Bus 657

The movie itself is very predictable. Even a twist is not that much of a twist, though it doesn't really make much sense if you think about it. But all is carried throughout the length of the movie, because you have some really strong actors in this. You can also question the morality of it and how it deals with certain things.

But it's just a movie and the characters may be plain (most of them), but that's why this isn't top rated either. It's a nice little thriller movie, which might think it's more than it is, but that's OK. It's better to set higher goals, than just aiming too low. Even with the misses and flaws, this still can be enjoyed

Throw together a few bad-ass looking guys and you get a bad-ass movie? If only directing was that simple. This reeks direct to DVD; bad acting with little or no coherent dialogue, bad lighting with the classic 2008 fake lens flare, zero character development etc. The list goes on. These days Hollywood movies are sadly relying on statistics, stitching together parts and dialogue from films that once did well. De Niro hits rock bottom of wooden acting smoking Vapes whilst lecturing a millennial how in the future no one will know what a real cigarette tasted like. ZZzzzz. This film is the reason why people pirate movies. Period. Times is money, and you're about to loose some.

Great performances performances by DeNiro, Morgan and Bautista.

I feel some parts needed a little more 'oomph' as it felt dragged out a bit - a directing issue perhaps, by novice director Scott Mann, but forgivable seeing this was his 2nd full length feature film.

The screenplay could've used some tweaking, but the story itself was great - both by novice writer Stephen C. Sepher.

I just wish I heard less of the overbearing constant score that needed to be toned down, but otherwise, an enjoyable crime drama - a gangster film with heart, and a well deserved 8/10 from me

The formula could not have been more stereotyped: An ex-criminal (played by Jeffery Dean Morgan) gets his life together for his daughter who needs a quarter of a million dollar surgery. He ask his boss(played by Robert De Niro). His boss not only says no but fires him, leaving the ex-con no choice but to go back to his old ways and steel from his boss with the help of an inside man(played by Dave Bautista). The perfect plan goes horribly wrong and now they are being chased by a sympathetic, cop (played by Gina Carano).

It's a plot done a million times, but I have to admit, the characters on the screen are a little more in depth than you'd usually have in such an action thriller. Does not hurt that the characters were performed well by some decent talent. Even De Niro gave a good performance, as he usually phones in these "for the pay check" rolls, but he made me feel something for the character he plays. Though Bautista still needs some work on the dramatic stuff, Jeffery Dean Morgan has the charisma to keep you interested, and a nod to Morris Chestnut, who did put a nice twist on the henchmen concept he played.

So it's like if you combined Heat and Speed and then watered it down a butch, but overall, it was a good crime drama to watch.

"Heist" a/k/a "Bus 657" offers strong performances and decent production values. The script has several strengths. The characters are interesting and multifaceted and the dialogue is good. The characters are given backstories and complex histories with one another, but those histories aren't developed sufficiently for the audience to understand some of the choices the characters make.

Some aspects seem contrived, such as the girl's critical illness and urgent need for surgery that somehow leaves her appearing healthy and rosy-cheeked, the hospital's ultimatum or the lack of other options like crowd-sourcing fundraisers. One plot device seemed much more appropriate in a 1990 Bill Murray comedy than a gritty action film. A feared gangster takes extraordinary steps to prevent anybody from ever imagine they can steal from him, but is robbed twice in a week. The casino seems to have less security for its cash than most casinos have on their alcohol.

One wishes filmmakers would take the time to do some rudimentary research. There are numerous images on Google of one million dollars in hundred-dollar bills. If half the money were in twenties, it would take up three times as much space. Used bills occupy possibly twenty percent more space than new bills. If a character runs around with a bag that's too small to hold the amount of money it's supposed to hold, people are likely to wonder where the rest of the money is.

The script has more holes than Emmentaler. At times the characters seem to act without any comprehensible motive. At other times, they have very real and believable motives. The script has a couple of nice twists, although they really need a better foundation than a brief allusion or quick background shot to make them seem believable. It would have been nice to get to know some of the passengers, particularly as they make choices that impact the outcome.

With a little more effort and development, it could have been a really good script. Strong performances by Morgan and De Niro and interesting turns by Bautista and Chestnut make the film a worthwhile viewing experience.