Suburban Gothic

In 2012, I came across the hidden gem Excision. Directed by Richard Bates Jr., Excision was the type of film that horror fans love to find – a title that they knew nothing about starring a bunch of people that we never heard of that, upon screening, was much much better than the throwaway DVD we expected.

Excision didn't have us pacing the halls awaiting the next Richard Bates Jr. effort, but it did have us stand notice when his new project, Suburban Gothic was announced as part of the Toronto After Dark Film Festival schedule.

With a successful and fairly well received film in his rearview mirror, Bates Jr. was able to gather together a cast of more familiar faces for his sophomore effort. Enter Matthew Gray Gubler (Criminal Minds), Kate Dennings (Thor), Ray Wise, John Waters and Jeffrey Combs – the later three very entrenched in horror history.

Suburban Gothic follows the life of Raymond (Gubler). A bit of a loser and an awkward one at that – a "freak" as his counsellor calls him - Raymond lives at home with his parents (Barbara Niven and Ray Wise) as his college degree does little to assist in securing employment.

One thing that Raymond is good at is summoning spirits and interacting with the paranormal. This talent catches the eye of paranormal obsessed goth Becca (Kat Dennings), a bartender that believes Raymond's sightings are a gift and the two will team up to fight an evil that has encroached the town.

Suburban Gothic is a whole bunch of things. It's a comedy, a horror, a supernatural thriller and a wannabe cult classic. The cast is well suited with no actor going outside a true comfort zone. Gubler has played the geek many times before as has Dennings playing the sarcastic muse as has Ray Wise playing an overbearing father with great lines and John Waters playing a gay freak. Been there, done that.

Suburban Gothic wants to be a The Frighteners, a Ghostbusters, an Odd Thomas and a Supernatural all rolled into one. But the effort doesn't reach the potential. It's like a car that runs but doesn't click into the right gear when accelerating. Everyone tries their best and there are some great lines in the film (John Waters' scene with Dennings and Gubler is absolutely fabulous) but everything doesn't click together like Lego blocks and instead of a David Lynchian Gothic Mullholland Drive the result is more of a Brundlefly.

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It doesn't squarely fit comedy/horror or any other label, but it's fun (and a little dark) with some interesting characters and laugh-out-loud moments.

Matthew Gray Gubler is great as the man-child and Ray Wise is perfect as his father.

There are a few scenes sprinkled through the film that look oddly "cheap". Perhaps late pickups or second unit production. They're kinda distracting but don't ruin the film.

Kat Dennings will probably always be an underrated actress until she gets the "it" role she needs. Until then she will do bad movies like this, but she has enough star power to get people to see it. All that aside, the main character is so irritating I wanted to punch him in the face every time he opened his mouth, except one scene.

"Ok, I'll look into his work. What's your favorite movie of his?" "Running out of Bullets" "I'll watch that one first."

Also, John Waters is Jesus Christ, so it's a must watch. But overall it was a pretty lame movie.

Matthew Gray Gubler from the television crime series Criminal Minds gets to let loose in this comedy-horror movie. At the same time, Ray Wise from the classic Twin Peaks television series (1990) also gets to expand on his former character again as the father figure, this time as Gubler's character's dad. What sets this rather conventional movie apart from other comedy-horrors is the script which delightfully expands and enhances those stylistic characters of Gubler and Wise and transforms them into a comedic parody upon which both actors take to their roles with a feverish outpouring of electric sophisticated humor. At the same time, the script at a few points seems to cross the line of parody and seemingly endless excessive mimicry making the movie almost overly burdened with pretentious acting (possibly the fault of the movie's director). The movie also sharply turns pretty dark later in the movie straining the carefully crafted balance of the tone of the movie. Nevertheless, Suburban Gothic offers an entertaining spark to the comedy-horror genre, making it rise above the many mass of ordinary movie titles.

I adjusted my rating multiple times. I might change it again before I finish typing this.

Ranking aside, I really enjoyed this movie, and will happily watch it again.

Every character in this movie is an absolute tool. I loved these tools. I tend to be tool-phobic, but I'll meet up with these tools again, and I'll enjoy it.

The best way I can find to describe this movie is: Millennial screws up his life with the aid of his horrible excuse-for-a-human father, and his Permanent Denial, Where's Mommy's Little Helper mother, and has to move back in with said parental units. Then it turns into Daria: Millennial Version, who happens to be haunted by some Other-Side Creeps.

It was more like watching a hilarious Snapchat or Vines compilation from internet friends than a produced, scripted, and rehearsed movie. Part of that was the actors really filling out their roles, and part of it was the hilarious realness of the dialogue and reactions (adjusting for the oomph of polished comedy and drama).

While I can't shout from the rooftops for all comedy horror fans to watch this, I -can- add it to my Official Halloween Month Movies List, and will likely coerce my bestie to watch it with me during one of our movie nights.