forest are worth the manual of a perfect boy scout, but on the other hand, are suffering from giant clichés but hold more or less the road, especially if you have already read Baden Powell back in your life: easy to understand, it is all quite black or all quite white exactly like a suburban sky.

So, cut off the sound and you'll be feeling in the end watching yourself a giallo more or less made in the 70's, sent only straight to video. And I know what I'm talking about...

Original French title for this film is "La prochaine fois je viserai le coeur". It is based upon the real events that took place in 1978 - 79 in Oise County in France. A serial killer just starts killing young women and dumping their bodies. He then sends taunting letters to both the Police and their Gendarme cousins (separate departments). That is when the hunt is on. We know from pretty early on who the culprit is and so this is more of an examination of who this man was and what were his motives as well as a recreation of what took place.

The film plays out in a linear fashion with no back story and the makers have said they have had to use a lot of imagination and even supposition to fill those blanks in. So it is a work of fiction. Guillaume Canet ('Tell No-one') as the exemplar Gendarme with sociological issues is both chilling and convincing. The period detail is rather good but the eagle eyed amongst you will spot the same cars being used in different scenes (keep an eye out for a Triumph Herald) and as plot goes this does not hang about. As all thrillers need to be it is fast paced, there is an air of tension and the violence is both effective and at the same time done in an understated way.

All in all a very good French film - the subs could have been better - but that is generally the case these days. That said even at 111 minutes this felt like a much shorter film and as such it is one I would recommend.

cold, dark, precise. portrait of a serial killer using details and suggestion. a splendid role of Guillaume Canet. and a lot of questions. because it is not exactly adaptation of a case. but picture of society. because it is not presents motifs or excuses , not gives an anti-hero, not use drops of romanticism. it is only a cold image about a man and his crimes. Ana Girardot is a nice surprise. inspired option for remind another kind of Sonia from Crime and Punishment. the images, the dialogs, the story. nothing as part of a classic crime. only as support of reflexion. about universe as puzzle from Ionesco's small crumbs from his plays.