Duobeje

A gripping and intense survival film, this movie delivers on all fronts, offering viewers a thrilling and immersive experience from start to finish. The storyline, while unconventional, keeps you on the edge of your seat with its unexpected twists and emotional depth. The film isn't afraid to tackle difficult themes, and it does so with a sensitivity that adds complexity to the characters.

The performances were impressive, with Ainis Storpirstis giving a standout performance as the main character, embodying resilience and vulnerability in equal measure. The supporting cast also brought nuance and energy to the screen, each adding a layer of authenticity to the story.

Especially I LOVED that the survival aspect was not just about physical endurance, but about the emotional and psychological journey of the characters, which made it all the more compelling.

Overall, the movie masterfully balanced intense action with deep, thought-provoking themes, leaving the audience both entertained and moved.

I really reccomend to watch :)

In fact, it was very surprising. Not only the plot, but also the acting of the actors, the plot twists, the thought itself. Finally, you can see something else in the lithuanian work. I think it wasn't appreciated by The Lithuanian audience, and here these pieces of Malinauskas Fools' Guard, I watched all this nonsense, when the rating of the film fell to 1.3 per day. Absurdity. Lithuanians, as always, turn out to be all the more beautiful, not that they are driving it, because they are jealous.

Going back to the film, Kanyushoni is a wonderful actor and I think he's revealed himself the most as an actor and all his roles.

Ainis perfectly fulfilled everything emotionally. I wonder if there will be a second part, because the ending surprised. Orginal. Congratulations to the developers.

Duobeje is an ambitious movie that succeeds in creating an atmospheric experience but struggles to deliver a fully satisfying narrative. The cinematography is undeniably stunning-each frame feels meticulously crafted, with moody lighting and symbolic imagery that pull you into its melancholic world.

The performances are solid, particularly from the lead actors, who bring subtle emotion to roles that often feel underwritten. The film explores themes of isolation and identity, but its pacing can be slow, and at times it leans too heavily on ambiguity without offering enough payoff.

While Duobeje is admirable for its artistic intent and aesthetic, it left me wanting more in terms of character development and emotional connection. It's the kind of film that may resonate deeply with some viewers, but for others, it might feel more like a beautiful puzzle missing a few crucial pieces.

Not much to say here, but movie which was supposed to bring intensity, fear and everything associated with survival movies made me laugh throughout entire film.

Random story line, casuall rascism, r*pe ( which was super not needed (as 80% of characters in the film).

Logical issues, terrible acting from most of the actors except the main actor Ainis Storpirstis.

Movie had no idea, it lacked some sort of action about the main character ( who btw was doing everything except trying to survive).

Movie was so bad that most people in the cinema started laughing, cringing and talking because the director of this move had no idea how to captivate audience.

Terrible move 1/10.

There's not much to say here, but a film that was meant to evoke intensity, fear, and the essence of survival ended up being unintentionally funny from start to finish.

The plot felt random, with unnecessary elements like casual racism and an out-of-place assault scene (which, like 80% of the characters, served no purpose).

The film was filled with logical inconsistencies, and most of the acting was subpar, with the exception of the lead actor, Ainis Storpirstis, who stood out.

The movie lacked direction, failing to focus on the main character's survival journey (ironically, he did everything except try to survive).

It was so poorly executed that people in the theater began laughing, cringing, and talking, as it became clear that the director had no grasp on how to engage the audience.