Tribhuvan Mishra CA Topper

I thoroughly enjoyed this show after Mirzapur, but I did have one criticism - the episode runtime was excessively long, making it feel dragged out and tedious at times. However, apart from that, the show is absolutely fantastic, with its explicit content, profanity, and humor taking it to the next level. I highly recommend giving it a watch!

I thoroughly enjoyed this show after Mirzapur, but I did have one criticism - the episode runtime was excessively long, making it feel dragged out and tedious at times. However, apart from that, the show is absolutely fantastic, with its explicit content, profanity, and humor taking it to the next level. I highly recommend giving it a watch!

Let us get this out of the way. This is a show about a male prostitute who is also married and loves his wife. There are also an insane amount of scenes - though without nudity - of him providing service to his clients.

Once you get over that, this is is absurdly funny.

Of course there is entanglement with truly unsavory characters through his work and him coping with all that and his family life without skill-set of a gangster.

What carries the show is excellent ensemble cast lead by Manav Kaul. Writing is truly imaginative where a contract killer obsesses over customer service scores and (being Jain) commits no crime after sun-set and clients recognize the promotional souvenir of the vigils in each other's hands at a hair salon. Story is predictable but the situations are not.

There are a few unnecessary characters that do not add value for screen time.

If you felt bad for Shweta Basu Prasad after "the Tashkent Files", (she worked very hard to carry a movie with such a monumental conspiracy plot but the production was so shoddy that even Mithun and Naseer could not pull it out of the rut), she has redeemed herself with "Jubilee" and now with this series. She has perhaps the most layered character in the story and shines in every frame. A bunch of actors from the beloved "Panchayay" prove that they can each be very versatile - even the pigeon guy has a small role as an elevator operator.

I believe finally after a long wait,since sacred games,the indian series worthy of netflix platform has arrived. Nuances of comedy are well showcased by the makers,unlike in one of those on your face/slapstick comedy series loitering every other platform. Every scene has the ability to make one laugh on things which would otherwise leave you terrified,guess the background score deserves the credit here. All in all,netflix has finally delivered an epic comedy series with well written dialogues and characters. Moreover,amazingly directed scenes are definitely a cherry on the cake. Gonna binge it by the end of the day,must say seldom i come across such comedy gems in indian cinema.

Anwar Says: Whether Noida is like that as the Puneet Mishra, the Mirzapur director presented at Netflix. The subject is a unique one - male escort service and an honest chartered accountant is forced by the circumstances to undertake the service and women also celebrating to keep themselves happy.

The most distinguished feature of the web series is its casting. Leading in front by Manav Kaul aka CA Topper and Tillotma Shome as warm and pivotal characters. But Ashok Pathak as Dhaincha, Shubhjyoti Barat as Raja Bhai, Faisal Malik as semi-corrupt police inspector, Shweta Basu Prasad as dynamic Shobha and of course monophthalmic Yamini Das as typical mother-in- law. Each one evolves as the series progresses and makes his/her presence felt. Guns are available in abundance and everyone can take a shot.

Must be better told as expected from Puneet. Over stretched and too many sub- plots and the excess use of foul language made it mediocre. In short, a boisterously indecent series and not a family watch.

#Netflix #anwarsays #maleescort #Gigolo #newsubject #puneetmishra #manavkaul #TilottamaShome #ashokpathak #Bawdy #gunshots #couldhavebeenbetter.

Despite featuring a brilliant cast and impressive cinematography, the series ultimately fell short of expectations. The creators' ambition to tackle numerous topics resulted in a convoluted narrative burdened by irrelevant sub-plots. These tangents detracted from the main storyline and made it difficult for viewers to stay engaged. Loose editing further compounded the issue, as scenes often felt disjointed and transitions were jarring.

The weak storyline was unable to support the weight of the complex themes being explored. Characters that should have been compelling were instead lost in the shuffle, their development stunted by the scattershot approach to the plot. Emotional beats that should have resonated deeply with the audience were undercut by the constant shifts in focus.

Ultimately, the series' potential was squandered. While the visual appeal and the actors' performances were commendable, these elements could not compensate for the fundamental flaws in storytelling and production. The end result was a viewing experience that was more frustrating than fulfilling, leaving viewers with a sense of what could have been rather than what was.