Gyesirok

South Korean cinema is one of my favourites so I was looking forward to watch this new movie from director Yeon Sang-ho. I really enjoyed watching his previous movies Train To Busan and Jung_E, both movies that I scored with an eight. Revelations is not as good as the other two but it is still a more than decent movie. Another genre, a crime/thriller this time, with good actors and a story that was pleasant to follow. Sure towards the end the crime solving got a bit too easy but still a decent movie in this genre. As for the cinematography that was very good again, almost like usual I would say when thinking about Yeon Sang-ho.

This is the latest Netflix Korean offering, which stands up against several other similar movies.

So the basis of the plot revolves around a kidnapper and a Pastor, but the story takes may twists and turns and lines between good and bad are blurred, which if course is far more to how life actually is than most of Hollywoods superhero style movies.

It keeps you engaged throughout the whole movie, is she alive, is she not being a running theme throughout. Look, there are some flaws here, the storyline isn't anything groundbreaking + there's no big twist at the end, but it's thrilling enough to keep you entertained till the credits roll. Another downside is how the characters make some terrible choices; a detective goes to a suspected crime scene alone + the perpetrator not covering his tracks at all being two of the most notable. However these are mistakes many movies make and didn't ruin the suspense for me.

I also liked the way religion was explored heavily but never shown in a preachy way. Whether there was any divine interventions going on is left to the viewers imagination, which means neither Theists or Atheists should be offended, Lastly despite what another reviewer has said, the acting is superb, they put western actors to shame, i cried at the end. I think the other reviewer may just be racist.

All in all, i highly recommend it if you are a fan of the genre, if not, it may be a little slow for you.

*"Revelations"* is a film with strong performances but a deeply tragic narrative that leaves a bittersweet aftertaste. I fell bad for main male lead first his tra*h wife cheat and like cu*k he forgive her. I can't understand why all movie like that when husband or wife cheat on their partner they forgive them...never give cheater second chance. Read news...anyways, While the acting from both the male and female leads is compelling, give amazing performance overall its good.

**The Good:**

• The **male lead delivers a powerful performance**, portraying his character's emotional turmoil with raw intensity. His journey is heartbreaking, and you can't help but feel for him as his life crumbles.

• The **female lead is equally impressive**, bringing depth and nuance to her role. Her acting amazing
• The film's atmosphere is gripping, with strong cinematography and a moody soundtrack that enhances the tension.

**The Bad:**

• The **unrelenting tragedy** of the male lead's story feels excessive at times. While drama is expected, the constant downward spiral becomes emotionally draining.

• Some plot points feel **predictable**, and the pacing drags in certain sections, making the suffering feel drawn out rather than impactful.

• The ending, while fitting the tone, doesn't offer much catharsis, leaving the audience with a sense of unresolved sorrow.

*Revelations* is a well-acted but emotionally exhausting film. If you appreciate strong performances and don't mind a heavy, tragic storyline, it's worth a watch. However, the relentless misery holds it back from being truly great.

**Rating: 6.5/10** - Good performances, but the overwhelming tragedy makes it hard to fully enjoy.

Revelations pulls you into a dark little world where faith and fear collide. The story follows a pastor who's lost his grip on reality after a personal betrayal, and a detective haunted by her past. Right from the start, you feel the weight of everyone's pain, and Ryu Jun-yeol and Shin Hyun-been carry those emotions with quiet power.

Visually, the film is spot on. The gloomy streets and sparse lighting give everything a tense, uneasy vibe. There are moments that make you jump, and a few scenes where you're left wondering if what you're seeing is real or just a trick of the mind. It's creepy in the best way.

That said, the movie sometimes drags. The first act spends a lot of time setting up backstories, and if you're itching for action, you might find yourself checking your watch. A couple of plot twists also feel a bit forced, and you'll catch yourself thinking, "Wait, how did that happen?" more than once.

Still, Revelations is worth a look if you like slow-burn thrillers with a psychological bent. It's not perfect, but it sticks with you after the credits roll, and that's hard to do these days.

South Korean director Yeon Sang-ho delivers a gripping and suspenseful experience in the first two-thirds of his latest film. Set against an increasingly tense backdrop, the story builds steadily toward a thrilling showdown in an unfinished house-an eerie, concrete shell that serves as the perfect stage for a psychological and spiritual confrontation.

At the heart of this build-up is the character of the pastor-charismatic, unsettling, and deeply complex. His god-like delusions and moral ambiguity offer rich thematic material, and it's here that the film seems poised to dive into bold, unflinching territory.

And then, inexplicably, it all falls apart.

Instead of deepening the conflict, the film abandons its most compelling character. The pastor vanishes from the narrative, and with him, the entire dramatic weight and thematic sharpness of the film. The focus shifts to a police officer's investigation-a far more conventional and diluted thread that lacks the urgency and existential tension of what came before.

This final third feels like a betrayal-not just to the audience, but to the film's own premise. What was once sharp and provocative becomes bland and toothless. The direction loses its edge, opting for a safer, less confrontational conclusion that undermines everything the first part had set up.

Ultimately, what begins as a promising, intense thriller fizzles out into a hollow resolution. It's a shame to see a film with such daring potential end in such a timid and characterless way. A missed opportunity.