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All Things Must Pass: The Rise and Fall of Tower Records

  • 2015
  • Not Rated
  • 1 घं 34 मि
IMDb रेटिंग
7.3/10
3.7 हज़ार
आपकी रेटिंग
All Things Must Pass: The Rise and Fall of Tower Records (2015)
A documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.
trailer प्ले करें2:05
2 वीडियो
8 फ़ोटो
इतिहासडॉक्यूमेंट्रीम्यूज़िक

अपनी भाषा में प्लॉट जोड़ें'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.

  • निर्देशक
    • Colin Hanks
  • लेखक
    • Steven Leckart
  • स्टार
    • Russ Solomon
    • Michael Solomon
    • Heidi Cotler
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    3.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Colin Hanks
    • लेखक
      • Steven Leckart
    • स्टार
      • Russ Solomon
      • Michael Solomon
      • Heidi Cotler
    • 27यूज़र समीक्षाएं
    • 27आलोचक समीक्षाएं
    • 73मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो2

    Official Trailer
    Trailer 2:05
    Official Trailer
    All Things Must Pass
    Promo 0:27
    All Things Must Pass
    All Things Must Pass
    Promo 0:27
    All Things Must Pass

    फ़ोटो7

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार22

    बदलाव करें
    Russ Solomon
    Russ Solomon
    • Self - Founder, Tower Records
    Michael Solomon
    • Self - Russ's Son
    Heidi Cotler
    Heidi Cotler
    • Self - VP of Operations, Tower Books
    Paul Brown
    • Self - Manager, Watt Avenue, Sacramento
    Stan Goman
    • Self - Chief Operating Officer, Tower Worldwide
    Steve Knopper
    • Self - Contributing Editor, Rolling Stone
    David Geffen
    David Geffen
    • Self - Founder, Geffen Records DGC
    Rudy Danzinger
    • Self - VP of Community Relations
    Mike Farrace
    • Self - VP of Marketing, Tower Partners
    Steve Nikkel
    • Self - VP of Worldwide Advertising
    Bruce Springsteen
    Bruce Springsteen
    • Self - Singer-Songwriter
    Mark Viducich
    • Self - Shipping & Receiving Clerk
    Ken Sockolov
    • Self - Store Clerk, Watt Avenue
    Dave Grohl
    Dave Grohl
    • Self - Store Clerk, Washington D. C.
    Bob Delanoy
    • Self - Stan's Neighbor
    Elton John
    Elton John
    • Self - Singer-Songwriter
    • (as Sir Elton John)
    Jim Urie
    • Self - Former President & CEO, Universal Music Group
    Patty Drosins
    • Self - Russ's Wife
    • (as Patti Drosins-Solomon)
    • निर्देशक
      • Colin Hanks
    • लेखक
      • Steven Leckart
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं27

    7.33.7K
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    फ़ीचर्ड समीक्षाएं

    7ferguson-6

    No Music No Life

    Greetings again from the darkness. I do not envy those experiencing their childhood in this modern era. Sure, they have far superior electronics and hundreds more TV channels, but they also have very little independence (most can't even walk alone to a friend's house or a park) and they likely will never experience the pure joy of perusing the stacks at Tower Records (or any other record store) for hours … experiencing the thrill of discovering a new artist or style of music that rips into their soul. OK, I admittedly suffer from a touch of "old man" syndrome, but filmmaker Colin Hanks (yes, the actor and son of Tom) has delivered both a cozy trip down memory lane and a stark accounting of good times and bad at Tower Records.

    With humble beginnings as little more than a lark, Tower Records began when Russ Solomon's dad decided to sell used 45 rpm singles in his cramped Sacramento drug store. He bought the singles for 3 cents and sold them for 10 cents. Within a few years, Russ purchased the record business from his dad, and proceeded to run it as only a rebellious kid from the 1960's could. From 1960 through 2000, the business grew each year. It expanded the number of stores (peaking at 192 worldwide) and constantly adjusted to the musical tastes and the delivery method – 45's, LP's, cassettes, CD's, etc.

    Using some terrific photographs and video clips, accompanied by spot on music selections, director Hanks brilliantly and generously allows the actual players to tell the story. The expected celebrity drops are present, and even the words of David Geffen, Dave Grohl, Bruce Springsteen and Sir Elton John carry emotion. However, far and away the most impact comes from extended interviews with the unconventional and charismatic Tower Records founder Russ Solomon and his devoted and forthright employee team. Their sincere recollections provide the roadmap through the phenomenal growth, as well as the devastating end in 2006. We understand how these stores became so much more than retail outlets … they were cultural hotspots for at least two generations. We also learn some things we probably shouldn't … like the definition of "hand truck fuel", and the reason Russ installed hot lighting in the listening booths.

    Mr. Hanks surprises with his ability to balance nostalgia and the harsh realities of the downfall of an iconic cultural business. The film captures the key role Tower Records, while also pointing out that the crash was due to more than just Napster and digital music delivery. An interesting case study for business majors highlights the importance of vision vs debt. For more insight from Colin Hanks, check out the interview from film critic Chase Whale: http://www.hammertonail.com/

    "No Music. No Life". The motto of Tower Records was somehow inspirational, and fit perfectly for stores that featured mammoth album artwork on their store fronts, their own "Pulse" magazine, and staff that couldn't fathom life without music … much less wearing a suit and tie to work. This was truly "a chain of independent stores", and trust me when I tell you that hanging out at Tower Records was more fun than having hundreds of cable channels.
    8jellopuke

    Nostalgic look at a lost era

    A loving look at an old store and its impact with lots of warm thoughts and good thoughts. Might not be much for people who didn't live it, but for anyone that remembers that era it's going to be worth seeing. Will definitely make you miss record stores and long to go to Japan.
    7imseeg

    Bye bye records...

    Nostalgic, slowburning (sometimes a bit boring) story about the rise and fall of the biggest record store company in the world called Tower Records, which rose to fame during the seventies. Bruce Springsteen and Elton John declare their unconditional love for Tower Records, because both and many other famous artists where household guests at Tower Records, which opened an hour earlier especially for these popstars to let them be able to go on their weekly shopping spree for new records.

    There was something quite special about that feeling of visiting an actual existing recordstore, which simple can not be experienced by simply downloading A TRACK.Going to the record store, with all these zillion records stacked up high, gave a feeling of coming home. And it was a home, for many music lovers AND musicians for many many years.

    Internet killed the record store though after 2000. But the record store miraculously DID SURVIVE in Japan, of all places!

    A bit too many management talking heads are the only downside of this documentary. For that reason I skipped the middle part. But the first part of the origin and rise to fame of Tower Records and the last part about the downfall are pretty interesting and fun to watch.
    6Prismark10

    Put the needle on the record

    I recall being excited to visit the Tower Records store in LA in the mid 1990s on my first visit to the west coast of the USA. When I returned a decade later to their San Francisco store, it somehow felt less exciting, the store looked a little too ordinary and it seems they were having a fire sale on. A few months later Tower Records had gone bust.

    Colin Hanks documentary examines the growth of this record chain from its early years from founder's Russ Solomon's dad's drug store where he had a section which sold records.

    Russ took over the business in the 1960s, starting in the west coast and moving to the east coast and then internationally to Japan.

    As is the case, these heady years of the counterculture was a supposedly drug and drink fuelled hazy party for the staff (it always seem to be the case with maverick start ups.) Live hard and party hard was the motto. The staff I saw in the 1990s seemed to be mainly bored teenagers on minimum wage.

    At the turn of the millennium Tower Records was valued at $1 billion. Their seemed to be no end to its success and they were determined to sell albums, preferably CDs.

    The impact of online shopping was a body blow. The Apple Store allowed you to buy singles you wanted for 99 cents. Tower Records wanted you to buy the whole album for an ever increasing price and their online servers was on AOL.

    Even worse the young IT savvy consumer could now get music for free from Napster and other torrent sites. Combined with the company's debt laden expansion, choppy waters awaited them.

    The documentary interviews key staff from the early days as well as the man himself Russ Soloman who comes across as a charismatic maverick. We also get to hear from musicians such as Dave Grohl, Elton John and Bruce Springsteen about their joy in visiting the Tower Record stores, browsing, talking to aficionados. Elton admits he spent a fortune in their shops.

    The documentary was a bit messy, in fact a little overlong. We see a former executive being fired by a new management team and how Russ took him out for a meal after a Christmas party which bought him to tears. I wanted to know why he was fired, why he could not get another job, what happened after he went for a meal with Russ and then the same executive turns up later on when the attention shifts to the company's declining fortunes.

    In fact seeing some of the staff being interviewed I was impressed how they managed to become so big, it seemed to be more by serendipity than design.
    7clarkj-565-161336

    Entrepreneurial Vision

    They call it luck, but it takes a particular type of wisdom to be at the right place at the right time. Russ Solomon had this in spades, when he branched out from his entrepreneurial father to expand into records. This movie is a blueprint of how to start a great business. First of all, have the vision. Secondly, get great people, give them freedom and back them up. Sounds simple, but very few businesses actually do this. In the movie, various key employees are interviewed and they all basically tell the same story. That is that they were given a chance to prove themselves and they rose to the challenge. Russ also realized that he could tap into the collective wisdom of all his employees and this he also did, especially with advertising and the Tower Records publication Pulse! It is refreshing to see the 60s again, the hope and the freedom. Russ also realized that he was not a financial type, so he hired an excellent money manager in Bud Martin. The demise of tower records was quite sad, but technology replaces one thing with another, so it was a tremendous ride.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      To promote the release of the film, the still empty building which once housed the Tower Records on Sunset Blvd. in West Hollywood had its facade repainted to appear as it once had. This led to rumors that the store may reopen, but in fact the building had been sold to Gibson Guitars in 2014 with the intention of opening a guitar showroom, while preserving the historic building itself. Not yet ready to open their showroom, Gibson worked with the documentary makers to repaint the building to display the Tower facade. The repaint was planned to be taken down after the premiere party was held inside the empty building, but remained up for over a year while Gibson continued to plan their new store.
    • गूफ़
      In the closing credits the Japanese Translator, Kyoko Nishijima, is listed twice.
    • भाव

      Dave Grohl, Himself: [Describing the cover of Nirvana's "Nevermind" LP] People went to great lengths. Like they'd get that weird foam and cardboard stuff and make a baby and there's a actual dollar bill dangling in front of it and it looks like water behind it. And, you know, when you would see people go to that much trouble for you, for your band, we were just, like, we were just shocked.

    • कनेक्शन
      Referenced in Late Night with Seth Meyers: Carol Burnett/Colin Hanks/Baio/Abe Laboriel Jr. (2015)
    • साउंडट्रैक
      Bless This Morning Year
      Written and Performed by Helios

      Courtesy of Unseen Music LLC.

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    • रिलीज़ की तारीख़
      • 16 अक्टूबर 2015 (यूनाइटेड स्टेट्स)
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      • 8801 Sunset Blvd West Hollywood, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Tower Records Sunset Blvd. location)
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